Brush-up for Episode 6 with Dame Pasty’s Recap and Review of “Kill the Boy”

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It’s Saturday and the wait for the next episode gets interminable at this point. To kill the time join me for a jaunt through last week’s episode, “Kill the Boy”. The video gods were not kind to me so you’ll notice weirdness with the color balance of my footage and a shadow over my face. The stills from GoT are fine though and my audio is clear. OTHER than the poor quality of my video, what do you think?

Video after the jump.
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Kit Harington in Out, Sean Bean comments on Jon Snow’s past, and TVInsider goes behind the scenes of Game of Thrones

Kit Harington

Kit Harington appears in Out magazine this week, covering a number of topics including losing castmates, the homoerotic vibe of the Night’s Watch, and being sexualized in the media.

“So many people have left and died,” Harington says of the show’s high kill count. “It’s getting thinner and thinner on the ground each year. I’m just holding on to those people that have been there from the start, the core group, and wishing and praying that none of them die.”

About the Night’s Watch, “There is something quite homoerotic about that,” Harington admits. “They all bunk up together. I haven’t really thought about it too much, but they’re brotherly. There’s brotherly love.”

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New Game of Thrones behind-the-scenes video featuring the Sand Snakes, locations and more

Obara

Somewhat surprising this far into the Game of Thrones season, HBO has dropped another behind-the-scenes videos about new season 5 characters and locations. While the video contains some footage we’ve already seen, there are also several new glimpses and interviews with the cast and writers of the show. Naturally, the Water Gardens, the House of Black and White, the High Sparrow and the Martells feature heavily in the new video. Check it out:

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Anatomy of a Throne: “Kill the Boy”

HBO’s Game of Thrones (typically, and before this current season) brandishes a consistent and high degree of fidelity to the nearly 5,000-page-long source material of George R.R. Martin’s A Song of Ice and Fire novels, but there still, of course, are differences. While most of these gaps from the page to the screen are small and detail-oriented, it is nonetheless the case that the most subtle discrepancies often hold the biggest insight into the adaptation process, into the demands of filmmaking, and into the rigors of the literary narrative. This, then, is the anatomy of a key scene of Thrones – not because of its dramatic importance or visual effects whizbangery, but because of the telling nature of its realization. Continue reading →