“Breaker of Chains,” written by showrunners David Benioff and Dan Weiss and directed by Alex Graves, stands as one of the single most controversial episodes in Game of Thrones’s entire run to date – a not-so-easy task, given the sheer amount of shocking material that has lodged the show so indelibly in the cultural consciousness. That controversy, of course, solely emanates from the instantly infamous rape scene between Queen Regent Cersei Lannister and her twin brother, Ser Jaime, in the Great Sept of Baelor, right next to where their son’s body lies in repose (not that the late King Joffrey Baratheon was the kind of gentlemen who demanded respect, even in death).
The End of Jon & Sam, Bran’s Sight in Season 6, and Julian Glover on playing Pycelle
With only 18 days until the premiere of Game of Thrones season 6, members of the cast simply can’t resist dishing on their characters’ evolution.
John Bradley (Samwell) reflects on losing Jon Snow with The Telegraph, Isaac Hempstead Wright (Bran) teases his Sight and magic at Yahoo!, and with Vulture, and Julian Glover reviews playing Pycelle.
Emilia Clarke and Maisie Williams on Game of Thrones, women and feminism; Liam Cunningham teases “carnage” in season 6
Emilia Clarke appears on the cover of the new issue of Glamour magazine, and discusses the show’s female audience, fan interactions, the ever-present nudity question and much more.
Glamour notes a report stating that women are 40 percent of the Game of Thrones audience. Emilia has a lot to say about the show’s strong female viewership, which bucks the stereotype that women don’t like fantasy.
“I love that so many women watch the show,” she says. “If you look at Game of Thrones on face value—blood, tits, dragons, swearwords—you’re like, Oh, this must be for guys. But if you take that away, the story lines are fascinating depictions of the struggle for power. And women are in on that conversation!”
Win a Game of Thrones Deluxe Hardcover Sketchbook!
Game of Thrones season 6 is so close, we can almost taste it. So what better time for a giveaway to get the fun started?
Today we’re kicking off a giveaway of a beautiful newly available sketchbook, courtesy of Insight Editions. The Game of Thrones Deluxe Hardcover Sketchbook opens with pages of Game of Thrones art, leading into a book of 192 blank, acid-free pages of high-quality heavy stock paper. The sketchbook is well made, with sturdy construction and sewn binding, and includes a ribbon placeholder, elastic enclosure, and a back pocket, perfect for holding photographs, mementos, or raven-delivered warnings from your allies in the North.
Leave a comment below to enter to win the Game of Thrones Deluxe Hardcover Sketchbook!
*The giveaway is limited to residents of USA and Canada only.*
For the complete rules of the giveaway and even more entry methods (you can have up to FIVE total entries!), read on.
Game of Thrones Memory Lane 402: The Lion and the Rose
Last week he examined the season 3 episode “Kissed by Fire” and today he’ll walk down Memory Lane with us through the season 4 instant classic, “The Lion and the Rose.” Please welcome back Manu! -Sue the Fury
“It’s just wine,” Tyrion explains to his older brother, as Jaime spills the contents of his goblet all over Tyrion’s solar. The line remembers a mostly-forgotten conversation from season one, when Ser Loras Tyrell educates Renly Baratheon on the rules of war. “It’s just blood,” he says, “Sometimes, a little spills.”
Fitting, perhaps, that wine and blood comingle to create the first pivotal moment of Game of Thrones season four; in “The Lion and the Rose,” the reign of cruel King Joffrey comes to a sudden and horrific end.
HBO launching an official recap show for Game of Thrones
In a long overdue move, HBO is expanding its weekly coverage of Game of Thrones with a new addition its lineup.
HBO has announced today that they’ll be teaming up with Bill Simmons for After the Thrones, a weekly show that “takes a lively, humorous and sophisticated look at” Game of Thrones. It will debut this month, with the first episode premiering on April 25th, the day after GoT’s season 6 premiere.
After the Thrones will be hosted by Andy Greenwald and Chris Ryan from The Ringer.
HBO says that each new weekly episode of After the Thrones will be available on Mondays on HBO NOW, HBO GO and HBO On Demand, as well as other affiliate portals. Playdates on the HBO channel itself will be announced as they are confirmed in the future.
Game of Thrones Memory Lane 401: Two Swords
We’re down to 20 days on our season 6 countdown clock! There’s now less than three weeks to go until the premiere of the new season. Fittingly, today we turn our attention to a beloved season premiere, “Two Swords,” written and directed by David Benioff and D.B. Weiss. Here to walk us down Memory Lane is a guest contributor, WotW regular Morgan! – Sue the Fury
Season premieres are always tricky episodes to get right. You have to have a good balance of reminders of how the last season of Game of Thrones ended, while tying in plot points for the new one. “Two Swords,” the fourth season premiere, with iconic scenes such as Oberyn’s introduction and the final fight at the Inn, garnered a huge response from viewers. Fans loved moments such as Jaime waving with his golden hand, Olenna tossing jewelry like it was trash, and the newfound camaraderie between the unlikely pair of Arya and the Hound.
Kit Harington takes a lie-detector test, and the Game of Thrones cast on avoiding revealing spoilers
Kit Harington is facing even more heat as Game of Thrones season 6 draws near as absolutely no one is willing to accept that Jon may actually be dead. Late night talk show host Jonathan Ross is among the many that believes he will be resurrected and took matters into his own hands for the truth.
IGN also has an interview with other members of the Game of Thrones cast on their approach to avoid revealing spoilers.
Game of Thrones Memory Lane 310: Mhysa
We thought it could only happen once. After the execution of Ned Stark, we didn’t think it was possible to ever be that shocked or hurt again by anything that happened in the world of Game of Thrones. After Ned died, our understanding of the story shifted, and we adapted and hardened along with the characters.
Until “The Rains of Castamere” played, blades were drawn, and we realized it was happening all over again. Then we were left adapting to the new shape of Game of Thrones once more.
“Mhysa,” the season 3 finale written by David Benioff & D.B. Weiss and directed by David Nutter, plunges us into the immediate aftermath of the Red Wedding. With Robb Stark’s desecrated corpse on display, as his little sister Arya looks on, there’s no hope: we’ve lost Robb, Catelyn and Talisa, and the ramifications will loom large throughout the season finale, and the rest of the series.
Anatomy of a Throne: “Mhysa”
Note from the author: this Anatomy of a Throne for “Mhysa” was intended to be exclusive to the ebook re-release of my work, which would have been called It Is Known: An Analysis of Thrones, Vol. III (just as the second season finale, “Valar Morghulis,” is only available in Vol. II). Unfortunately, real life got in the way, and that long-awaited (by two people) installment has yet to materialize – and may never.
So, considering that bleak little prognostication and the little fact that the Watchers on the Wall community has been nothing short of amazingly supportive and appreciate of my work here, I decided to go ahead and have that potential selling point be an exclusive to the site. Please enjoy, and offer your three or four dollars to the God of Tits and Wine instead.
HBO’s Game of Thrones brandishes a consistent and high degree of fidelity to the nearly 5,000-page-long source material of George R.R. Martin’s A Song of Ice and Fire novels, but there still, of course, are differences. While most of these gaps from the page to the screen are small and detail-oriented, it is nonetheless the case that the most subtle discrepancies often hold the biggest insight into the adaptation process, into the demands of filmmaking, and into the rigors of the literary narrative.
This, then, is the anatomy of a key scene of Thrones – not because of its dramatic importance or visual effects whizbangery, but because of the telling nature of its realization.