As this profoundly crummy year crawls to a close I’ve been struggling to get into any sort of holiday spirit. Then the recent House of the Dragon casting announcements were released and they gave me a much-needed energy boost and the inspiration to write up a list of things I would do if I were in charge of the show I’m hoping for in HOTD in a … vaguely holiday-ish manner.
Potential spoilers for HOTD, I guess? The spoiler policy is kind of weird for this show.
12. Nettles
Amidst all the carnage and tragedy of the Dance of the Dragons, let’s remember that one woman – a bastard who tames her own dragon, no less – gets to ride off into the morning mist at the end: Nettles. “Foul-mouthed, filthy and fearless,” she has all the makings of a fan favorite.
11. Targaryen Madness Explored
I’ve always had issues with Targaryen madness for the way it conflates mental illness with violence and evil. So, it would be really, really, really nice if HOTD could actually delve into what this hereditary sickness even is. In season 1 some effort was put into depicting Targaryen madness as a form of psychosis or schizophrenia that just isn’t understood in Westeros. Renly says that King Aerys slaughtered innocents because “the voices in his head told him they deserved it” and Grand Maester Pycelle even describes Aerys as a “good man” before he was consumed by visions of fire and blood. I can’t really imagine a truly non-problematic portrayal of Targaryen madness since those affected with it do invariably poses a threat to the safety of others. Still, I hold out hope that HOTD might handle it with just a touch more humanity.
10. Helaena Targaryen
I’ve already discussed my feelings about Helaena Targaryen at length in a video essay (*cough*), but TLDR, she’s a tragic figure who deserves to be portrayed as more than a benign chubby girl or grief stricken mad woman.
9. Evolution of Language
I’ve wanted to write about linguistics in Game of Thrones for years but nothing in Martin’s canon has made me as excited as HOTD, in this regard, because we won’t just be getting different languages, we’ll be getting those languages influencing each other to credit new languages.
At least we better.
I will be bitterly disappointed if the show ignores the language barrier that Valyrian-speaking Aegon, Visenya and Rhaenys encounter while conquering the Seven Kingdoms and just skips forward to 129 AC when everyone speaks the Common Tongue (though the absence of regional dialects in Westeros also bothers me). The most overt real world parallel to Aegon’s Conquest is the Norman Conquest of England, led by William the Conqueror, and the realization that Valyrian is analogous to Norman French in this context (rather than Classical Latin) sent me down a rabbit hole trying to figure out how the Common Tongue might be a hybrid of Valyrian and whatever Proto-Common Tongue the Andals, Rhoynar and First Men spoke (the way English is a Germanic-Romance hybrid language). But of course HOTD can’t really delve into this since the Common Tongue is – functionally for the TV show, anyway – English. And we’ve heard enough of David J. Peterson’s Valyrian to know that 29% of English vocabulary does not come from it.
However, it would be pretty great if HOTD could somehow work in that the Common Tongue word, “dragon” is derived from “dracarys.” David J. Peterson bemoaned Martin’s lack of creativity when coming up with that word and decided that its similarity to “dragon” (via the latin “draco“) was a coincidence. But what if it wasn’t? After all, words often change meaning slightly when they’re borrowed and incorporated into other languages. It would be a fun bit of world building and a nod to the evolution of real languages.
8. Dragons
They’re the ultimate wish fulfillment pet and mode of transportation and in HOTD they’re going to be everywhere! Again, I’ve expressed my thoughts on dragons at length elsewhere (*cough* *cough*). I just hope that they’re treated as characters with personalities and not as weaponized Alexas.
7. Aerial Battles
I don’t know if there’s ever been, or ever will be a live action television series with more potential for spectacle than HOTD. We got a taste of what two dragons fighting above the clouds looks like in “The Long Night.” With HOTD giving us Aemond One-Eye’s battle with Lucerys, the Battle at Rook’s Rest and the Battle Above the Kings Eye at a minimum, it’s going to be absolutely breath-taking.
6. The Red Kraken
By the time HOTD comes out, I will be well overdue a Greyjoy fix, and a show that centers around the Dance of the Dragons will more than likely feature the most legendary of all Ironborn: Dalton “Red Kraken” Greyjoy. As the personification of Ironborn toxicity, violence and short-sightedness, I don’t expect him to be likable, but I do expect to enjoy his screen presence.
5. The Forging of the Iron Throne
I have nothing insightful to say about this one. I just want to see it.
4. Evolution of Fashion
300 years is a long time in the world of fashion, and while I hope HOTD continues Game of Thrones’ tradition of reflecting character development through costuming, I also hope that clothes and accessories are used to convey the passage of time. Obviously, Game of Thrones’ costume designers, Michele Clapton and April Ferry, drew inspiration from a variety of sources but their overall aesthetic had a late medieval/early Renaissance feel. It would be interesting, then, if the characters in HOTD dress and accessorize themselves in a manner more evocative of the early to mid-medieval period.
Personally, I’d love it if we got more headdresses than elaborate braids in HOTD (the religious habits worn by septas and Olenna Tyrell’s wimple and barbette establish some history of head coverings in Westeros). It actually makes sense that the dragon riders of Old Valyria and, therefore, the early Targaryen queens would keep their long, flowing, flammable hair tucked away and the gradual shift towards hair braiding would be a fitting symbol of the Targaryens’ growing distance from their roots.
3. Matt Smith
Honestly, I’m only putting him on this list because of the backlash his casting has received. I don’t understand it. Matt Smith is a good actor; he has range and his eyebrows are so light he might be the first Targaryen whose eyebrows don’t clash with his silver-blonde wig. Seriously, though, I don’t get the naysaying.
2. The Score
I’m just assuming Ramin Djawadi is going to score this show because … why on earth would HBO hire anyone else? I am, of course, looking forward to all the new musical motifs he’ll compose but I’m actually more excited to hear how Djawadi incorporates the themes from Game of Thrones that are still relevant to the events and characters of HOTD into the new score. I’m not sure if “Mhysa” was ever truly the theme for House Targaryen so much as Daenerys’ theme, but surely, surely we’re going to get “Breaker of Chains” again as the dragon theme, right? I can so clearly imagine a melancholic rendition of it, like the one the Danish National Symphony Orchestra performs at 6:12, playing over the Storming of the Dragonpit.
What I’m saying is that Djawadi needs to compose the score so he can rip my heart out and eat it in front of me. Again.
- Answers to Mysteries
One of the trickiest parts of writing HOTD, I imagine, will be providing definitive accounts of events that are left ambiguous in Fire and Blood and The World of Ice and Fire. These texts are written as in-universe history books, after all, so there are plenty of knowledge gaps and points of speculation. Was Helaena killed or did she commit suicide? Did Rhaenyra weep or smile when presented with the severed head of a toddler? Were Daemon and Nettles lovers or did they have a father-daughter relationship? Providing concrete answers to these mysteries has the potential to transform our understanding of these characters, and I’m curious to see which stances the writers choose to take.
#NETTLES
Thanks for your article. I am very excited with possibilities.
I never learned Klingon but I’m up for learning
“ a hybrid of Valyrian and whatever Proto-Common Tongue the Andals, Rhoynar and First Men spoke”
Oh yes, I can certainly see Nettles being a fan favourite — a 16 year old scrappy underdog who goes against the grain and overcomes the odds. To me, Nettles is one of the most rootable characters in a story where it can sometimes be a competition of main characters for the title of Who Can Suck the Most ;D (Rhaenyra, Alicent, Daemon, Aegon, Otto Hightower…)
So… #TeamNettles 😉
Petra (or others)
So, I remember that D&D were very involved in selecting the original cast of GOT. Was it a team effort with Nina Gold from the very beginning?
Who is the casting director for HotD? or is it all the showrunners at this point?
Martin and Ryan Condal (and I see Miguel Sapochnik is listed along with them, but my guess is he’s more executive producer like he was during the last season of GOT)
I did watch a bit of Emma D’Arcy in Truth Seekers. She only has a few seconds of air time until the third episode (which I just viewed). My first impressions are that she looks younger than I thought she would, but it may have been the jumper outfit they have her wearing! But they may show Rhaenyra when she was younger. I was picturing her in one of those Targaryen wigs. She hasn’t had any real meaty scenes yet. She has to lie down with her eyes closed and look scared at the ghosts who are stalking her. “Truth Seekers” isn’t exactly King Lear, but the characters do make me smile a bit. (it’s an Amazon Prime original series)
Great list, Petra!
Nettles. “Foul-mouthed, filthy and fearless,” she has all the makings of a fan favorite.
Nettles: Ancestor of Sandor Clegane?
Adrianacandle,
….To me, Nettles is one of the most rootable characters in a story where it can sometimes be a competition of main characters for the title of Who Can Suck the Most ;D (Rhaenyra, Alicent, Daemon, Aegon, Otto Hightower…)
So… #TeamNettles 😉
…….
You’ve got me thinking I was a bit hasty in declaring for TeamGreen. 🤢
Well, depending on how things go in the series, you may still be Team Green 🙂 I may be Team Green! But based on the source material as it is, I hesitate to declare support for either Green or Black because… gah….
But I think I can definitively be Team Nettles! 😉
Tron79,
”So, I remember that D&D were very involved in selecting the original cast of GOT. Was it a team effort with Nina Gold from the very beginning?”
As I recall, GRRM himself was intimately involved in selecting the original cast of GoT. I’ve read pre-Season 1 interviews of GRRM, Benioff and Weiss
(and watched several S1 Episode Commentaries they narrated) describing their collaborative casting process. Though I’m not positive that Nina Gold was involved, I’m pretty sure she would have vetted candidates, set up their auditions, and forwarded audition tapes to the showrunners.
Considering that Nina Gold hit multiple homeruns in casting GoT, hiring her for HotD seems like it would be a no-brainer.
I could root for Cersei mainly because I liked Lena Headey, especially in previous roles in which she played the romantic lead (“Imagine Me and You” with Piper Perabo) or the heroine (Queen of the Spartans in “300” and its sequel) – and because I knew she was such a delightful, lovely person in real life.
I don’t have that kind of familiarity with Emma D’Arcy or Olivia Cooke, though from the trailers and snippets I’ve watched on YouTube they both seem very talented.
While it’s my understanding that GoT made Cersei more sympathetic than her books! counterpart, I still feel a little guilty that I was cheering on Cersei even when she was doing evil sh*t like wine-boarding a nun, poisoning a daughter in front of her mother, and blowing up a sept full of her enemies (and bystanders). To its credit, GoT gave Cersei a compelling backstory and defensible motives for many of her (mis)behaviors.
I’m not so sure I’ll be as forgiving of Alicent or Rhaenyra if they start
I suppose it will be a challenge for the writers and the two actors to portray these HotD women with the kind of moral ambiguity and complexity Big G and the showrunners infused into many of the GoT main characters, e.g., Jaime, Cersei, Melisandre, and Sandor. (Yes, I considered Sandor a “main” character – on the show at least.)
Pure speculation on my part: Based on Olivia Cooke’s resume, especially high profile leading roles in recent films and shows, I’d be surprised if this up and coming young actor would take on a (potentially) multi-year role as an outright villain with no redeeming qualities.
an endearing, witty female lead in the upcoming action comedy “Pixie” (2021), I would think her agent or manager would advise her to pass on a role playing a “pure villainess” as too risky a career move. On the other hand, I have not watched her in “Vanity Fair,” in which I think you
or another commenter said her character was not a goody two shoes-type protagonist.
Some actors (e.g., Tom Hanks) and studios are understandably reluctant to undercut the actors’ hard-earned reputations for playing the good-hearted hero or heroine. Others consider it a welcome challenge, and an opportunity to avoid being typecast.
We’ll see soon enough, won’t we? 2022 is really not that far away…
Ten Bears,
And I think that’s very very possible with both Alicent and Rhaenyra, kind of like how the show did it with Cersei (who I’d say is more sympathetic than her book counterpart) and I’d also consider both Alicent and Rhaenyra to have far more depth of feeling than book!Cersei 🙂
The reason I’d put both into my “competition of main characters for the title of Who Can Suck the Most” category is really because I’m considering the story as a whole and the crappy things they do to get what they want. Yet these characters can (and do) still have some sympathetic and relatable feelings, aspects, and even motives at times.
Personally, I think Rhaenyra starts out more sympathetic than Alicent because Alicent married Viserys knowing Rhaenyra was his heir and Viserys certainly made no promise to Alicent that he’d unname Rhaenyra. Viserys publicly defied the precedent set by the Great Council to name Rhaenyra as his heir and made no move to change that position — so Alicent married Viserys anyway knowing all this and still
However, people see Alicent as starting out sympathetic too (and she’s only 15 when she comes to court — tasked with reading to the elderly king, I believe) and there have been heated, heated debates over this (often ending in “they both suck!”). Still — neither woman is just one thing or what I’d call an outright villain with no redeeming qualities. And both inspire heated debates over Team Green vs. Team Black! Both women are pretty complex. They both truly love, they hurt, they struggle… and they’re both ruthless power-hungry schemers 😉
Yes, I think GoT made Cersei quite a bit more sympathetic than her book counterpart — and I’d even argue they made her funnier too. Doing things like infusing these characters with a great sense of humour could make these characters more endearing as well 🙂
I mean, I don’t think I could ever agree with what Cersei does… but I certainly love her 🙂 I think she’s a joy!
Slightly off-topic: Do we know (yet) if Michele Clapton or another GoT costume designer is going to work on HotD?
Because from the little I know about HotD, including an incident or incidents in which Alicent partisans dress in green and Rhaenyra loyalists dress in black, there’s a real opportunity to be creative with the costuming and hair styling.
Football fans show their loyalties this way. Green Bay Packers’ fans show up at the stadium decked out in green, with yellow cheese heads. Several years ago, before the Raiders moved away from Oakland, their fans would dress up in all black, “heavy metal”/pirate type outfits. This year,
HotD costuming and wardrobe departments could really go to town on the TeamGreen vs. TeamBlack motif.
I agree, I think there is a real opportunity for some creative Team Green vs. Team Black motifs (and there are already pretty passionate team green vs. team black debates on Reddit that I’ve seen). I also think this can align pretty nicely with Petra’s wish for HoTD characters to “dress and accessorize themselves in a manner more evocative of the early to mid-medieval period” and utilize more headwear. That “head space” can provide another opportunity for some team motifs 😉 But early-to-mid mideval style 🙂
(I haven’t heard anything about Clapton in regard to HoTD though).
Tron79,
Sapochnik is showrunner as well, not only producer. He and Condal are showrunners and there will be other writers working with them.
Nina Gold is doing casting in HOTD as well, but just like in every show, final word is on showrunners. Condal said in interview that he was the one to made the decision for King Viserys.
I don’t think George is really involved with this show, they are using his make for marketing purposes. It gives them legitmacy if creator of the original story is somehow involved.
When you read his blog posts about HOTD you don’t have any impression that he is really doing anything about the show.
To be honest that was the case with original show as well. When you read Fire Cannot Kill a Dragon from James Hibberd it’s clear that even in the first season final decision was always on the showrunners.
In recent years popular projects that Nina Gold did were Game of Thrones, The Crown, latest Star Wars trilogy, Chernobyl, The Two Popes,…
She knows how to find these young inexperienced actors who will do outstanding job with their roles. Her latest triumph was Princess Diana in S4 of The Crown.
Quality, creativity and imagination. How about that? I’m looking for that. In a world that is awash in mediocrity those things are no longer guaranteed. We are drowning in stupidity, idiocy and ignorance…the threefold blight that has permeated every nook and cranny of our society, including entertainment. Where a bunch of self-important and self-deluded morons think that they are special because they are higher up on the pedestal of fame or infamy. These nitwits are adept at transmitting their moral superiority and elevated level of virtue to the rest of the dirty unwashed masses and despicable plebes. And we are guilty of having elevated these gasbags and fed their delusions of grandeur. So mea culpa and woe is me as well….
So a good story with strong characters, solid direction, well written scripts and production values to match would be an achievement. Beyond that, I’ll be all good…
Thanks for the info! I’m really excited that Nina Gold is involved. Also it’s pretty cool that Sapochnik is a show runner. His name makes me think of battle sequences. I wonder how many major battles they will have in a season.
Tron79,
In the first season not so many I think.
I was thinking they could use a similar formula as GOT and build up to one large battle for the season. But with SAPO on board it makes me think there could be more action sequences or difficult shooting situations
Well, I kind of hope that they avoid the temptation of making HotD the Fire-Breathing Dragons Show. I admit I’m biased. While I was impressed with the CGI in GoT, and its battle sequences were phenomenal, that was not what made the show special:
For me, it was the “high thread count” interpersonal scenes that differentiated GoT from the dreck I’m used to seeing on TV.
That’s why S4e7 remains my favorite episode out of all 73: Wall to wall interpersonal moments. No dragons. No swordfights. No explosions. No decapitations.
Just two characters, by themselves, talking:
– Tyrion & Bronn (declining to be his champion)
– Tyrion & Oberyn (“I will be your champion”) *
– Sandor, Arya & dying farmer (“That’s where the heart is”)
– Sandor & Arya (“The pain was bad. The smell was worse. But the worst thing was that it was my brother who did it…”)
– Jaime & Tyrion
– Robyn & Sansa (hey, your sh*t snow castle doesn’t have a Moon Door)
– Lysa & LF (“I have only loved one woman my entire life…”)
* (Oberyn’s line is right up there in my Top 5 Iconic GoT Lines, along with Syrio “The First Sword of Braavos does not run.”)
Anyway, I am hoping that in HotD, spectacle is in service of the narrative, rather than the other way around. The addition of Sara Hess to the writing staff is encouraging: it certainly can’t hurt to have a female voice to write credible dialogue for a show involving two rival female characters.
It may be too much to ask for that S1 of HotD focuses on introducing the characters and setting up their relationships, rather than coming up with pretexts to show dragonriders zipping across the sky. [I am NOT whinging, but that’s why Dany & Jon’s S8 dragonriding date fell flat for me.]
Sapochnik is certainly proficient at staging kickass battle scenes and action sequences, e.g., “Hardhome,” “Battle of the Bastards,” and “Winds of Winter.” For me though, it was his direction of the scenes leading up to the battles that I really enjoyed (e.g., Jon & Tormund meeting with Karsi and the other Wildling chieftains).
loco73,
”Quality, creativity and imagination. How about that?”
***
“So a good story with strong characters, solid direction, well written scripts and production values to match would be an achievement. Beyond that, I’ll be all good…”
I hear ya!
Petra: ”As this profoundly crummy year crawls to a close I’ve been struggling to get into any sort of holiday spirit.”
Perhaps a holiday Musical Interlude might help?
Yes please 😊
Ten Bears,
#MockingbirdS4E7
Yes, I enjoyed that episode as well. In the clip you posted of Pedro Pascal, he recalled that his “I will be your champion” scene was his very first scene he filmed for Game of Thrones. (They shoot out of order). What a great way to start!
I agree about those “high thread count” scenes. Tryion’s final scene with Jaime in the tent was one of my favorites. I’m hoping they do build on the success of GOT to keep the same structure of focusing on characters. It’s only when you care about the characters that the big battles mean something. I have posted before about how the Marvel action sequences get boring for me. If they get us invested in the characters and then they face extreme peril, then the cool dragon flying scene is all the better. I especially like the idea of watching characters like Nettle tame her dragon to allow her to become rider. Dany and Jon’s flying scenes were some of my least favorite scenes of the series. It wasn’t the dragons I disliked. I have always had a problem with their relationship (the speed of it and I didn’t feel the chemistry). I was intrigued about Jon being able to become the dragon rider. That should have made Dany very suspicious. There is no way she should have expected him to be able to ride. So I had a problem with that as well…..
Anyway, this is very exciting stuff to be dreaming about. We actually have actors cast in roles and a picture of a dragon!!
Tron79,
”It’s only when you care about the characters that the big battles mean something.”
Yes! You said succinctly what it took way too many words for me to say.
Also… let me follow up a bit on Oberyn’s speech to Tyrion. What made it so effective (for me) was how I could picture vividly the story of meeting baby Tyrion as Oberyn was telling it, and how Oberyn’s supposed “disappointment” at finally meeting the supposed “freak” that turned out to be “just a baby” humanized Tyrion. (As Tyrion choked up with emotion upon hearing that, so did I.)
After Oberyn talked of wanting “justice” and cynical Tyrion told him he’d come to the wrong place, when Pedro paused and declared “I will be your champion” his words were equivalent to the climax of an action scene: so cathartic on all levels.
(In my head canon Oberyn defeated Gregor and didn’t get his head smashed in like a cantaloupe.)
What a great character! What a great actor! If HotD can pull off some casting coups like that I’ll be tickled.
Final comment about Pedro Pascal: I get the impression that although he had significant acting experience before GoT, the show was really a breakthrough for him, at least as far as public acclaim. (From the moment he appeared on screen in S4, who didn’t love the hedonistic Prince of Dorne?)
If HotD is a hit, I suspect there will be several relatively unknown actors who also become household names.
As long as the show doesn’t attain the “quality” of those dresses George RR Martin and Ian Mc Neice were wearing in that picture from the failed GOT pilot…I think we will be alright…😜🥴
Tron79,
”Dany and Jon’s flying scenes were some of my least favorite scenes of the series. It wasn’t the dragons I disliked. I have always had a problem with their relationship (the speed of it and I didn’t feel the chemistry). I was intrigued about Jon being able to become the dragon rider. That should have made Dany very suspicious. There is no way she should have expected him to be able to ride. So I had a problem with that as well…..”
Me too! I thought the ease with which the dragons took to Jon, and his ability to climb aboard a dragon for a test flight, would be a big
clue to his secret Targ identity. Dany didn’t even raise an eyebrow. That was odd.
Plus, I have to admit, I thought a certain other character – a professed admirer of Targaryen women dragon riders – would be the one to get a dragon joyride.
Were those the wedding clothes they were to be in as Pentoshi noblemen and guests at Dany’s wedding? Or at least, I think that was GRRM’s cut cameo appearance…
Ten Bears,
Speaking of Arya, I kind of got Arya vibes from Nettles — I think she might be a character who is right up your alley, Ten Bears 😉
I’ve read several interviews from GRRM and D&D that did say GRRM was involved in the casting process for GoT — but yes, D&D did have the final say on casting decisions. Yet, I wouldn’t say GRRM wasn’t involved in these casting processes though…
I’m not sure how involved he will be in HotD. I don’t think the extent of his involvement is really all that clear right now. He may assist on fleshing out the story details from the source material since HotD is based on two short stories and two in-universe history books (The World of Ice & Fire, Fire & Blood). But then again, he may not..
Okay then. The holiday song I’m going to link has a very tenuous ASOIAF connection. It’s been covered hundreds of times (including, I think, by Snoop Dogg (!) and Anna Kendrick in Pitch Perfect 2 or 3).
The rendition I’ve chosen is my favorite.
Oh yay, Pitch Perfect!
I have a holiday song I’d like to share with you but it has no ASOIAF connections so I’ll put it under the spoiler tag in order for others to breeze on by it if they’re not interested:
Presenting…. ‘Make it So’!
Fave line: SHUT UP WESLEY.
🎄Holiday Musical Interlude ⚠️
🎶“Later on, we’ll conspire
as we dream, by the fire
To face unafraid,
the plans that we made
Walking in a Winter Wonderland.”🎶⛄️
https://www.youtube.com/watch?v=k1oyZQtLZ6U
Darlene Love, “Winter Wonderland” (1963)
——————-
Snoop Dogg & Beca (Anna Kendrick)
https://www.youtube.com/watch?v=2sTvdeLQsMM
“Winter Wonderland”/“Here Comes Santa Claus” mashup from Pitch Perfect 2.
In every huge production it’s a collaborative work. Nina Gold clearly has a lot of power judging by her reputation in the industry.
I don’t think his involvement in HOTD is really important. Source material for this show is over. I don’t think even D&D needed his help, they needed him to finish the books.
Personally, I’d value GRRM’s insight into the characters he’s created that will be featured in HotD, especially since I think the show will likely be expanding from the source material provided and GRRM may have some valuable thoughts and material for these characters not available in the published material. However, if it’s between that and GRRM working on the books, I know what I’d pick.
Yeah, when I read Petra’s description…
“Nettles. ‘Foul-mouthed, filthy and fearless,’ she has all the makings of a fan favorite.”
… I figured I’d be on board. 😎
YAY thank-you, TB!! I almost missed this post!!! <3
Even if we divide on Team Green vs. Team Black, I’d like to propose we always be on #Team Nettles <3
I really hope that Nina Gold will be involved in HOTD too,
but I don’t think any media outlets have reported her involvement yet.
I mean there’s probably no way we could see the forging of the Iron Throne in this, that happened long before this show’s era.
Agreed!
P.S. Are we sure Nettles is going to be in HotD? If so, I’m going to start fancasting for the role.
Adrianacandle,
Yes. Those were the very outfits…LOL…
https://gameofthrones.fandom.com/wiki/Pilot_episode?file=George_R.R._Martin_Unaired_Pilot_Cameo_Costume.jpg
https://gameofthrones.fandom.com/wiki/Pilot_episode?file=Ian_McNeice_as_Illyrio.jpg
I can’t imagine HotD without Nettles! 🙂 Even if she’s not a main character, I think she’s pretty important to the story
Yup! Those are the ones! That headwear is divine! 😉
Something I’m personally very interested about is seeing Dance of Dragons play out as a story, not only as historical recounting of the events. All knowledge I have of it is from Viserys I/Aegon II chapters in WoIaF and S5 Histories & Lore of GoT. Reading that, I can see the (horrific) actions caused by numerous characters but I’m not really WITH the characters and I think consequently, my thoughts were mostly “Who is the worst among the bad ones” when it came to these characters. But I genuinely wonder how will I grasp this story when I see it unfold as actual story, with way more interactions, full characterization, subtle scenes etc. I wonder which character will feel more or less sympathetic when given full characterization and dialogue.
On other hand, I wonder how the story of Game of Thrones would seem if all that existed was historical retelling of the important events.
Ten Bears,
Your lips are moving and you’re complaining about something. That’s whinging. Also, for citing Miguel’s list of accomplishments, I noticed you neglected to mention “The Long Night” or “The Bells”, both of which dwarf any of those other episodes.
While I hope and pray on this Christmas day that this doesn’t turn into yet another season 8 fight (please please please), people can have preferences. You are welcome to enjoy and favour those episodes, nobody is taking that away from you — but others can have differing favourites (like Hardhome) and cite those as accomplishments.
These are my thoughts exactly 🙂 It will be very interesting to see this unfold as a story rather than a historical account!
Adrianacandle,
Maybe but he doesn’t have any sense of pacing so I would rather have him far away from this show. His did his job by finishing Fire and Blood part 1 which is everything they need.
In regard to narrative pacing, I don’t think I’d quite agree with this. I think that’s up to subjective opinion. I’m not saying GRRM is the perfect writer, far from it, but I do enjoy his writing for the most part (although, I think he is guilty of going on tangents, getting lost in too much detail, and going off the deep end with character count and world building… which can be pretty frustrating…).
But Fire & Blood is a historical account. It’s not a fully fleshed out story. This is where I think GRRM would have some great input as the creator of this world, the story, and the characters.
Adrianacandle,
I thirst for blood.
Off topic but wishing everyone the best for the festive season.
mau,
If he didn’t write scripts for GoT S5+, there’s no way he’ll write a script for this show, especially not with the last two books still unfinished. Besides, it’s much harder for him when he doesn’t have clear source material to pull from, like he did for S1-4 (based off his first three excellent books).
The whole point of Fire & Blood is that it’s not impartial. It’s a historic account written by someone who clearly has some bias. The major beats of the show and book will likely match, but the wonderful thing is that the showrunners will be free to rearrange things and reinterpret characters as they see fit.
Farimer123,
”Your lips are moving and you’re complaining about something. That’s whinging.”
😁 🐓 🐓
”Also, for citing Miguel’s list of accomplishments, I noticed you neglected to mention “The Long Night” or “The Bells”….
The omission was deliberate. Sapochnik’s work on “The Long Night” was obscured by the surprisingly mediocre low light cinematography. (Watch the pre-S8 WF Crypts teaser trailer for an example how to illuminate and photograph an interior low light scene so the audience can see what’s happening. Or the Jon, Tormund & Wildling chieftains meeting in “Hardhome.”)
Neutering Jon Snow and turning Arya into Batman didn’t help…
I liked “The Bells” more than most fans, and there were some gorgeous screensaver-worthy shots. I guess I was not thrilled with Dany’s inexplicable rampage. (“F*ck it. I’m gonna be Queen of the Ashes after all. Because symbol. Or coin flip. Or something.”)
Both episodes were technically bri**iant. They just did not measure up to “Hardhome” in my humble (and unqualified) opinion.
…, both of which dwarf any of those other episodes.”
Dwarf? Imp? Demon Monkey? You should’ve stopped at dwarf.
Seriously, I admit that when it comes to staging big battle scenes, Sapochnik is the go-to guy.
Erik, formerly Lord Parramandas,
”Something I’m personally very interested about is seeing Dance of Dragons play out as a story, not only as historical recounting of the events. All knowledge I have of it is from Viserys I/Aegon II chapters in WoIaF and S5 Histories & Lore of GoT.”
The way I look at it, having only a chronological framework to start with can be a blessing. Like
“The Lineage and Histories of the Great Houses of the Seven Kingdoms” Ned slogged through in Season 1…
https://www.youtube.com/watch?v=a1wL4PMc4Vo
… starting out with only a dry chronicling of family histories doesn’t tell the full story of the long since departed people mentioned in them.
What I mean is that the writers and showrunners of HotD have the creative freedom to flesh out the barebones, third-person historical recitals in the limited amount of source material provided by GRRM, using the ingredients loco73 identified above:
“Quality, creativity and imagination…
“So a good story with strong characters, solid direction, well written scripts and production values to match…”
Consider S5e8 “Hardhome” as a rough example…
[11:17 am. To be continued. Sorry. The Lord of Light is freezing up my phone again.🥶]
You too, dearest Dame! 🙂
Ten Bears,
Continued from 11:17 am
Book readers can correct me if I’m wrong:
It’s my understanding that the S5 “Hardhome” episode was for the most part a show-only creation. In the books, the only reference to Hardhome was a second-hand account in a cryptic letter that mentioned “dead things in the water” and weird sounds in caves or something like that. In the books, Jon Snow didn’t travel to Hardhome on a rescue mission. There was no first-hand account of White Walkers and zombie hordes massacring and reanimating thousands of wildlings.
To use GRRM’s gardener analogy, the show’s writers took that one little seed from the books, used their own imagination to germinate it, and nurtured and cultivated it to produce a gripping stand-alone episode. (It also highlighted Jon’s bromance with Tormund, and his heroic qualities as a leader and “great conciliator” rather than just a kickass sword fighter.)
For me at least, the last 20 minutes or so of “Hardhome” – from Jon & Tormund and the NW crew’s arrival and meeting with Karsi & Co., to the total clusterf*ck that erupts, until the very end with Night King showboating at the edge of the dock as a dejected Jon floats away – probably constituted the best* uninterrupted sequence in all 73 episodes of GoT.
………….
*Full disclosure: As an unrepentant Sandor & Arya fanboy, I’m partial to the last 9 1/2 minutes of S4e1 “Two Chickens” aka “Two Swords.” Though on a much smaller scale than “Hardhome,” that final, uninterrupted sequence in S4e1 also featured well-written dialogue, and a tense confrontation erupting into a clusterf*ck battle scene. However, I’m not sure how much of that scripted sequence was drawn from the books.
………..
Assuming, as Erik formerly Lord Parramandas stated, our knowledge of the Dance of Dragons is confined to “Viserys I/Aegon II chapters in WoIaF and S5 Histories & Lore of GoT,” HotD’s producers, writers and actors could (and presumably would have to) add a whole lot of nuance, back story and character development to create a full ten-episode series (or longer) that captivates the fan base.
If the writers of HotD can take the basic elements from the sparse source material and run with it, there’s no reason they can’t create their own compelling stories “with strong characters, solid direction, [and] well written scripts and production” with the right mixture of “creativity and imagination.”. [Per loco73 comment above]
I have to assume (and hope) the HotD showrunners’ pitch was so impressive that HBO felt comfortable enough to pull the plug on “Blood Moon,” (with big names Jane Goldman and Naomi Watts attached, after viewing its pilot episode and declining to give “Blood Moon” the same opportunity for a do-over they gave to D&D to iron out any imperfections), and order HotD to series sight unseen.
For the studio’s executives to green light a full season of HotD and devote millions of dollars to it, the showrunners’ concept must have blown them away, right? (By itself, Sapochnik’s involvement couldn’t have been enough to sway them, could it?)
I do not want to be cynical and attribute HBO’s dual decisions to a conceptualization of HotD as merely a rote retelling of the sparse source material’s historical events, punctuated by CGI dragon aerial dog fights.
Let me add a caveat: Based on Petra’s wonderful video essay – I think it’s linked in her main article above – comparing the portrayal of dragons in S1-S4 vs. S5-S8 of GoT (i.e., depicting dragons as emotionally interactive animals rather than simply airborne WMDs), HotD could very well present dragons as characters in their own right such that the audience is emotionally invested in them and
.
That would be a real achievement!
Addendum to 12:59 pm Comment
Re: Item #8 of Petra’s main article “Twelve Days of Dragons: what I’m looking forward to in House of the Dragon”:
8 Dragons
“They’re the ultimate wish fulfillment pet and mode of transportation and in HOTD they’re going to be everywhere! Again, I’ve expressed my thoughts on dragons at length elsewhere (*cough* *cough*). I just hope that they’re treated as characters with personalities and not as weaponized Alexas.”
* Here’s a direct YouTube link to Petra’s cited video essay with her “thoughts on dragons”:
https://www.youtube.com/watch?v=Do0-gSRHQlM
Petra Halbur: “How to Write Your Dragon (in the Dance of Dragons spin-off)” Sept. 19, 2019 [11:28 long]
It’s really good. I highly recommend it. Bonus: Petra’s got an audiobooks-worthy speaking voice.
It’s not really off topic, is it, to wish that we can all be home on Christmas Day?
https://www.youtube.com/watch?v=33lAyFz2_JY
⚠️ (Apologies for cheap segue into Christmas Day Musical Interlude #1 – Cyndi Lauper, from December 1998)
Adrianacandle,
Here is a present! I just read His Dark Materials has been officially renewed for season 3!! It may not have been everything I would have wanted (the first two seasons), but it will be cool to see how they tackle the third book. The third book is the most challenging IMHO. 2021 should be a great year of filming with HotD and HDM season 3.
OMG YAY!!!! That is the best present!! I’m so relieved and glad!!!! Thank-you, Tron!!!!
Tron79,
Adrianacandle,
Okay, you two. I need your advice about “His Dark Materials.”
It looks like between reruns of Season 1 (8 episodes?) on HBO On Demand, and Season 2 episodes airing on regular HBO channels, I could binge watch the first two seasons.
Here’s the catch: I’d have to finish my binge watch by January 2 or so. After that, all of the episodes will no longer be available (unless HBO runs a marathon before Season 3.)
I have not read the books and don’t think I’d have the time to do so. I’m not even sure I could devote 15-16 hours for a binge watch during the next week unless I show some remarkable self-discipline and actually finish work projects before they are due.
Plus, my “To Watch” list is already backed up with other shows, e.g., The Marvelous Mrs. Maisel, Star Trek: Picard, and Ozark.
Is it worth my time to watch Seasons 1 and 2 now? Or should I plan on reading the books first and then wait for a possible pre-S3 marathon?
As a proud binger myself with a season 3 confirmed, I say… go for a binge now! If you have questions or you’re not understanding stuff about this world, you can always ask Tron or I — and you can always start on the books whenever you wish. In fact, watching HDM may even inspire you to get in on the books 🙂 It’s a complete series, three books, about 300-500 pages each if I recall right, and the language flows nicely!
Wow, that’s a pretty tough one to write out here because I think I’m going to recommend you watch some of the other shows on your watchlist first. Picard and Ozark are both all time favorites of mine. I had issues with HDM, especially in some of the early episodes. GOT filmed out of Northern Ireland. HDM’s production is by “Bad Wolf” which is in Wales. I think both look like they were filmed like high budget films to me instead of just another TV show. I appreciate feeling transported when I’m watching, and it’s not just another TV show. Both GOT and HDM have awesome opening credits, and a recognizable score! There are some similarities. Also, you have a story of a young girl who lies her way through life. Sound familiar? Her name almost has all the letters of Arya (Lyra). But don’t get your hopes up for another ASNAWP. The characters are quite different. Dafne Keen is closer to the ASNAWP in her younger XMAN role. For me personally, I read the books after season 1. The books are far better than the show (IMHO). But I still found the show addicting and mesmerizing. I also work in a religious institution, so the themes about religion in HDM resonate with me. I also have taught theology courses based on sci-fi for teens, and Pullman’s trilogy is filled with challenging topics to discuss…
For pure TV enjoyment, I would suggest binging Ozark first. It’s crazy with dark humor and I couldn’t stop watching. Julia Garner is incredible. Then I would go for Picard. I’m a huge trek fan, and Picard was the best trek I’ve seen in years.
I think it would be cool to binge HDM after season 3 is completed and watch all three together. Season 2 is mostly a setup for what will happen in season 3. Adrianacandle has her own preferences and may recommend differently.
But I am thrilled they will finish the series with a third season. I read that ratings did go down this year. They pitched 2 more seasons but only got 1. They wanted to take 2 seasons to complete the third book. The third book was over 500 pages (and by far the longest of the three), which is short for GRRM but long for Pullman 🙂
I’m guessing HBO thinks they will get a pretty large binge crowd once all three seasons are done. And even with less ratings than season 1, it’s probably still better than alot of their other shows!
Ten Bears,
I’d go with Tron’s recommendation. He started out as a show-only watcher, which may mirror your experience more closely, while I had read the books several times over by the time HDM came out (my first read was in 2009). His post also reminds me of how some show-only watchers on Reddit mentioned having trouble with ideas that are more thoroughly explained in the books (particularly the human-daemon connection).
In light of that, I’d recommend reading the books first before delving in. When reading a thread on HDM’s season 2 finale, one Redditor commented that they felt the show was a great extension of the books… but perhaps not exactly a thorough replacement for reading them. I thought that was pretty articulate.
I agree that the book cleared up alot of my issues from being a show only watcher during season 1… You may remember I had a problem with…
Yeah, that’s what I recalled! I think there’s a better chance of investment and falling in love with these characters if one reads book 1 first.
Book!Lyra also starts off the series spunkier and with more feistiness than Show!Lyra, I think.
For these reasons, Ten Bears, I think I’d second Tron’s recommendations 🙂 I’d love for you to blow through HDM right now so we can rope you into discussions! But I think you’d have a better chance of investment if you read the books first.
Happy Holidays to everyone….for the entire range of festivities from November 2020 to Feb 2021!!
Stay safe.
Adrianacandle,
”…For these reasons, Ten Bears, I think I’d second Tron’s recommendations 🙂 I’d love for you to blow through HDM right now so we can rope you into discussions! But I think you’d have a better chance of investment if you read the books first.”
Yeah, I kind of wanted to get “roped in” so I could join the party. 🥺
I checked my cable TV lineup again. For whatever reason, S1e1 is available On Demand until January 20, but the rest of S1 goes off line after January 5. Season 2 episodes are being replayed on regular HBO channels at least through January, but of course I wouldn’t want to jump into S2 without watching S1. Besides, my 200-hour capacity DVR is stuffed full of 197 hours of shows and movies I’ve yet to watch, so recording S2 would be a problem.
I think I’ll take the prudent course, and try to read the books first at my leisure, and then hope HBO runs a marathon before S3. After all, HBO hooked me on GoT only because a pre-S4 marathon was airing and I decided to check out the first episode to see what all the fuss was about.
The books are pretty fast reads — I also think reading them first will heighten your enjoyment of the show so I think it’ll provide greater enjoyment in the long run! From what I remember reading on Reddit while season 1 was airing, show-only watchers were confused by some parts and these are areas the books can clear up pretty quickly and easily.
Also, the HDM party will be going strong for a while yet as season 3 has yet to be filmed and aired!
(Also, check your WotW email! :D)
Adrianacandle,
Oh, okay. I’ll check my email. (Notifications have been screwed up ever since IOS “upgrade.”)
”6. The Red Kraken”
Prime fancast candidate: Sidney Powell.
Oh wow, I came here really late! first of all, Happy late Christmas everyone! I hope you were savely surrounded by your loved ones!
Im about to read the wonderfuly insightful comments but before that, Im gonna give my opinion on all of those points made by Petra!
SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILERSPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILERSPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER
12. Nettles, Im SO hyped about her, she will bring the much deserved representation that this show needs, and Im sure shell become a fan favourite, badass low born poc woman who rides dragonsn thanks to her insight and cunning. YES PLEASE. I honestly cannot wait to see who they cast but Im sure shell be wonderful!
11. Targaryen Madness, this one is really complicated because most of the main characters are as sound as they can be at the beggining of DoTD and, at the end, everysingle one of the main characters ends up in a terrible place, emotionaly speaking.
SPOILER: Daemon + blood and cheese, Aegon feeds his own sister to a dragon, Rhaenyra goes super paranoid, Helaena… well talk about her later, Alicent tells her own grandaughter to cut her husbands throat… Maybe not so much Targaryen madness but just an inmense amount of trauma and pain due to all the horrid experiences the characters went through.
10. Helaena, Petra made a wonderful video about her explaining who Helaena shouldnt be stripped of her sanity or agency because the death of her children and I completely agree.
Haleana is described as sweet kind pleasant woman and a great mother who adored her children and had nothing to do with plotting and scheming, I think its gonna be really tricky to write her but she has the potential of becoming a real fan favourite.
I would love it if the writers made Helaena the only one among her siblings who genuinely cares about her subjets and acts on their behalf, we could have Margaery type of scenes with her visiting the poor and the orphans and truly showing them love, I would also love to see her relationship with Rhaenyra (maybe they were true friends and they loved each other but were on opposite sides). There is nothing wrong with being pasive if she chose to be so, but I want her to have agency in some regard and see her mental deterioration as something organic and earned, not a “woman + death child = mad woman”.
9. This one always annoyed me, How is that we have such a complex and layered world and still, we only have one language throughout Westeros? I sincerely doubt they are gonna explore it but we’ll see…
8. YES YES AND A THOUSAND TIMES YES, altough I want the dragons to have some humanity, they are creatures who can feel afterall (as we have seen with drogon, viseryon and Rhaegal) so I hope we have sweet moments between the dragons and their riders.
7. YES YES AND A MILLION TIMES YES. Im ready to see Rhaenys riding into battle! I also have the feeling they are gonna make Rhaenyra much more warriorlike and ride into battle herself.
6. Yeah, that would be great! but I will also wanna see Johanna (Westerling) Lannister, honestly, the side characters in the DoTD are nothing but brilliant, Jeyne Arryn, Sabitha (Vypren) Frey, Alysanne Blackwood, Torrehn Manderly, Cregan Stark! I wanna see them all! mostly because it will “subert our expectations” about each one of the houses we previously saw during Game of thrones: The crazed Lady in GOT is a level headed, smart and badass woman in DoTD, Cregan Starks is a brilliant political player unlike the Starks we saw during the show, heck, we would be chearing for a Frey! A FREY nontheless!
5. I suppose we could see it in flashbakcs… ? tbh Im would prefer to see King Jaehaerys I, at least in his old age, I just wanna see him!
4. WOW, as a history and history of art college student with a clear obsession with fashion history this one is the thing I have been obsessing the most ever since we heard they were gonna make a DoTD show! SO exciting! and so tricky because Michele did a marvelus job stablishing certain world rules that I would love to see respected: The Targaryen Style but much more medieval looking, altthough I think they can play around with the Hightowers since, pretty much they are a main house in their own right and Alicent Im sure is the trend setter of the capital.
BUT I NEED TO SEE HEADPIECES PLEASE. come on! look at this marvelous double hennin and to tell me it doesnt look extremely Targaryen, I dare you to do so. https://sibellasays.files.wordpress.com/2018/08/screen-shot-2018-08-01-at-10-44-02.png?w=900
3. I honestly love Matt Smith and I think he’ll do a temendous job with character, I honestly have no doubt about it.
2. I honestly hope both Ramin and Michele Clapton come back, and the set designers too! they are a part of the GoT family and my heart would break if we couldnt see them again 🙁
1. ABSOLUTELY YES PLEAS.
Ten Bears,
Pure speculation on my part: Based on Olivia Cooke’s resume, especially high profile leading roles in recent films and shows, I’d be surprised if this up and coming young actor would take on a (potentially) multi-year role as an outright villain with no redeeming qualities.
Well, Alicent has (will have?) many redeeming qualities, Im sure they writers and Olivia will manage to bring out the nuances and layers of the character, specially if they start with a young Alicent as she grows up into a main player of the Game of Thrones. Any actress will kill for a role like that, just like Rhaenyra!
Re: Petra’s #11:
11. “Targaryen Madness Explored”
“I’ve always had issues with Targaryen madness for the way it conflates mental illness with violence and evil. So, it would be really, really, really nice if HOTD could actually delve into what this hereditary sickness even is. In season 1 some effort was put into depicting Targaryen madness as a form of psychosis or schizophrenia that just isn’t understood in Westeros…
****
I can’t really imagine a truly non-problematic portrayal of Targaryen madness since those affected with it do invariably poses a threat to the safety of others. Still, I hold out hope that HOTD might handle it with just a touch more humanity.”
——————-
GoT in general, and “Mad Dany” in particular, left me confounded about Targaryen madness:
– If Dany was afflicted with a hereditary mental illness that manifested itself with age or in response to external stressors, then she (and Aerys) wouldn’t really be responsible. Nowadays they might be adjudged “not guilty by reason of insanity.”
– On the other hand, Weiss’ episode commentary that Dany snapped upon seeing the Red Keep, a “symbol” of what had been taken from her, left me wondering “WTF???”
– Then there was Tyrion’s explanation to Cersei that the difference between Dany and Cersei was that Dany chose advisors who’d “rein in her worst impulses,” suggesting that Dany was aware of her own predisposition to go all fire and blood, and took measures to safeguard herself from losing control. Someone who’s aware of her own mental illness or violent proclivities is more responsible for her own behavior than someone completely detached from reality, right?
– Then again, at first it seemed the show wanted to portray Dany as snapping because (like Dan Aykroyd’s Louis Winthorpe in “Trading Places”), all at once she was deprived of her close friends and loved ones, the adulation she was used to, and the loyalty of her allies. Was the lesson there that just about anyone would become a violent (war) criminal under the worst case scenario?
– Yet, by the time Jon shanked his Queen, she
appeared to be completely delusional: babbling about “liberating” people by exterminating them, and having no conception that she had just incinerated a city full of innocent children after the battle had already been won. If Jon was “putting her down” as if she were a rabid dog, that would have been somewhat understandable if she had previously shown signs of losing touch with reality. Then, as Petra noted, a Targ ruler equipped with WMDs who’s gone “mad” invariably “poses a threat to the safety of others.”
– I also detected a whiff of misogyny, in that Dany was second-guessed, betrayed, and had her sanity questioned for harsh wartime actions that men would take with no such repercussions.
Now, I admit I know nothing about psychology. Yet, like most people, I have dear friends and family members who’ve struggled with mental illness at some point. I too hope that HOTD “might handle it with just a touch more humanity.”
Miscellaneous commentary: Like Petra, I have
“issues with Targaryen madness for the way it conflates mental illness with violence and evil.”
In the real world, doesn’t mental illness more often manifest itself with self-harm, severe depression*, suicidal ideation, substance abuse as self-medication, reclusiveness, or other behaviors
that are more often self-destructive rather than violence and evil directed towards others?
I’m not saying that doesn’t happen. I just don’t know if there’s a specific type of mental illness, let alone a hereditary condition, associated with mass murderers, serial killers and war criminals.
………..
* Tinfoil speculation: In the books, wasn’t Rhaegar portrayed as sullen, sad or morose? Maybe that doom and gloom attitude wasn’t from a prophecy or premonition, but instead, was a symptom of untreated depression – another form of Targ “madness”?
After all, Big G did seek to portray other mental conditions, like PTSD (e.g., Theon; Sandor)…
………….
P.S. I’m trying to think: Has there ever been a show or movie that realistically portrays mental illness and “handles it with a touch more humanity”?
Ten Bears,
I think this is a very complicated area and a slippery slope because there’s often not a mental illness that manifests in a specific way. Mental illness doesn’t present the same way in everyone, even when two people are diagnosed with the same condition. For example, my OCD looks very different from my sister’s OCD. Additionally, there are many many kinds of mental illness and they can often co-exist.
Sometimes, mental illness does manifest in violence. Sometimes it doesn’t. Also of note is that mental illness can be harder to detect than a physical disease and still, social attitudes toward it often differ toward mental illness than they do with physical conditions (eg. “the right to die” is seen as far more acceptable in people with terminal conditions and physical diseases but not those who have been living with mental illness that have not responded to treatment for decades, though both suffer immeasurably. And sometimes, the suffering from mental illness is dismissed due to misunderstanding of it.)
Because mental illness takes place in the brain and the brain is, by far, the least understood part of the body, we still have a long long way to go in understanding it and treating it. For example, some people with depression respond well to treatment. Other people with depression continue getting depressed as time goes on, even with treatment. Some respond to CBT. Some don’t.
We’re sort of left with infinite possibilities when it comes to mental illness.
I don’t know if this discussion about Dany’s actions in 8×05 and 8×06 will provide anymore answers or lead to any new places as it’s been done to death, particularly not in regard to mental illness, and we still haven’t gotten anywhere new with it. Nor do I think we’ll be provided with any additional answers.
And at the risk of getting into another Dark Dany debate…
In her final scene, Dany appeared to reject mercy for the current generation in spite of Jon’s pleas. Jon had gone to Dany in hopes that the war was over, King’s Landing was a one-time situation, Dany would be done with her destruction and she could show mercy in the aftermath — prove the people wrong about her (“Make them see they made a mistake, make them understand. Please, Dany.”/“What we need is a world of mercy.”). And if Dany had agreed, Jon would not have assassinated her — a prospect he was fighting against when Tyrion was urging him to do so. However, it seemed to me Dany felt mercy had been weaponized against her (what Cersei had tried to do with stuffing the Red Keep) and she felt her actions were “necessary”, despite the bells having sounded, signaling the people’s surrender. Dany decided to torch the people of King’s Landing, going through the city street by street with fire, and afterward, seemed to truly believe what she had done was justified, necessary, and a “liberation”. That she wasn’t going to stop in her pursuit of what she felt was “good”.
As a result, I interpreted this as Dany having become an extremist idealist and now subscribed to Utopia Justifies the Means — though, myself, I had issues with this. D&D talk about Dany making this decision spontaneously in 8×05, having been triggered by the Red Keep after a series of losses, Varys’s betrayal, and learning Jon’s parentage. Then, in 8×06, it really seems as if Dany viewed what she did as a good and necessary thing.
But how this would correlate with mental illness or just one mental illness, I don’t know. I’ve seen a variety of analysis and theories to try and explain what happened but…
I believe Rhaegar was described as melancholy at times. This from the ASOIAF wiki on Rhaegar:
I don’t think being morose is a sign of mental illness in and of itself. The clinical definition I’ve heard of something become a disorder is when it negatively and significantly impacts a person’s day to day functioning. Rhaegar seemed to function well enough but he did seem obsessed with a prophecy. I wouldn’t call that madness but in modern times, since Rhaegar seemed to become so focused on it, I think it would be cause for examination by doctors.
There are a some, actually. One Flew Over the Cuckoo’s Nest is a good one, I think. A Beautiful Mind in my opinion. There are more! I’ll come up with my own list later for those who are interested 🙂
I’m not sure about this. If they’re judged too great a risk to others and pose an immediate threat (ie. refusing to stop), even now, they could be taken out immediately by police or others on site whether or not mental illness is involved. In Dany’s case, there’s no UN or greater authority to hold her to her actions. Nobody could force her to do anything she didn’t want to do or feel was right. Basically, as queen, Dany was the law and she pretty much had the majority of martial power at her command. If their case was being reviewed after the fact when the court was deciding what to do with them, I think mental illness would definitely be a factor but especially in cases of mass murder, I think this would be more to do with where to send them. From what I know, this would likely result in them being sent to a psychiatric faculty for life. Either way, I don’t think they’d be permitted to go free again.
Adrianacandle,
Typos:
*[…]will provide anymore answers or lead to any new places, *particularly not in regard to mental illness[…]
*The clinical definition I’ve heard of something becom*ing a disorder is when it negatively and significantly impacts a person’s day to day functioning.
Also! There are some good movies that do a good job exploring various mental conditions. I’ll come up with a list if anyone is interested!
Ten Bears,
I don’t agree with the Misogyny part. I read way too many articles claiming D&D were saying women are too emotional to rule and I think that’s a very short sighted way of viewing the show. All those claims also seemed to not mention Sansa, Arya, or Brienne who all seemed to come out on top in some way or another. Men and women are punished in the show it’s a violent show to alk genders in my opinion. Theon is an example Yes I think the women are treated worse but that’s the way the society the show presented not the show runners being misogynist.
Ten Bears,
But that’s how Dany treated them. As weapons doesn’t mean others did. Once she saw their power she became obsessed with it. That’s her fault the show wrote her character that way. The show wasn’t treating the dragons poorly Danys character was. Season 5 we see Dragon clearly cares for her as he comes to her rescue. Season 6 we see Tyrion interacting with them which shows the clear have some intelligence. Season 7 we see Dragon interacting with Jon. We see them crying out at the wall when one of them died. We maybe could have got more but to say after season 4 they just became weapons I don’t think is fair and again that’s the way Dany was treating them I out the blame on her and it’s one of her character flaws and a massive red flag when she was always so quick to just burn anything in her way. I would called it bad treatment by Deny of her dragons.
Ten Bears,
Auto correct kept switching Drogon to dragon I meant Drogon.
Adrianacandle,
• You raised some really interesting points I’d like to mull over and respond to – a little later. While I agree mental illness is a slippery slope, and a sensitive subject I’m not qualified to discuss, I am trying to stay on topic(s): namely, the twelve topics Petra addressed.
• Anyway, on the subject of “Targaryen madness,”
I commend Petra’s June 16, 2019 video (link below) titled “The Fall of Daenerys Targaryen (and why it didn’t work).”
https://www.youtube.com/watch?v=ffBc4PdVUzg
It’s 17:37 long. The discussion about Targ madness is at 3:00 to 8:00.
• You wrote: ”There are some good movies that do a good job exploring various mental conditions. I’ll come up with a list if anyone is interested!”
Yes! I’m interested!
I was actually looking for a clip of such a movie I saw a while back…To this day, I have no idea what the first half of it was about (maybe too artistic for me), but the second half was pretty bizarre – and ambitious: the imminent end of the world as a metaphor for debilitating depression. Lemme refresh my memory though.
The movie is “Melancholia” starring Kirsten Dunst. Charlotte Gainesbourg played her sister, The sister’s husband was played by Kiefer Sutherland. [Shout out to Jack Bauer 24!]
Fireblood87,
Yeah, you may be right. I may have read too much into what Tyrion and Varys were saying about their preference for Jon. (Petra’s video also makes the point that other female characters did some pretty ghastly things without having their sanity questioned.)
Ten Bears,
I can go off on tangents about mental illness so I apologize for that! Still, I’m not a doctor so I hesitate to diagnose or speak with any kind of medical authority. Personally, it is a big part of my life. It was also part of my graduate studies! 🙂 One of my supervisors authored a book on the history of “mad” people in Toronto and how they were treated by society and the health care system. He had great insight, especially as a sufferer of paranoid schizophrenia.
(Personal details and trigger-y context hidden under a spoiler tag!)
As such, I am an advocate for “right to die” in regard to mental health as a very, very, very last resort — after people have tried for decades, nothing is working, and they’re just living their life in pain — but only after a thorough assessment by multiple medical parties and qualified doctors has been done. Otherwise, people are going to take such matters into their own hands, which can lead to disaster and I think people deserve a choice in this. However, on the other side of things, people (especially loved ones) still understandably have trouble agreeing to death as a solution for something that they think might be fixable. It’s a hard issue.
(/end rant)
But yes, I do agree with Petra’s assessment of portrayals of mental illness and madness in the linked video essay — and there’s a lot I agree on in that essay. Her conclusions are ones I think on quite a bit and I often come back to when I’m trying to articulate my thoughts.
As for film recs that deal with mental illness, here are some I like!
One Flew Over the Cuckoo’s Nest
A Beautiful Mind
Girl, Interrupted
Silver Linings Playbook
Rain Man
Donnie Darko (depending on your interpretation of what’s going on!)
(I’ve also heard good things about Melancholia but I haven’t watched that one yet!)
Ten Bears,
I made a reply to you (December 26, 2020 at 4:58 pm) but it’s being held for moderation! 🙂 I’ve listed some films that deal with mental health that I enjoy!
Ten Bears,
While I appreciate that video I just don’t agree with her take on Daenerys. Her character has shown many red flags for me that I always saw. It’s funny how I remember seeing videos as far back as season 3 claiming she was heading down a dark path. If it didn’t work for some people that’s fine but I disagree with them big time.
I recently watched “Words on Bathroom Walls” which was a story of a high school senior with schizophrenia. I thought it delved into a number of important topics and also managed to be a good movie.
Switching from a serious comment to a little sarcasm, all would have been fine with Dany if stubborn Sansa and those Northerners would have just given her a little love ❤️ for saving their butts with her army and dragons.
Tron79,
Thanks, Tron!
Well, it seems one of the causes for what happened with Dany upon the Walls of King’s Landing in 8×05 was kind of sparked by Sansa manifesting Dany’s fears by deciding to break her promise to Jon and push Jon’s claim against Dany’s claim, which led to Varys’s betrayal, in a series of unfortunate events. I’m not really sure how well thought out this action was on Sansa’s part because it would be inciting civil war with Jon as a pawn and in the line of fire… again… (kind of like how it was with the KotV stuff)… after they all just fought a war and the North wasn’t exactly in primo condition. But I truly don’t think that was D&D’s intention. I just chalk it up to plot necessity because it seemed the writers were going to have Dany burn KL regardless.
I think Young Griff will take on this role of garnering Westeros’s love in the books. Jon and Dany already both have crappy reputations in-universe among the Westerosi and I doubt either will be garnering the love of Westeros. In contrast, I can see Young Griff having a way easier time doing so. He’s got all the good stuff going for him: no stigma of being a bastard son of a traitor or the exiled daughter of the Mad King, no tales of what they’ve been doing that won’t go over well with the Westerosi (like Jon letting in a thousands-year old enemy — the wildlings — or Dany and her nobility upheavals in Essos), Young Griff has the right look and age of Elia’s son which will add to the believability of his story and help him win Dorne over (especially considering Quentyn’s accident at the end of ADWD, which won’t go over well with Dorne in their view of Dany), Young Griff was raised to be a king whereas neither Jon and especially not Dany (who, unfortunately, missed out on a lot of education growing up) were…
That’s just speculation though 🙂 And that’s if we get to read the unpublished books at all…
I know you were being sarcastic, but I feel obligated to point out that it wasn’t a one way street. The North also saved Danerys. Jon was the one who brought the White Walkers to her attention, was the one who showed her how to kill them, and Arya was the one who defeated them. That should have been more than enough to earn independence, but Danerys had to have it all.
Young Dragon,
I think Daenerys agreeing to Sansa’s request for independence would have helped things out and would have been a boon to Dany on two fronts: with the North removed from her kingdom, Dany wouldn’t have to worry about rebuilding or supporting it (and it’s not like the North is a particularly valuable kingdom to the crown: it’s far, it doesn’t produce resources needed by other kingdoms, there are complaints over how big and hard it is to navigate kind of like Russia, the weather is bad, and armies take forever moving out of there). It’d then be entirely Sansa’s problem. Second, if Sansa has what she wants, she has no motivation to act against Dany by trying to incite a claimant war to get what she wants (though I don’t agree with Sansa breaking her promise and leaking Jon’s parentage for this purpose.)
I think you’re right that it was a two-way street: everybody in that fight needed each other. They were barely hanging on and on the verge of defeat before Arya killed the Night King. And without Dany’s help, they wouldn’t be able to hold off the NK long enough for Arya to swoop in there. If the Night King won, there’d be no country for anyone to rule and defeating the Night King was really to everyone’s benefit because if the North fell, the rest of Westeros was next followed by the world once the seas froze and provided a walkway for the Night King and his crew.
Ten Bears,
In case my comment doesn’t come out of moderation, I wanted to say that yes, I agree with Petra’s assessment of portrayals of mental illness and madness in the linked video essay. There’s a lot I agree on in that essay and I’ve referenced portions of it in discussions I’ve had about these subjects in person 🙂 Her conclusions also articulate many of the thoughts I’ve had as well re: redemption, redemption being a choice, and why Dany meant so much to people, etc. Those are also parts that really resonated with me.
Also, I can email you that list of movies I like that deal with mental illness if my comment stays stuck in moderation!
As of Sunday Dec. 27, 2020 at 8:10 am, your reply was still in Moderation Purgatory. 🙁 I’ll check back periodically to look for it.
I’ve found that the Lord of Light’s interception algorithms are most often triggered by: (a) embedding more than two links in a comment; or (b) including proper nouns in a comment, especially titles of (certain) films or their fictional characters.
For example:
– A while back, before S8 of GoT, I had drafted a silly fanfic comment imagining a Sansa & Arya scene in the aftermath of LF’s execution, in which Arya face-peels LF’s corpse and makes an awful, awful pun to Sansa’s exasperation.
Because the “dialogue” referenced a particular movie’s sequel in which a certain cannibalistic psychiatrist convinced his drugged patient to
, that comment kept getting diverted to “That Page Not Found.” (I’m omitting the name of the movie here for the same reason. I’m still not sure if it was the title of the original movie or its middling sequel that irritated the Lord of Light.)
– A similar thing happened to a (serious) comment speculating about the future consequences of Bran’s forays into the past and (in)actions in the present, in which I referenced the concluding scene of a certain WWII concentration camp movie showing the present-day descendants of camp survivors who’d been saved by a German industrialist’s intervention.
For some reason, merely including the title of that movie in the comment made it impossible to post. It kept vanishing into the ether when I’d press “Post Comment.”
I’m still not sure why. I’ve referenced Arya’s List without irritating the Lord of Light. We’ve all referenced the titles of other shows and movies without a problem.
Maybe only certain proper nouns are targeted by the site algorithms?
– As I’ve (we’ve?) observed, any time a comment includes more than two blue font-highlighted terms, whether internet links or other commenters’ screen names, there’s a good chance the comment will be quarantined in Moderation Purgatory. For that reason, I often break up a comment into multiple sub-parts.
I wonder if that is why your list of films is in quarantine?
Ten Bears,
Yeah, that is my speculation (and I’ve discovered the same thing with multiple links!) I think one of the titles I included in my link-free post triggered a moderation requirement because I also tried to share the titles of two of these films with you in a December 26, 2020 2:19 pm comment but it got sent to comment purgatory as well. As a result, I can simply email you the list 🙂
Adrianacandle,
Yes you are probably right about Young Griff. Even just his name “Young Griff” sounds valiant. However, since D&D left him out altogether, I wonder if he’s not supposed to be a part of the end game. GRRM did share some major plot points with them. Unless as the ultimate gardner, GRRM will find that Young Griff takes on a more major role than he originally thought.
Young Dragon,
So, I can see that even a sarcastic comment can strike a nerve with many folks. Arya agrees with you and was trying to get Sansa to see that Jon made the right decision to ask for Dany’s help. I forget her exact line but she says “we needed her” or something like that. And she was on Jon’s side for doing the right thing with asking for Dany’s help. And you’re right that Arya was the one that really did it, but Dany’s army/dragons were needed to hold of TAOTD until Arya could strike the blow.
So, I’ll write a bit of my more serious take on Dany/Sansa/Jon.
I’m sure others have said similar things but here goes…
Sansa played her LittleFinger move by revealing the family secret. By telling Tyrion the family secret, she saw Dany’s downfall and her own ascendence as Queen of the North. She had a similar strategy when she withheld that she had The Knights of the Vale ready in the wings as she let thousands of northerners/wildlings and possibly her brother Jon die for her own benefit. Jon is the most forgiving person! I think he forgave her rather easily in the finale, partly because he was a broken man (after killing Dany). GRRM/D&D put forth a pretty depressing message that if you want to make it to the top, you need to put your humanity aside and do whatever it takes to get to the top. It’s the school of LittleFinger unfortunately. As Sandor taught Arya, mercy will get you killed. Sandor says, “How many Starks they got to behead before you figure it out?” That was a depressing and very telling line about the world of Westeros. It’s probably true about our own world as well with how our politicians behave to keep power. Loyalty to family also seemed to be one of those nobile attributes that is good for peasants but not for Kings and Queens.
Regarding Dany’s mental health, I think Varys was the main person who worried about the past history of the Targs in that area. If you think about Jaime, he killed “The Mad King” not because he was mentally ill. He killed him because he believed he was serious about burning down all of Kings Landing. Putting a label on him really wasn’t important. He believed him that he was going to kill everyone, so Jaime decided to take action. For me it’s more about actions than putting a label on them. I don’t think it’s fair to Daenerys to say she went crazy. You can hate what she did, but I saw her as strategic in her actions. Yes, she did look very angry as she looked at the Red Keep. But if it was pure anger she would have went straight for the Red Keep to go after Cersei. She wasn’t angry at the townsfolk of Kings Landing. This was more strategic IMHO. She made a decision to go with “fear” instead of love or mercy. I forget her exact line, but she says something like Mercy is for the next generation. That’s also part of my problem with GRRM/D&D’s depressing world view. For now, she needed to cement her place on the Iron Throne and rule by fear. I think she is a victim of believing her own propaganda. I’m not sure if we can just label her as mentally ill. She seemed to have this figured out before the battle when Tyrion was pleading with her to stop the battle when she heard the bells. She never agreed to this, and she seemed to have it in her mind that she would need to rule by fear. She believed that she knew what was best for her people. She did realize that the Northerners would never follow her out of loyalty. She gave up on Jon loving her. Perhaps you could say she was getting paranoid, but she had good reason.
I think it’s more of an illustration about how leaders can begin believing their own propaganda. Also, it’s a scary example of how leaders can justify horrible inhumane actions because it fits the narrative they built for themselves in their quest to make the world a better place in their ideology. The same can be said when people justify horrific inhumane actions by quoting their interpretation of scripture.
I do think Jon needs to share some of the blame. He never “killed the boy” and embraced his responsibilities of his heritage. He was stuck on the “You will always be my queen” line. He never would let himself think about what it meant to Westeros that he was the actual heir to the Iron Throne. I think this was a good example that leaders need more than a good heart and loyalty. Although, I would love it if more leaders led with a good heart and loyalty.
I’ve probably said this all before, but it’s still a tough subject for many folks in GOT fandom.
BTW, I’m about half way through The Dance of Dragons (from the Princess and the Queen novella). For those future #Nettles fans, she seems to be currently on team black with Daemon. So if you are team Nettles, at least for the first part of the story you are on team black. I’m not sure if that will change. I can say I’m not a fan of reading the accounts of history from the Maester’s perspective. I did read that GRRM was modelling this after European history books. I guess that’s why I was never a history student. I find this type of narrative a bit dry, and I have a hard time remembering everything that happens. I much prefer the POV style. I don’t think I’ll be jumping into reading Fire and Blood any time soon.
Tron79,
Maybe! As it is, I think Young Griff’s primary purpose is to be the “cloth dragon swayed on poles amidst a cheering crowd,” Dany saw in her House of the Undying Vision during ACOK and the “mummer’s dragon” Quaithe warned Dany about, which leads me to think it’s Young Griff who will be taking on the role of winning the love of the Westerosi.
I don’t think Jon did forgive Sansa for this. He hesitated when Sansa asked if he could forgive her and didn’t… actually do so. In the finale script, it states:
“Jon stands in front of Sansa. He hasn’t entirely forgiven her for betraying the oath he made her swear in the godswood.”
Which… feels right to me. I don’t think I could forgive something like this either.
I think ruling by fear (ie. inducing the surrender of King’s Landing through fear) and attacking the Red Keep are both different from what she ended up doing (just turning the entire city into ashes) — I think the former would have been strategic and an effective show of strength.
Waging war within the city and going for the Red Keep, despite Cersei’s people-stuffed barrier, would also be a pretty ruthless and merciless option… and it’d also be a legitimate form of conquest. However, burning the entire place down post-surrender and going after streets filled with civilians, streets that were far from Cersei and the Red Keep, seemed too much like overkill and didn’t seem rational to me. It did too much to prove the fears of her detractors correct, giving them a pretty strong motivation to take them out — like Varys tried to do. Also, if it wasn’t Jon who assassinated Dany — particularly considering Jon didn’t even want to kill Dany, couldn’t feel it was right, and would have let Dany walk if she simply said, “Sure, Jon, I’ll be merciful,” whether she meant it or not — Arya or a hired Faceless Man could have taken Dany out later while rebels could secretly build armies to challenge her forces. Add to that, especially since Dany was declaring the burning of King’s Landing a “liberation” — I think there was some delusion there. Due to the extent of her actions, it seemed to me that Dany did snap in that moment — making this decision spontaneously, as D&D said. I don’t see much strategic benefit to what Dany actually did.
But I would see strategic benefit if Dany stopped at inducing their surrender through fear or even just targeting the Red Keep rather than the whole city.
While I definitely agree leaders need more than a good heart, I think where Jon’s mistake was that he naively trusted Sansa not to betray him to get what she wants. Though I see why he’d want to trust her, definitely, and I see why he wouldn’t want to lie to his family about who he really was. But I think that was a big mistake.
However, whether Jon was the heir to the Iron Throne or not (and really, neither he or Dany were heirs to the throne. At that time, it was under Baratheon/Lannister rule, not Targaryen. Dany legitimately became queen by right-of-conquest and not by succession), I don’t think that’s enough to actually get him the throne.
First, Jon would need to want it and he didn’t. He had become disillusioned with leadership and ruling. This disillusionment and resentment over the position may have very well lead to some crappy things down the line (not unlike Robert — Robert liked the killing and conquest part but despised the actual ruling, letting his council take on that responsibility while Robert devolved into what he became). Second, Jon would need sufficient forces to take the throne by conquest and I don’t see Jon working to incite war for that reason, especially before Dany did anything like what she did in 8×05 and after she helped defend the realm. I think a certain level of want for a position is needed to do the position well or dislike for it can cause some serious problems down the line.
I think somebody else would have suited the throne better — somebody who didn’t come to resent the position and somebody with a solid morality who’d still rule for right reasons. Davos, maybe. But with Davos, I think he’d need to get the throne via election rather than conquest.
Well, I think it wasn’t so much whether there were red flags foreshadowing Dany’s eventual turn “down a dark path” but rather, what was the cause of her descent from would-be savior to megalomaniacal mass murderer?
Sure, there were signs early on of self-entitlement. (Who could blame her? She outdid the scientists of Jurassic Park, hatching three magical dragons from fossilized eggs. That to me would be a clear sign from the god(s) that I should “take what is mine by fire and blood.”)
She also did have a tendency to get carried away, though for a time she did have moderating influences to “rein in her worst impulses,” e.g., in S6e9 when Tyrion convinced her to flame broil one of the Masters’ ships as a show of force, rather than destroying all of their armies and “returning their cities to the dirt” (soldiers and civilians alike).
The confusion, at least on my part, was why Dany
snatched ignominy from the jaws of victory in “The Bells.”
Was it because of mental illness? Was it because the citizens of KL didn’t spontaneously rise up and depose Cersei? Was it because the people didn’t show their love and appreciation by greeting Dany with a crowd-surfing Mhysa moment? Was it because she was surrounded by ingrates and traitors while suffering the loss of her real friends and loyal supporters like Jorah and Missandei? Was it because Jon didn’t want to…physically express affection any more? Was it the inexplicable, xenophobic attitude of the Northerners she had just saved at great expense to herself and her armies? Was it the dubious decisions of her blabbermouth boyfriend and his sneaky sister to defy her wishes and broadcast the secret of Jon-Aegon’s true parentage, thereby setting up a rival claimant to the throne – and one who was much more palatable to the public despite his protestations that “She is muh Kween. I dunn want it”?
Or was it because (as D.B. Weiss described it) when Dany saw the Red Keep, a “symbol” of all that had been taken from her, it suddenly triggered her to firebomb a city that had already surrendered?
F*ck if I know.
(So much for Dany’s insistence that she would not become “Queen of the Ashes,” and her campaign slogans about wanting “to leave the world a better place,” breaking “the wheel” of warring noble families that crushes innocent civilians, ending “tyranny,” distinguishing herself from her evil “Burn them all!” father, and answering injustice with justice.
Ironically, Cersei’s “Mad King’s Daughter” propaganda speech, in S7e2 I think, turned out to be prescient.)
Yeah, Fire & Blood is told much like a history book would be but with the bias of the in-universe scholar writing it so… some details might be a bit biased or even left out 🙂 However, yes, Nettles fights for Team Black! And I think there were rumours
You gave me lots to think about! Here are a few replies…
I don’t think Jon did forgive Sansa for this. He hesitated when Sansa asked if he could forgive her and didn’t… actually do so. In the finale script, it states:
“Jon stands in front of Sansa. He hasn’t entirely forgiven her for betraying the oath he made her swear in the godswood.”
Which… feels right to me. I don’t think I could forgive something like this either.
I think perhaps I agree that he hasn’t totally forgiven her, but he understood why she did it (for the North). He also seems to make things OK for her (caring about her feelings). He leaves her with an embrace saying that she will be good for the North.
Here’s the full scene from the script…
Jon stands in front of Sansa. He hasn’t entirely forgiven her
for betraying the oath he made her swear in the godswood.
SANSA
I wish there had been another way. (beat)
I’m sorry it had to be you.
Jon nods. He knows she loves him. He knows she only wants
what’s best for the North. But still…
SANSA
Can you forgive me?
He hesitates.
JON
The North is free, thanks to you.
She accepts the compliment.
SANSA
But they’ve lost their true king.
JON
Ned Stark’s daughter will speak for
them. She’s the best they could ask
for.
Jon and Sansa embrace.
I think ruling by fear (ie. inducing the surrender of King’s Landing through fear) and attacking the Red Keep are both different from what she ended up doing (just turning the entire city into ashes) — I think the former would have been strategic and an effective show of strength.
Good point! It wasn’t necessary to turn the entire city into ashes to rule in fear. She could have done it more like what she did when she burned the Tarly’s. She didn’t burn all of the prisoners. She burned a few to make an example and then she expected the rest to bend the knee.
…“Sure, Jon, I’ll be merciful,” whether she meant it or not — Arya or a hired Faceless Man could have taken Dany out later while rebels could secretly build armies to challenge her forces. Add to that, especially since Dany was declaring the burning of King’s Landing a “liberation” — I think there was some delusion there. Due to the extent of her actions, it seemed to me that Dany did snap in that moment — making this decision spontaneously, as D&D said. I don’t see much strategic benefit to what Dany actually did.
Bringing up the FM option makes me think about Arya wanting to take the burden from Jon and doing the deed herself. But for the show, D&D must have thought Arya already had her moment with the NK. On the other side of the argument, Dany did make it clear that Cersei wouldn’t be able to hide behind her mercy. I don’t recall the exact line, but it was very clear that the deaths of the people of Kings Landing were on Cersei’s head and not hers (in Dany’s view). But to your point, she didn’t have to burn down every street in KL!! I do think in the episode, the showrunners were trying to show what happens to some soldiers in war. The animal in them takes over. This was shown when Jon had to stop the soldier, and when the soldiers just started to commit what we would think of as war crimes. One of my classes I taught on ethics (in religion) talks about how there are rules even in war. There are rules such as you never totally surround an opponent on all four sides. You need to give them an escape route. The entire Bells episode showed the worst of humanity.
While I definitely agree leaders need more than a good heart, I think where Jon’s mistake was that he naively trusted Sansa not to betray him to get what she wants. Though I see why he’d want to trust her, definitely, and I see why he wouldn’t want to lie to his family about who he really was. But I think that was a big mistake.
Yes, I agree. Jon acts more in the moment and never thinks in a strategic way. But Arya also seems to abandon him after he reveals the secret. This was one of my biggest problems with season 8. Arya just leaves him and resumes her mission of revenge. I don’t think GRRM will follow this route with Arya. She was too loyal to Jon to just leave him like that.
I think somebody else would have suited the throne better — somebody who didn’t come to resent the position and somebody with a solid morality who’d still rule for right reasons. Davos, maybe. But with Davos, I think he’d need to get the throne via election rather than conquest.
Well, you’re sounding a bit like Varys with figuring out who would be the best person to sit on the Iron Throne! Perhaps the Iron Throne should be the judge. I liked in reading The Princess and the Queen Novella how the Iron Throne’s swords can be quite sharp and bloody to the person who shouldn’t be sitting on it.
Tron79,
Yeah, I think Jon realizes why Sansa did it but I don’t think he agrees with it or can really truly forgive her for it. Of course, he still loves Sansa — she’s his sister. But I think a thing like this would cause tension in their relationship. This betrayal helped spark a series of events where Jon had to kill another he cared for, Dany, which he’ll have to live with the pain of doing. I think Jon and Sansa’s relationship is pretty complicated — but that doesn’t mean he doesn’t love her. So I can see why he’d want to give her some words that would please her, even if he can’t truly forgive her for this betrayal. Especially if this is perhaps the last time they may see each other again or at least, for a long time.
Basically, I think Jon gave her what he could (the compliment)… even if it’s not what Sansa was asking for since he couldn’t really give that. I kind of view it as a compromise in a way.
This is what I would have wished for too on an emotional level :/
Yeah, though I think that was more to do with Cersei’s attempt at deterring Dany from attack on the Red Keep with her people-shield, which Dany knew about. I think this is how Dany was trying to justify the deaths of these civilians to herself in attacking the Red Keep whereas before, she was put off an attack on the Red Keep when reminded of the civilian lives. But yes, I think burning all of KL was…. overkill 🙂
I agree! I think this episode did an awesome job of showing that! In conflicts against Joffrey and the Boltons, the Northern soldiers were the ones to root for. But when the Northern soliders turn on unarmed civilians, much much harder to justify. This episode really did show the worst of humanity… and after humanity’s been saved from the Night King.
Yeah, especially in the show and I think this can extend to some of book!Jon’s actions too (especially in ADWD). Jon is thinking more logically about some things in ADWD but his heart definitely gets the better of him where he can’t resist helping individuals in danger or Arya, even when it compromises his role as LC and his neutrality.
I agree about Arya. I’m not sure why Arya’s next scene after learning the truth about Jon had her leaving WF (apparently forever since Arya stated she wasn’t coming back) either… XD;;; I kind of felt this was a fast way to get Arya to KL…
But of all people, I don’t think Arya would care who Jon’s parents were and I don’t think this would prompt Arya to leave WF.
Yes! I like that line too!
Yeeaaaah…. I have given quite a bit of thought to who I think would be best on the Iron Throne 😉 Davos, for me, comes out a pretty solid winner. Knows what it’s like to struggle as one of the commoners, knows how to diplomatically interact with nobles, sound moral conscience, good heart, doesn’t seem to hold any resentment for the position, a good conciliator, pretty unbiased, etc.
Tron79,
”…I can say I’m not a fan of reading the accounts of history from the Maester’s perspective. I did read that GRRM was modelling this after European history books. I guess that’s why I was never a history student. I find this type of narrative a bit dry, and I have a hard time remembering everything that happens. I much prefer the POV style. I don’t think I’ll be jumping into reading Fire and Blood any time soon.”
That’s why I think these barebones historical accounts can be a blessing – or a curse – for HotD’s writers and showrunners:
With the right combination of imagination and creativity they can flesh out these dry narratives from the source material and make them into rich, nuanced, “high thread count” stories; they won’t be beholden to GRRM’s details and internal personal conflicts because there really aren’t any. (At least from what I’m gleaning from the descriptions of GRRM’s “accounts of history from the Maester’s perspective,” the paucity of character motivations, and the absence of POV (point of view) writing in his “Fire & Blood” volumes.)
I too “don’t think I’ll be jumping into reading Fire and Blood any time soon” – in part because I feel HotD should rise or fall on its own merits as a “stand alone” series, wholly independent of the source material.
Adrianacandle,
Quick question: With the understanding that HotD, like GoT, may age up characters, how old is Nettles supposed to be?
I ask because my first few fancasting candidates are not teenagers, though I guess they could credibly play them.
The other alternative would be to use “aging down” CGI technology like “Ant-Man” did with Michael Douglas for a Dr. Pym flashback scene. A more recent example I read about but have not seen because I don’t have a subscription to Disney+ streaming service !Spoiler Alert! ⚠️
On the other hand, I suppose it’s more likely that HotD will cast a young, relatively unknown actor to play Nettles.
Ten Bears,
16! Definitely possible they may age up Nettles like they did Missandei (who is 9-10 in the books). Either way, I’d definitely be interested in your fancasts! 🙂
Here is the description of Nettles from Fire & Blood:
I’ve seen age-down technology in The Hobbit but I haven’t seen it employed in The Mandalorian. How you describe the scene, I think I’m going to look it up on YouTube if it’s available because that sounds interesting.
That’s also very possible — GoT cast quite a few unknowns for the younger roles, kickstarting their careers — but in either case, I think fancasting Nettles would be a lot of fun 🙂 I’m interested in seeing how you envision her!
Adrianacandle,
….I think where Jon’s mistake was that he naively trusted Sansa not to betray him to get what she wants. Though I see why he’d want to trust her, definitely, and I see why he wouldn’t want to lie to his family about who he really was. But I think that was a big mistake.”
Arghhh! I still think Jon was in the wrong for ignoring Dany’s pleas to not tell his sisters about his true parentage.
Sure, while it wasn’t a direct command from Dany, if Jon recognized Dany as his Queen how was it his place to question her judgment or countermand her wishes? It turned out she was 100% correct: Sansa would divulge the secret to undermine Dany. (Shouldn’t Jon have known better at that point that Sansa Littlefinger 2.0 Stark wasn’t entirely trustworthy? Or at least that Sansa would do what Sansa thought was best regardless of what others thought?)
Second, Ned knew that the secret was so dangerous he didn’t dare tell a soul, even his own family, to his own detriment; Ned had kept that secret for 15-20 years and ultimately took it to his grave. Yet, Jon couldn’t wait more than a few hours to go yakking to his sisters? Why? What was so urgent? And if he admired Ned so much why not emulate Ned’s example and shut the f*ck up? [Arguably, Jon’s identity as presumptive heir to the throne was just as dangerous in the present as it was when Robert was in power and bent on eradicating any “dragon spawn” that could threaten his claim to the throne.]
Did I miss something? Was there a legitimate justification for Jon to ignore his queen and divulge his secret, other than some vague notion that his sisters had a “right” to know?
And why was he in such a big rush to go blabbing to Sansa and Arya… especially after both of them went off on their “we don’t like your girlfriend”/she’s not one of us” rant? [Completely out of character for Arya, but whatever…]
Sorry if I’m dredging up old debates. I just can’t reconcile Jon’s motive. If it was naivete, as you suggest; disregard of his queen’s judgment; or just plain short-sighted stupidity, then perhaps he should’ve been incinerated in place of Varys or along with him.
Adrianacandle,
Nettles Fancast Candidate #1:
English singer-songwriter, dancer, and actress Tahliah Debrett Barnett, known professionally as FKA Twigs. She’s 32 but looks much younger. I’ve seen a couple of her music, dancing, and interview videos. She’s very charismatic.
Here are two images:
https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcRySNxrnfO3C2X9VR96_oAF3A4CTEdjVcGQIQ&usqp=CAU
****
https://static.hollywoodreporter.com/sites/default/files/2016/05/gettyimages-527392710.jpg
Ten Bears,
I don’t think Jon saw Sansa like that though. If Jon were objective, yes, I think he’d be better able to see what Dany could. However, unlike Dany, Jon loved Sansa, was attached to her, and still saw Sansa as the girl he knew growing up — and who (Jon) believed wouldn’t betray him or her promise to him (especially one made in the godswood). And this was Jon’s own identity that Dany was wanting him to hide from his family — for good reason, as it turns out — but it wasn’t just like a random nugget of info that could damage Dany in the future.
I think the show did state Jon’s motives: he felt he owed his family the truth, as he felt he owed Dany the truth. And as he told Dany, he really believed they could all live together with the truth. Jon’s feelings and emotions often do colour his decisions quite a bit.
Jon didn’t just go “yakking to his sisters” though. He had them swear an oath of secrecy before agreeing to tell them at all. Had Sansa and Arya not agreed, if he swore them to secrecy after or not at all, that would be a different story.
It seemed to me Jon was trying to take a third option. He was fine with the realm seeing him as a bastard for the rest of his days. He willingly abdicated his claim to the throne in favour of Dany’s. He refused Varys and Sam, who both implored him to take the throne. But he wanted to be honest with only two people, his sisters, about who he really was so he wouldn’t be lying to them for the rest of their lives — and trusted they wouldn’t betray him, as he implored on the basis of them being family. And Sansa, herself, looked pretty conflicted before telling Tyrion about Jon — I don’t think Sansa herself planned on breaking her promise when she heard the truth either.
Conversely, Ned’s relationship with Catelyn developed over time. They were strangers when Ned claimed Jon as his bastard, keeping the truth secret. I think a more comparable situation would be Ned deciding to tell Benjen or not — somebody Ned had known and loved all his life by the time he was asked to keep a secret.
However, with Catelyn and by the time Ned had Jon, he hadn’t known Catelyn for all of his life, nor did he have a certain image of her. She was a stranger to him. Ned was better able to foresee the conflict Catelyn would face between protecting her own children and Jon because his relationship with Catelyn developed after he was asked to keep the secret, not before.
I’d disagree with the characterization that Jon was “blabbing” to Sansa and Arya as if he was doing so haphazardly or without taking any precautions and I don’t think he was ignoring his queen.
Jon disagreed about keeping the truth from them and he disagreed with her view of Sansa because he didn’t see Sansa the way Dany saw her (and didn’t see Dany the way Sansa saw her). He also didn’t just casually tell them without any conditions. He gave Sansa and Arya both very strong conditions before even letting them know the truth — namely that they never tell another living soul, which both agreed to. Yes, I can see how Jon would feel he owed his family, the people he’s grown up with, the truth of who he really was. This was his identity and information that concerned their father.
I don’t agree with Jon’s decision here. In hindsight, I don’t think it was the right decision to tell Sansa at all because yes, Dany turned out to be 100% correct. But I can see why Jon wouldn’t take on Dany’s view of Sansa, believing that she would keep an oath sworn in the godswood to him, her brother.
Perhaps. But I don’t know if there’d be a legal precedent for that since Jon didn’t commit treason here. I do think it was dreadfully, dreadfully stupid and naive though… and I think it was kind of a contrivance to get Sansa to leak Jon’s secret, which led to Varys knowing, betraying Dany, and manifesting her fears.
Ten Bears,
Oh, that’d be a great option for Nettles — especially if Nettles were aged up to her 20s!
I was googling fancasts myself and I’ve seen the following actresses mentioned:
Tati Gabrielle
Jessica Sula
Nesta Cooper
Letita Wright (who was proposed, I think by Max, in the other thread for Nettles)
Naomi Scott
I think Tati Gabrielle is the youngest of the bunch (born 1996, 24 years old now) and the others are mostly 1993 births. Regardless, it’s not like a 26/27-year old has never played 16 before 😉
Just think if the movie Grease. Those were the oldest teens I’ve ever seen!
I’m rewatching season 1 of the Expanse right now and Dominique Tipper is pretty awesome but she’s probably too old.
Yeah, wasn’t Stockard Channing 34 when she played a teen Rizzo? 🙂
I believe they call this Dawson Casting, although Grease predates Dawson’s Creek by about 20 years!
I was thinking about giving this one a try….
That’s pretty crazy in Grease. I guess 30 is the new 18 :).
Dominique Tipper is really too old for Nettles. She’s 32. But maybe there could be another role for her. She plays a strong edgey brave character very well.
I think Tipper would be good if Nettles was aged up to her 20s (like Missandei was). 32 is still an acceptable age to play twenties, I think.
But yeah! It’s possible HotD may produce some original characters to help flesh out the story because as Ten Bears said, it’s based on a barebones account and there’s a lot of creative opportunity in that.
I’m really looking forward to it. That the primary factions in the story (Black vs Green) don’t have any kind of moral edge over one another makes it pretty intriguing, I think, and opens up a lot of difficult, divided stances in which there can be equally compelling motives on either side without a clear winner.
And it’s not like I dislike villainous actions or traits 😉 (with Mrs Coulter being my fave HDM character).
Tron79,
”Yes, I agree. Jon acts more in the moment and never thinks in a strategic way. But Arya also seems to abandon him after he reveals the secret. This was one of my biggest problems with season 8. Arya just leaves him and resumes her mission of revenge. I don’t think GRRM will follow this route with Arya. She was too loyal to Jon to just leave him like that.”
Along the same lines, one of my problem with S8
was that when Arya left WF in the middle of the festivities to head to KL, I did not think (at first) that she was resuming her mission of revenge. Rather, I assumed she planned to assassinate Cersei “preemptively,” thereby sparing Jon and the already-depleted Northern armies the massive casualties of a full-on assault on the capitol.
I was wrong. Arya was still motivated by revenge – which was kind of hard to rationalize. Sure, Arya [not]jokingly told the friendly Lannister soldiers in S7e1 “I’m going to kill the Queen,” and yet:
– Cersei’s main offense witnessed by Arya was demanding Lady be put to death in place of Nymeria for attacking Joffrey. Aside from Cersei supporting her own son’s version of the Mycah incident, was that enough to be earn Cersei a place on Arya’s “People I’m Gonna Kill” list?
– Arya may have mistakenly assumed from what she saw outside the Sept of Baelor in S1e9 that Cersei was responsible for Ned’s execution, but the truth was that Joffrey, on his own, blew up the false confession-for-exile deal made by Ned and Cersei as brokered by Varys.
– Though I’d have to retrieve the dialogue between Tyrion and Dany from S7e2 (about why Jon Snow would have more reason to hate Cersei than Dany did), it seemed to me that Cersei was being wrongly blamed for the Red Wedding – which she didn’t even know about beforehand, and other Lannister offenses against the Stark family. Cersei was no angel, but she was not complicit in those offenses.
– In S7e4, Bran said he “saw” Arya at the Crossroads heading to KL and explained to Sansa “Cersei’s on her list of names.”
After that, I wondered why Mr. Know-It-All 3ER 2.0 Bran didn’t also divulge that maybe Cersei should not have been on Arya’s list to begin with.
The point is, for me it made little sense that Arya was motivated by revenge in “The Bells” when she was (still) insistent “I’m going to kill her!” before Sandor talked her out of it.
If anything, I was perplexed how Sandor and Arya left WF on horseback heading to KL while everyone else was still partying inside WF, and yet the duo arrived in KL after (or around the same time) as Jon + Dany and their armies.
In any event, by the time the Red Keep was crumbling around them as Drogon circled overhead, any chance of a preemptive assassination of Cersei had passed.
If Arya was just seeking “revenge” by going after Cersei, that objective was mistaken and misguided. Nor would its pursuit explain Arya abandoning Jon so soon after finally reuniting with him. I concur with you: “She was too loyal to Jon to just leave him like that.”
Tron79,
“I’m rewatching season 1 of the Expanse right now and Dominique Tipper is pretty awesome but she’s probably too old.”
Is that you, Meryn?
Well, it would be the catalyst for war, certainly. Yet, it wouldn’t just put Dany in danger, it’d put Jon in danger too — even if not from each other as individuals. Dany still had her Westerosi allies (Yara’s Ironborn, Dorne, and whatever is left of Highgarden) as well as two dragons at that point and devoted followers in two fully re-spawned armies. They’d definitely want Jon removed if he were being presented as a rival claimant, even if Jon had no wish to be a rival claimant and Dany had no wish to kill Jon. And vice versa with Dany — as we saw when Varys learned the truth.
It’s not really like being the heir to the Targaryen dynasty was something Jon could just reach out and take (or others take for him) on that basis… or we’d never have gotten our various conflicts or the war of the five kings. It’d require war to get there and Dany certainly had a healthy amount of martial power to fight for the throne (effortlessly destroying the defense of King’s Landing, the Golden Company, and Euron’s Iron Fleet in one efficient flight). If Varys succeeded in assassinating her, especially before Dany did what she did in 8×05, that’d also be cause for war from Dany loyalists.
In contrast, when Robert wanted to eradicate “dragonspawn”, there weren’t a ton of Targaryen loyalists in Westeros willing to rise up in defense of these kids — and they didn’t, not for Daenerys, Viserys, or the deaths of Rhaegar’s children. These kids were far more vulnerable (as was Jon). They had no armies to defend them. I don’t know if the North would rise up to protect Jon, even if it was known Jon was Lyanna’s son. He was still Rhaegar’s son too. And Dorne might have an issue again with Jon given that Rhaegar left Elia for Lyanna. Plus, I don’t think Ned would push for a war in that case. It’d be high treason and I don’t think the North would have the power to successfully face the crown without disastrous consequences. I doubt Ned would allow Robert to kill Jon but I don’t think he’d fight a war for Jon either.
Instead, I wonder if Ned would hide Jon somewhere and fake (Jon’s) death instead.
Fair point, though this is supported by the books in which Jon is pretty anti-Lannister, with the possible exception of Tyrion, demonstrating that even Jon isn’t free of emotionally induced bias and blanket judgement:
(Although, Cersei does try to have Jon assassinated but Jon isn’t aware of this and never becomes so.)
Adrianacandle,
Right! Whether Jon “wanted” it or not, just the fact that a rival claimant existed would be exploited by factions for their own agendas, whether they truly believed Jon would be a better ruler, whether they wanted to advance the cause of Northern sovereignty, or whether they simply wanted to get rid of Dany. Dany knew this. Sansa knew this (and that’s why she told Tyrion).
Varys and Tyrion’s reactions demonstrated Dany was right.
Jon would become a pawn in a tug of war in others’ power plays whether he wanted to or not.
As you noted, and as Arya told Jon, the now-divulged secret would endanger Jon more than Dany, especially if Dany felt her destiny (“born to rule the Seven Kingdoms”) was slipping away.
Adrianacandle,
Have you ever watched “Grease Live”? I thought Vanessa Hudgens was excellent as Rizzo, and Jessie J did a good rendition of the Frankie Valli theme song.
Ten Bears,
Yes and even if it’s not Dany, she still has miles supporters who’d likely prefer a Queen Dany over a King Jon if his claim was being pushed to the throne — giving them cause to get rid of Jon because dead threats can’t claim thrones.
No, I haven’t! When was it done? Where is it available?
Adrianacandle,
“Grease Live”:
Jessie J: “Grease in the Word” [3:12]
https://www.youtube.com/watch?v=MGObkWnXWMs
—
Vanessa Hudgens as Rizzo:
“There are Worse Things I Could Do” [2:25]
https://www.youtube.com/watch?v=8iBdr2N7Dow
—
Ten Bears,
Thanks! I’ll watch in a bit! 🙂
Some good points you’ve raised here Petra – especially about Nettles and some of the other points from the books which are open to interpretation. I’m probably luke warm about HotD right now and look at it a bit like Better Call Saul in the sense that a show set in the same universe is likely to be great for nostalgia and I’m interested to see how things play out but yet it’s not quite what the original was.
Adrianacandle,
”Jon disagreed about keeping the truth from them and he disagreed with her view of Sansa because he didn’t see Sansa the way Dany saw her (and didn’t see Dany the way Sansa saw her). He also didn’t just casually tell them without any conditions. He gave Sansa and Arya both very strong conditions before even letting them know the truth — namely that they never tell another living soul, which both agreed to.
***
… In hindsight, I don’t think it was the right decision to tell Sansa at all because yes, Dany turned out to be 100% correct. But I can see why Jon wouldn’t take on Dany’s view of Sansa, believing that she would keep an oath sworn in the godswood to him, her brother.”
The thing is, while lords, wardens or anyone else can disagree with their queen or king, I don’t understand how they’re free to simply disregard their monarch, e.g.: “I don’t agree with my queen. I think she’s wrong. I’ll just do what I like.”
(BTW: How’d that attitude work out for Lord Karstark?)
Well, unlike the situation with Karstark, this was a personal and private conversation between Jon and Dany, not a royal command or formal address between a queen and her vassal. If it was a command or formal edict, yes, I’d agree with you. However, Dany didn’t command him as his queen, she disagreed and implored him on a personal basis. Jon, in turn, was also upfront with Dany over what he’d be doing and didn’t back down when Dany disagreed. Also, as I said above, Jon didn’t simply disregard Dany or treat this information casually, he had both Sansa and Arya swear an oath in the godswood before allowing them to know the truth. He had them swear they were not to share this information with another living soul.
I share your trepidations. I felt the same way when I first heard about Star Trek: The Next Generation (and thought to myself, “What a dumb name”). Yet, it turned out to be better than the original.
I’ll be the first to jump ship if the HotD premiere episode doesn’t knock me off my feet.
(I was seconds away from clicking off my remote about ten minutes into S1e1 of GoT. 🎯
I have a short attention span and little patience.)
MaxHightowerYronwood,
After your comments in the previous thread, I was looking forward to your remarks! 🙂 It looks like they got held in comment purgatory by the Lord of Light but I’m glad to see they’ve been released!
From your comments, I’m guessing you’re…. Team Green and Team Nettles?
I think I learn more toward Team Black, though that is subject to change. Definitely definitely Team Nettles though! I believe Ten Bears has made an early declaration for Team Green, as well as Team Nettles! 😉
(btw, you mentioned you’re a history of art college student — I’m an art college alum twice over! Graphic design! But I do love me some fashion history! I’m happy to see another artsy type here!)
Ten Bears,
I think it’s literally a combination of all those things you mentioned.
Ten Bears,
Also not being Queen of the ashes I believe is something she took from Tyrion. So she basically was using her advisors words not her own. Would she have actually said that if Tyrion didn’t remind her what could happen my guess is no she wouldn’t.
And that was part of my problem. All of the misfortunes and setbacks Dany suffered one on top of the other, started to come off as contrived.
That’s why her precipitous downfall kind of reminded me of what happened to Louis Winthorpe (Dan Aykroyd) in the 1983 movie “Trading Places.” [Spoiler Alert! ⚠️]
The first part of the two-part “experiment” involved the deliberate sabotage of Winthorpe, their firm’s well-respected, successful top executive. Through behind the scenes machinations and frame-ups, they deprived Winthorpe of his job, his title, his friends, allies, and servants, his home, the love and loyalty of his fiancé, the respect of his peers, his reputation, and his resources – all at once.
The result: “We turned an honest hard-working man into a violently deranged would-be killer.”
Spoiler Alert continued ⚠️ For your entertainment, here’s a compilation of scenes
[8:45 long]
https://www.youtube.com/watch?v=vxmGbI4qoN0
I don’t want to give away more for anybody who (still) hasn’t seen the movie.
It’s just that in S8, it seemed as if plot lines were manipulated and other characters behaved oddly and unnaturally, all to cause Dany maximum emotional upheaval and estrangement. It all happened so quickly and all at once – like
The big difference of course is that in “Trading Places” Winthorpe’s downfall was played for laughs and he didn’t nuke Philadelphia. 🔔🔥
Ten Bears,
Interesting parallels with Trading PLaces. I’ve been thinking if there is a way to bring up Dan Aykroyd’s Dr. Detroit. With Bronn on the small council, he did make it a priority to reopen the brothels. Perhaps Pod gets in a situation where he has to defend the ladies from a neighboring rival and becomes Dr. Sapphire. I needed any excuse to post this classic dance scene! When you were talking about Dan Aykroyd, I couldn’t help think of this. Pod’s Dr Sapphire could be an awesome spinoff.
Adrianacandle,
Agree with all of this. Though I understand Sansa’s reasoning, I don’t support her decision to tell Tyrion the truth. By pitting Jon and Danerys against one another, she was putting her family and the North in danger.
Tron79,
No struck nerve, just making a point. I agree that Danerys and her army were essential, I never said they weren’t. I’m simply contesting the idea that the North somehow owes Danerys for her contribution when it was a team effort. Without Jon and the North, Danerys probably wouldn’t have known about the White Walkers’ existence or how to defeat them until it was much too late.
I agree she was putting her family and the North in danger by telling Tyrion the truth with the intention to prevent Dany from becoming queen. Although, I think it was more a case of Sansa trying to pit Jon’s claim against Dany’s since Jon, himself, had no wish for this to turn into a Jon vs Dany thing or a desire to press his claim against Daenerys’s. However, I don’t think it was a particularly wise action and it was kindling yet another civil war.
I see your points. Also the reality is that if it wasn’t for Dany going beyond the wall on her dragon, TAOTD may still be safe on the other side. The books will be bringing down the wall a different way. I’m hoping that Cersei won’t be safe in the south in the books and the others make their presence known down south some. .
I can see that the Northerners would be distrustful of any southern queen. Arya was the only one who had wonder in her eyes when she saw the dragons fly overhead.
Tron79,
Yea, it’s all kind of circular logic.
Had it not been for Dany, the North wouldn’t have been able to defeat the AOTD.
However, had it not been for Dany, the NK never would’ve had a dragon and wouldn’t have been able to breach the Wall either.
The AOTD never would’ve been able to reach South of the Wall without Dany, but they would still be North of the Wall killing Wildlings. However, Jon took the Wildlings South of the Wall anyway, so it seems like the AOTD would’ve remained North of the Wall with nothing to do and no one to kill other than Nights Watchmen had it not been for Dany and her dragons.
It’s like creating the monster and then killing it. Sure, you got rid of it, but you kind of helped create it to begin with.
It reminds me of this one commercial I saw when I was little that’s etched into your brain: You can’t get a job if you have no experience, you have no experience because you can’t get a job — going round and round in a literal circle 🙂
However, with the AotD, I had the impression that they would have gotten through eventually but an ice dragon able to burn a hole through the Wall gave them a quick expressway.
In the original Long Night, all the seas around the world froze and the Wall only bordered one side of the continent (if that), which would enable (I imagine) the Night King to simply walk around the Wall. A far slower method but still an entryway into Westeros nonetheless 🙂
Kind of like that “nice wall you’ve got there. It’d be a shame if… somebody… walked around it…” meme 😉
Although, like Tron said, I imagine if the Wall comes down in the books, it’ll happen differently as will the resolution to the Others/Long Night. Particularly considering there is no Night King in the books — who served as a leader and sort of like an avatar for the undead in the show in order to (I’m guessing) make the conflict more corporeal and action-based rather than mystery/unseen horror based.
Tron79,
“I’ve been thinking if there is a way to bring up Dan Aykroyd’s Dr. Detroit….
I needed any excuse to post this classic dance scene! When you were talking about Dan Aykroyd, I couldn’t help think of this…”
[Link]
——
What did I just watch? 🤪
– That metallic hand on Dr. Detroit…looks like one of Qyburn’s creations.
– James Brown singing and Dan Aykroyd dancing… Now I’m tempted to post the Bo Diddly-Dan Aykroyd pawnshop scene from “Trading Places”…
Some might say that Sansa had no compunctions about placing Jon’s life in jeopardy if it served her purposes.
She did it first by letting him go into battle, outnumbered, without telling him about the KotV.
She did it again by breaking her promise
and using him to “prevent Dany from becoming queen,” all without his knowledge and contrary to his own decision to recognize Dany as queen.
Arguably she did it a third time in S8e6 by acceding to Jon’s exile at the same time she insisted on Northern sovereignty, assuring her own ascension as Queen in the North. (That’s the impression I got from the dialogue and stage direction of the Sansa-Jon dockside scene, posted upthread I believe.)
However, I don’t want to engage in Sansa bashing…
Yes. It was quite the movie. And he did see himself as being a bit of a Knight so there is that tie in.
That’s right. It’s easy to cause “chaos” without regard to who gets stepped on and pushed off when you climb the laddahhhh.
Petra – Oh yeah. I’m definitely in it for the music…
Mr Derp,
…Had it not been for Tyrion, there wouldn’t have been a stupid wight hunt plan that resulted in Dany flying north of the Wall.
Thanks Tyrion.
And some have said that, yes. And these actions did put Jon’s life in danger for Sansa’s gain in the end.
Although, I truly don’t think that was D&D’s intention with the character (ie. for Sansa to be using Jon as a pawn), I think Sansa is meant to truly love Jon (and it’s said by Tyrion that she and Arya did argue for Jon to be freed at the end but his exile by Bran was done as a compromise for peace between two conflicting factions) — but I felt her strategies were at the heart of the problem with the Smart Sansa storyline because it did kind of seem like she employed chaos as a ladder.
I think Sansa will absolutely be intelligent, thoughtful, and strategic in the books should they ever come out and I think her actions and plans will be more solid.
True — and this goes back to circular logic. This plan was implemented because Dany required a truce with Cersei for pretty understandable reasons first (ie. not wanting to get screwed down south by Cersei while fighting zombies she had never seen up North).
Yea, it pretty much turned out that the same people who saved Westeros were the same people responsible for putting it in danger to begin with.
It kind of hurts my brain the more I think about it.
Tron79,
We’ve seen the Night King was capable of cracking ice, so it’s possible the Wall would have fallen anyway. Using the dragon simply took less time.
Tron79,
Btw, I think you are about to watch the HDM finale tonight, right? Looking forward to your thoughts!
Yep you are correct.
Btw
Adrianacandle,
”However, with the AotD, I had the impression that they would have gotten through eventually but an ice dragon able to burn a hole through the Wall gave them a quick expressway.
In the original Long Night, all the seas around the world froze and the Wall only bordered one side of the continent (if that), which would enable (I imagine) the Night King to simply walk around the Wall. A far slower method but still an entryway into Westeros nonetheless.” 🙂
• Right. When I heard Melisandre recite the ancient “Warrior of Light” prophecy in S2e1 (the show! counterpart to the book! Azor Ahai prophecy), and specifically the part that said “the seas will freeze,” I thought that the AotD would be able to walk around the Wall – and not have to punch a hole in it.
• Until then – like Maester Ebrose told Sam – there was no need to freak out because the Wall had kept the WWs (if they existed) out for thousands of years.
• BTW… Who says there was ever an “original Long Night?
⚠️ Tinfoil Warning! I say the stories about the supposed original “Long Night” were self-glorifying propaganda – or possibly an inversion of what really happened back then.
#WWADL
(White Walker Ant-Defamation League)
That’s the thing — during those thousands of years, the Long Night wasn’t an issue because it had been ended for the time being so all the seas weren’t frozen during this time.
The Wall may be effective where it stands but it doesn’t border every side of the continent. And the Wall’s power is untested against a mass of Others.
Also, the Others didn’t start becoming an issue again until around 298AC, when the story starts. They’re stirring again for some reason but for about eight thousand years, they’ve been dormant (I think I told you my tinfoil on that, right? ;D)
While it’s possible details may have been fabricated, twisted, or misunderstood, the entire world (reader nickname: Planetos) reports a Long Night having happened — even in very separate lands, countries, and cultures. Plus, the Others do exist and the Children of the Forest worked with the First Men to erect the Wall. So I’m inclined to believe something really significant happened and the Others were an issue then too.
How it was solved is up to legend — I think it’s a combination of embellishment, fact, and myth.
Tron79,
I’m not familiar with Paradise Lost. What are some of the similarities?
Adrianacandle,
”True — and this goes back to circular logic. This [wight hunt] plan was implemented because Dany required a truce with Cersei for pretty understandable reasons first (ie. not wanting to get screwed down south by Cersei while fighting zombies she had never seen up North).”
Also, according to what Jon explained to the Tormund at Eastwatch. the wight show-and-tell
was to convince “both” queens – Cersei and Dany – of the existence of the ice zombies.
Still a real dumb plan.* A dozen guys. On foot. To. confront a throng of zombies (“thousands of them” – Sandor C.) marching towards Eastwatch.
After the massacre be witnessed at Hardhome and his narrow escape – what was Jon thinking?
* Another in a series of spectacularly backfiring “clever plans” by the once brilliant, now lobotomized Tyrion Lannister.
Thanks Tyrion. 😠
“Hurry! We’ve got resolve this story by 8×03! If the NK chisels his way through the Wall, he’ll take too long!” 😉
Anyway, on the topic of the Night King, I’m trying to find an Alt Shift X video that goes over some key details of the Long Night v1.
Adrianacandle,
”Also, the Others didn’t start becoming an issue again until around 298AC, when the story starts. They’re stirring again for some reason but for about eight thousand years, they’ve been dormant (I think I told you my tinfoil on that, right? ;D)”
No. I don’t recall that you told me your tinfoil theory on that. Have I told you mine? 😬
I think you have but I think it’s time for a refresher! After our season 8 debates, I think Others and Long Night speculation would be a fun territory to transition into 🙂
So my tinfoil that I developed with the help of Kevin!
This tinfoil involves a negotiation occurring to end the Long Night — but this deal wasn’t forever, it was finite or conditional, as is the magic in the Wall… which may be why the Others are coming now: because the cost needs to be paid again in order to renew the protection of the Wall/something in the deal was violated/etc.
Adrianacandle,
”…Plus, the Others do exist and the Children of the Forest worked with the First Men to erect the Wall. So I’m inclined to believe something really significant happened and the Others were an issue then too.”
What it comes down to (for me) is whether the WW creation reveal in S6e5 is “canon.” Because if it is, that completely changes the accepted chronology, doesn’t it?
In the books? Well, the Others weren’t created by the Children of the Forest. They’re their own species and beings. They’re not even dead but alive.
I’m picturing the NK slowly chiseling away at the Wall Andy Dufresne style for thousands of years until he finally is able to get through to the other side.
I actually haven’t read it, but I’ve read some summaries. I was watching something on YouTube about Pullman and the controversy of his books when they first came out and they brought up Paradise Lost. I can’t say too much in the non spoiler area since it will give away HDM plot points.
Confusedly, and which thus must ever fight,
Unless th’ Almighty Maker them ordain
His dark materials to create more worlds–
Paradise Lost is a retelling of the fall of Adam and Eve. You may want to Google other summaries. They will be more informative that what I can say! But I did find this introduction that Pullman wrote to an edition of Paradise Lost!
https://www.bl.uk/restoration-18th-century-literature/articles/philip-pullmans-introduction-to-paradise-lost
Mr Derp,
Considering how long it took for the White Walkers to finally arrive at the Wall, they’re obviously very patient and in no hurry.
You mean like the stories Old Nan told Brian about the White Walkers and the Long Night in S1e3?
https://www.youtube.com/watch?v=P15M4IcZmgA
👻
Ten Bears,
So here are some excerpts from The World of Ice & Fire that cover the Long Night. The World of Ice & Fire is a history book written in-universe by Maester Yandel (but in reality, by George R. R. Martin in collaboration with Elio Garcia and Linda Antonsson)
Alt Shift X does a comprehensive look at The Others here.
And I need to correct myself on my statement, “the entire world (reader nickname: Planetos) reports a Long Night having happened.” The Dothraki and Slaver’s Bay don’t seem to have any history reporting a Long Night but the Rhoynar of Essos and lands in the far far East do — like Yi Ti, whose reports involve creatures (“demons”) that sound a lot like the Others). You’ll also find in the excerpts how Rhoyne’s “waters [were] frozen as far south as the joining of the Selhoru.”
I know that’s a ton of information to drop! But I hope you (or anybody else!) find it interesting!
It was a joke…
Old Nan: “[Covers all the horrors of the White Walkers]… So, is this the kind of story that you like?”
Bran: [slowly nods]
XD
But yeah, Old Nan spoke about some of the same stuff Yandel did in TWOIAF!
Here is what GRRM says about the Others:
Oh, thank you so much for this! Given the wording, there does seem to be quite a case for Pullman basing his books on Paradise Lost. I’ll definitely Google that. And thanks for the link!
Yes it would!
The Others/White Walkers and Long Night discussions remind me of this scene from Dr. Who, “Hell Bent” S9e12, a vigorous debate over competing theories and interpretations of an ancient prophecy.
https://www.youtube.com/watch?v=Tw7phZ4tOQk
at 0:50 – 0:55
“That’s an interesting theory.”
“Do you have a better one?”
“By your own reasoning…”
**
1:20 – 1:41
“That doesn’t make any sense.”
“It makes perfect sense and you know it. Am I right? Is it true?”
“Does it matter?”
“No…Because I have a better theory.”
“Really?”
Spoiler(s) Warning ⚠️
and
That’s a cool clip!! I’d never seen it before!
Reminds me also of ASOIAF reddit theorists (myself, included, though I’m a better reader of theories than creator):
ASOIAF Redditor 1: “That’s an interesting theory.”
ASOIAF Redditor 2: “Do you have a better one?”
ASOIAF Redditor 1: “By your own reasoning… [detailed rebuttal].”
ASOIAF Redditor 2: “That doesn’t make any sense.”
ASOIAF Redditor 1: “It makes perfect sense and you know it. Am I right? Is it true?”
ASOIAF Redditor 2: “Does it matter?”
ASOIAF Redditor 1: “No…Because I have a better theory.”
ASOIAF Redditor 2: “Really?”
ASOIAF Redditor 1: “We are the Others.”
Because it’s an ancient adage, I’d like to propose the acronym: BARLTA.
Mr Derp,
So was mine.
Some of my own opinions of so-called “Targaryen madness”. I’m actually wondering if it’s even supposed to be an actual “mental illness” or does it refer to this (in my opinion) extreme superiority complex the Valyrians and later Targaryens possessed due to overwhelming power that they possessed. When I was reading AWoIaF, I ended up being incredibly repulsed by Valyrians when I realized they destroyed literally every big civilization that existed, with the semi-exception of Westeros. First Old Ghis (and they ended up being exactly like them in terms of practicing slavery), then Andal kingdoms, forcing the Andals to migrate to Westeros, then the (overall peaceful) Rhoynar people, forcing them to migrate to Westeros. Then justice was finally served to them in form of the Doom… and yet it wasn’t complete enough because Dragonstone and a couple Targaryens survived. And what did these people do? They turned their eyes on Westeros, the only remaining non-Valyrian civilization left… and forcibly dominated it. Then 300 years later, Robert’s Rebellion nearly suceeded in getting rid of the final Valyrian descendants for good and only left two survivors on long term… and what happened? A couple years later, a massive force assembled under one person and nearly dominated Westeros under Valyrian rule again.
Of course, there are many people in GoT universe who were power-hungry and had extreme ambitions. But what makes Valyrians different is that they were able to suceed in anything they wished because they possessed an overwhelming amount of power in form of dragons. They could conquer literally anything they wanted and if people resisted, they burned them to death, absorbing their armies by fear in the process. Aegon’s Conquest was literally a domino effect and with every destruction he caused, he grew more powerful and more unstoppable. I personally started getting alarmed by Dany as early as in S1 finale, but especially from S2 onwards. I was thinking why on Earth am I even supposed to root for a Targaryen in first place. Even more when she started winning mainly because of having dragons. Then with all Histories & Lore, AWoIaF and such, I was even more sure that Targaryens and Valyrians in general are something that was never supposed to exist in “normal world”. Their power was too great, way too great that any ruling person should have right to possess. And as a consequence, I found myself impossible to ever “side behind team Dany” because in my eyes, it ended up being just another chapter in thousands of years of Valyrians dominating the world.
So back to my original statement. The madness? Are we speaking of an actual mental illness here or is it possible that because of being able to achieve literally anything they wished to have, the Valyrians and later the Targaryens had this extreme superiority mentality on the world that could never actually work with more grounded civilization like Westeros and it strained their reputation? I won’t go deep into Dany here again but I think the root of her downfall was always present in her… this exact superiority mentality and maybe it’s not even a mental illness, but just the way of Valyrian life imprinted in her. As an example, I love to bring up the scene with Spice King in S2 when she becomes completely enraged when he refuses to make an investment into her, based on promise. Spice King being unlikable, it was easy to stomach that scene during original watch, even root for her. But when I think of it from merchant’s perspective, he actually didn’t do anything “wrong” there. He just refused an investment and Dany didn’t take no for an answer. I think that if she made a demand like that later in the series when she had a formidable force, whoever refused her would have been severely punished.
So, is it madness as mental illness that we’re talking about? Was Maegor the Cruel mad or was he just… incredibly cruel? Were Aegon and Rhaenyra mad or just power-hungry? Was Aerys really mentally ill or just suffering from god complex, enabled by Valyrian tradition? Who knows. But I personally had no problems siding up with Dany’s end (and in fact, being “happy”about it) because of everything I wrote above.
Erik, formerly Lord Parramandas,
I don’t know I entirely agree because I don’t think one can be judged simply for being a Targaryen alone (however, if I’m misunderstanding you, please correct me!)
Targaryens, like any other character, have all sorts of different parts to them: good and bad, and they’re individuals with different mindsets/personalities/etc. — so I don’t agree with judging one’s ruling ability on being a Targaryen or not. Like any other house, there have been better rulers (Jaehaerys and Alysanne), worse rulers (Aerys), mediocre rulers, and every sort in between. Just like they have different kinds of characters in this family, as with all.
Likewise, while dragons certainly gave Targaryens a huge initial tactical advantage, it was not enough to keep power for 300 years. Rebellions can (and did) arise. The Young Dragon (not the commenter on this board! ;D) failed to conquer Dorne. Dragons provide power — but not a power to sustain a rule for very long. I think Oberyn makes this point:
Benjen also points this out to Jon when Jon starts piping up about the Young Dragon:
However, Targaryens were able to maintain power for 300 years, which wouldn’t be doable by dragonforce alone since (as seen above) rebellions are a thing and dragons (and their riders) aren’t untouchable. Plus, over those 300 years, they lost that power. Aerys was overthrown due to his actions — but not every Targaryen was Aerys.
And conquest wasn’t unique to the Targaryens. The Starks only had the North because they, too, conquered and overtook lesser houses in — what sounds to be — some pretty brutal battles:
It also should be noted that under the reign of Jaehaerys and Alysanne, the custom of Rite of First Night was ended.
Even Robb took the Westerlands by conquest and allowed his bannermen to raid and pillage the Westerlands when he took it:
So while (some) Targaryens committed atrocities and conquered, they’re not the only ones.
This reminds me of something Alt Shift X said when I was watching that video he did on the Others that I linked to above:
Erik, formerly Lord Parramandas,
”Some of my own opinions of so-called “Targaryen madness”. I’m actually wondering if it’s even supposed to be an actual “mental illness” or does it refer to this (in my opinion) extreme superiority complex the Valyrians and later Targaryens possessed due to overwhelming power that they possessed…”
I had been thinking about that too. In one of my comments yesterday I wondered:
“[W]hat was the cause of [Dany’s] descent from would-be savior to megalomaniacal mass murderer?
“Sure, there were signs early on of self-entitlement. (Who could blame her? She outdid the scientists of Jurassic Park, hatching three magical dragons from fossilized eggs. That to me would be a clear sign from the god(s) that I should “take what is mine by fire and blood.”)”
Likewise, it would not be surprising that the Targaryen family in general developed a “superiority complex,” and become drunk with power, because they had magical nukes and no one else did. That attitude, “I am the blood of the dragon!” and WMDs to back it up, could easily go to their heads.
I don’t know if they adopted a “divine right of kings” religious philosophy or “the king can do no wrong” political philosophy. (I have not read the books.) It would be understandable – though not excusable – if they did.
Add in a touch of congenital mental illness from generations of inbreeding, with nobody to “rein in their worst impulses, and personality disorders could be a dangerous thing for the world at large.
Let’s see if and how HotD addresses the Targ “madness.”
Ten Bears,
On the other hand, Weiss’ episode commentary that Dany snapped upon seeing the Red Keep, a “symbol” of what had been taken from her, left me wondering “WTF???”
Two related points bear repetition when wondering about any character in Game of Thrones.
First, D&D created neither these characters nor their motivations. GRRM did, and he enjoys ambiguity in A Song of Ice and Fire. Nowhere in the story does he provide any ‘official’ source of information, like Princess Urulan’s quotes in Dune. It’s all recollections by characters, some of which disagree with each other in subtle but telling ways. (E.g., Arya thinks of Nymeria as the “warrior queen” of the Rhyonar, but Bran thinks of Nymeria as a “witch queen.”) Absent any definitive statement from GRRM, D&D had to create their own reasons for Dany ultimately becoming the nastiest villain in the story. Maybe their reasons agree with his, maybe not, but we won’t know until the books are published, and maybe not even then. GRRM likes to have his readers draw their own conclusions.
Second, GRRM left D&D without an ending for the tale. He gave them his ending for each character, nothing more. D&D had already made huge changes to other characters, to fit 5,000+ (!) pages of story into 73 hour-long episodes. They’d ignored many characters, melded a few into one, assigned attributes from one into another, changed characters completely (e.g. Jon Snow goes from being a politically-savvy snarker to a moping Dudley Do-Right) and even created a few (e.g. Ros, Locke). All they knew was that Dany was the real villain all along, and that Jon commits regicide to save the world from her. Other than that, D&D were on their own.
So, Weiss was, like any other viewer, entitled to his opinion of why Dany obliterated King’s Landing. He was asked about it for the episode commentary, and he responded. His comment provides one explanation for why Dany was looking at the Red Keep as she made her decision. Every viewer can create her or his own explanation. Whether any viewer’s reason(s) ever agrees with GRRM’s reason(s) may never be known.
We don’t even know that for sure (and I don’t think it’s as simple as Dany being the “real villain all along” since it’s not a story of good vs. evil — especially since GRRM has talked about characters having both good and bad in them and there are characters, as of ADWD, with far more bad in them than Dany — characters who are completely incapable of empathy: Ramsay, Joffrey, Euron, Cersei, etc.). Neither was confirmed by GRRM. We know he gave them three shocking twists, which he confirmed for us: Shireen’s death, Hodor, and who’d end up on the Iron Throne but Dany going berserk and Jon committing regicide aren’t among those confirmations and D&D don’t even say these plot points came from GRRM.
It’s, of course, very possible and even a likelihood — but we don’t know what they knew and didn’t know for sure.
Adrianacandle,
”… Look at Robb Stark’s campaign, Daenerys’s conquests in Slaver’s Bay, Stannis’ invasion of Blackwater Bay – they’re all seemingly just wars waged by seemingly good people, but they all fail their original goals and cause a huge amount of suffering, not just for the nobility, but for the common people.”
Ah yes, Stannis and suffering. That brings to mind one of my favorite Stannis quotes: one word.
S2e9, Battle of the Blackwater:
(After much of his fleet is blown up by wildfire, Stannis orders landing party to board the boats to attack the city, brushing off one of his commander’s reservations):
https://www.youtube.com/watch?v=bxKzT7AzK1c
at ~ 3:30
Commander: “We’re too far from the gates. The fire… their archers. Hundreds will die!”
Stannis: “Thousands.”
(Boards boat)
Ten Bears,
Yup!
Tensor the Mage, Still Loving the Ending,
Absent any definitive statement from GRRM, D&D had to create their own reasons for Dany ultimately becoming the nastiest villain in the story…”
Look, I’ll be the first to commend the showrunners for their phenomenal work on GoT, especially without the source material they expected to have in hand.
Even so, did D.B. Weiss’ explanation ring true for you? Here it is:
“Inside the Episode” S8e5
https://www.youtube.com/watch?v=5W8j6wOvxuo
D.B. Weiss, at 3:22 – 3:50
I believe this is known as “Death of the Author”. The thing is, Weiss isn’t simply “any other viewer” — he’s one of two lead writers for this show, responsible for this version of the story, wherein he is one of the two responsible for writing the characters and creating their motivations/characterizations/story in the show. As such, since I don’t subscribe to “Death of the Author” myself because writer’s intent is a big part of the story for me as they are the ones putting it together, I’d consider their words on the characters and story to be (show) canon since they are writing this version of the story. Plus, I like definitive statements where I can get them as arguing interpretations can go on forever.
…Which has differed from GRRM’s version (even without knowing the details of GRRM’s ending) for various reasons.
However, “Death of the Author” is a personal choice every viewer/reader/player must make 😉
Adrianacandle,
HDM reaction. There could be a good GOT discussion comparing how d&d changed the source material to how the show runners did it for HDM. IMHO D&D made much better decisions. For some reason the TV version of HDM cut out all the good stuff!!!!
And no dramatic explosion. I know it’s because they decided to play down the witches and never developed the story of witch Juta. Also no blood moss. And no wrestling. What?!!
Did you wait until the end of the credits to see Roger in the land of the dead? At least that was something.
Anyway That’s all I can write for now. I just feel bewildered why they cut all the good stuff out???!
I did like Mrs Coulter’s scene where she comes to terms with her daemon. That was a nice addition
Tron79,
HDM!
I agree. I was, unfortunately, not moved by his death. Or by Will’s dad. Or by Will’s reunion with his dad — which is really really frustrating.
Yeah — and I feel Mrs Coulter learning Lyra was Eve was quite a bit less dramatic than the books. In the show, it’s revealed she’s (literally) packing up Lyra to keep her safe. That she’s not going to sell her out to the Church.
So, while I liked that scene, it didn’t have nearly that same question mark or tension as it did in the books where the reader just doesn’t know WTF she’s going to do next.
I did!! I thought that was cool 🙂
Sadly, I agree. I’m wondering if perhaps they’re shifting some of it to season 3.
But what a boring season 2…
Me too and I’m not even sure she does come to terms with her daemon. Her daemon clearly doesn’t like what Mrs Coulter is doing but is reluctantly going along with it — and I think this represents the two conflicting sides of Mrs Coulter. Ambition vs. Lyra.
Tron79,
FYI/⚠️ Off-Topic
🎄Multi-part “Holiday Musical Interlude” posted in Comment Section under 12/16/20 article:
“Learn the art of Water Dancing with Game of Thrones star Miltos Yerolemou!”
Sampling (from “Cyndi Lauper & Friends: Home for the Holidays” on Dec. 11, 2020):
• Billie Eilish intro [22 seconds]
https://www.youtube.com/watch?v=nhnMdcWUr1c
• 🎶 Cyndi Lauper, “True Colors” live
December 11, 2020 [4:46]
https://www.youtube.com/watch?v=IsYqEosQ-to
🌈
Adrianacandle,
Clarification!
When I said, “…Which has differed from GRRM’s version (even without knowing the details of GRRM’s ending) for various reasons,” I was referring to the show differing from the books.
When I expanded my first paragraph, the correct context of this statement was removed and I only realized it now 🙁
I’m sorry for another comment, Tensor (and I apologize if my tone was too firm in the first two comments — I didn’t mean it to be!) I wanted to add GRRM has commented on (published) character motivations, characterizations, and plot elements in regard to his intention quite a bit before, and sometimes quite definitively, with various interviews and such. I don’t think he’s ever stated that it’s ultimately up to the reader to decide about various characters/motives/story elements (although yes, I would agree he does like to make the reader think and I think this would be a reader’s prerogative with regard to writer intention) but I also remember him being quite protective of his work (ie. he disagrees with fanfic and doesn’t like people doing it).
GRRM can be pretty ambiguous when it comes to characterization and conflicts, I think he does like to have the reader ask questions, certainly, but (unless it comes to unpublished material) he can be pretty outspoken about his characterizations, characters, and plot elements as well.
Adrianacandle,
I don’t have much else to add. I’m just trying to figure out why they did what they did when the book scenes were much more dramatic and effective. Was it just budget reasons?
Oh well. I will still be watching season 3 but I’m guessing they will change a bunch to hold down the budget. Or they will do things off screen and just explain it.
Oh and I wonder what Roger looks like now. My guess is that he has aged and may look different. They did film the teaser when he was younger but I can’t believe they filmed all of his scenes from season 3 already. Lyra is in some of them.
Tron79,
When you brought up COVD, perhaps that was the reason? Because so many scenes seemed suddenly short-shifted.
LOL yeah!! Like WTF? When I read this, it just occurred to me — did Mrs Coulter release an airborne sedative or something that she is somehow immune to? I remember thinking it was odd both Lyra and the witch-on-watch were both so drowsy and sleepy.
In the books, I don’t think we see Mrs Coulter kidnap Lyra, do we? We end book 2 on a question mark with what Mrs Coulter will do and when we see her in book 3, she has a drugged Lyra sleeping in a cave (at which point Lyra has made contact with Roger).
No! He’s just like, “See ya,” to Lyra and then finds Dad. They reunite. Dad apologizes. Dad dies. Will cries.
It just felt… I don’t know, like they did run out of time to film these scenes fully. This felt like the shell of something instead of anything meaty or fully realized, especially since this was such a big culmination in Will’s story and it was also Lee’s end.
Oh man. For most of season 2, I forgot Asriel was even still around. I was happy to see him, I like how they visualized the angels, but he just kind of popped out of nowhere, didn’t he? Like a reminder app 🙂
I think season 2 had a strong start. I like how they expanded Mrs Coulter’s story in some ways. I liked Mary a ton. But otherwise, it felt like they were trying to blow through it as quickly as possible like it was homework they needed to sludge through in order to get to the good stuff.
That’s a good point. Roger, because he died at the end of season 1, shouldn’t have aged but nobody can stop the sands of time… Will he appear two years older when we see him again in season 3? And if they had filmed Roger’s scenes already (which I don’t think they have, yeah), Lyra would look that much younger too!
Adrianacandle,
Getting in the GOT connection Bella Ramsay had one of my favorite scenes of the season. I rewatched episode 6 today as I often do before watching the next episode.
Adrianacandle,
Just to add some more about Bella Ramsay, I appreciated how she fully committed herself. She really went for it. I didn’t feel like she was acting. I felt her anger and she had a pretty scary look in her eyes. I thought she did a great job. Ella Schrey-Yeats playing Paola (spelling?) had a different vibe. She seemed more child like. The way she held her stick was almost like she was playful. She was the one who asked for the hug.
Adrianacandle,
I don’t deny there were a couple Targaryen kings who were decent but agree or not, the whole idea of Targaryen (Valyrian) family ruling Westeros always repulsed me for all the reasons I listed above, inbreeding and also the fact that they were part of it only for 300 years. And throughout the story, I never boarded the team Dany train. In fact when I was first reading AGOT and ACOK (months before S1 aired) and then ASOS (during S1 air), I didn’t even think that Dany is supposed to be this “ultimate protagonist figure to root for”. After all, her story was completely separated and such and I thought she’s more of this “obstacle” in the story… the nuisance of being one of the only remaining Targaryens alive. There were so many power figures then that I thought Dany is just one of the many stories, probably not even major one. It was not until season 3 when I realized Dany is actually this fan favorite character with immense fan following and rooting. I was like: “Seriously? I’m supposed to root for her? A Targaryen?” And of course, back then I wasn’t all geeky about the GoT universe and my knowledge was fully limited to main novels and TV episodes. I didn’t even watch Histories & Lore back then so my opinion on Dany was not formed due to knowing the background of Valyrians and such. As I said above, red flags started to light for me in terms of TV Dany as early as in S2, but in fact, it was even earlier… when reading ASOS and she sacked Astapor and had non-slave population over 12 executed in ways of trickery. THe scene that people cheered for was actually uncomfortable to stomach for me and I’m speaking about the novels here, before S3 was even released. And then again her outburst at the end of S3 about “the Mad King”… red lights were blinking all over in my head then. But as I said, I didn’t even think she was supposed to be this “ultimate protagonist among the fans” when I was reading ASOS so of course I didn’t make some big deal out of it then.
So at the end of the day, I was really happy about “The Bells” episode (it’s my no.5 GoT episode) because I could finally put 8 years of inner confusion to rest because my worrying thoughts about Dany turned out to be true to some extent and it wasn’t just in my head. I don’t know what was I watching/reading differently that such thoughts sparked in my head way back in S2 and in book 3 but it worked really well for me in terms of enjoying the ending.
Erik, formerly Lord Parramandas,
I’d respond that there were quite a few Targaryens who didn’t display alarming qualities and like stigmatized bastards and other characters who there is prejudice against in-universe, you had all kinds of individuals of various characterizations: good, bad, and everything in between. More often than not, it was a combination of all of these.
For me, I’m a bit uncomfortable with the notion of judging a character based on their last name or their ancestry for this reason and because their parentage and family practices aren’t their fault.
Even in HotD, not all Targaryens are crappy people (although I’d say Rhaenyra, Daemon, and Aegon II were) — and not all crappy people were Targaryens (Alicent, Otto). And I’d also say these crappy people were made up of more than bad parts. For instance, I think Rhaenyra and Alicent had a far deeper capacity for love than Cersei and their love for their children was true.
Plus, 300 years is quite a long time and they’re really not the only people who forcibly dominated kingdoms or countries through violence and war (per my above examples).
Oh, I’m not asking you to root for Dany or not to view her actions with a level of skepticism or even disapproval depending on the action — I think that should be done with all characters, honestly — but I don’t think I’d agree on judging her for being one of the only remaining Targaryens alive and holding that against her. For instance, we also have Aemon — also the result of incest.
Oh, I think Dany is a major character and story — a leading one, even, alongside Jon, Tyrion, Bran, and likely Arya. I think she’s one of GRRM’s main five from the outline as well. After Tyrion, Jon, and Arya, Dany’s also got the most POV chapters (4th most, I think).
This was an action I didn’t really agree with because it was a mass execution. However, Dany tricked a pretty despicable individual — the slave master Kraznys mo Nakloz — into getting the Unsullied, who she frees. She then had the slaving class executed (which I have some issues with because it was a blanket judgement) and set up a council of freed slaves to replace the ruling class. It’s also a decision Dany would come to deeply, deeply regret and feels immense guilt over because it ended up causing quite a bit of pain and suffering, especially to the people she wanted to help — a primary reason for why she doesn’t opt for violence in ADWD but compromise, even when it comes at personal cost.
And she’s not the only character who has opted for violence or harm, including toward younger characters (12 and over — I think 12 is an adult in the Planetos universe while Dany, herself, was 13/14 at the time — but again, I don’t really agree with this execution of Dany’s for the reasons stated). For instance, it’s Northern practice to take child hostages in order to prevent factions from rebelling — children (like Theon) who will be subject to execution should their relative rise up in opposition. In ADWD, when Dany was pushed to execute child hostages, she couldn’t. Meanwhile, Jon thinks to himself he could (but he’s not been pushed to this and I’m on the fence over if he can do it or not). During Robb’s campaign, young girls were raped while the lands were pillaged.
My point with this is these characters all have different parts to them and violence is a part of many. Robb, Jon, Dany are (for me) among the more sympathetic characters in the series who had truly good intentions. However, that doesn’t mean that their actions were always right or didn’t cause suffering.
In ADWD, Jon ends up putting the entire realm at risk because he can’t resist to right the wrongs of the world (as he sees them), which isn’t really unlike Dany.
Per the definition of a protagonist (leading character), I’d say Dany is one. But I believe GRRM has designed Dany to be made up of multiple parts and a grey character rather than simply a villain. For me, Dany certainly does have rootable qualities and I think that’s intention. For example, GRRM has said Dany wants equality when he corrected an artist on their rendition of her at the Meereenese pyramid. She does feel true and real compassion, it’s part of her motives, but she also has a violent side — and darker impulses she actively fights against. And I’d say this is true for multiple characters.
While I’m certainly wary of getting involved in a Dark Dany debate and I’ll avoid discussing whether or not various plot points were red flags, Dany’s actions in The Bells still didn’t work for me. I hope it’s more nuanced in the books if she is to burn down an entire city full of civilians.
Tron79,
Bella Ramsey:
I agree. I think Ramsey went above and beyond with her character. While Angelica wasn’t really a large role, I think both Ramsey and the writing added a dimension to Angelica not there in the books and that Mary/Paula/Angelica scene you talk about is a big reason (as is Angelica asking if trying to kill Lyra was wrong — what struck me was the earnestness of that question and I think drove home that these kids were left on their own and forced into the mindset of survival in extreme circumstances).
I’d agree with your vote for this to be among the best show-only scenes 🙂
Absolutely. Angelica felt more hardened and mistrustful while I think Paula had a more open softness/vulnerability about her, something Angelica seemed to have largely lost or is suppressing (but can still be kindled).
Erik, formerly Lord Parramandas,
I appreciate your reactions while reading. I don’t think I found myself rooting for any particular character other than Arya. I do think it’s hard to deny that GRRM wanted Dany to be a main protagonist that some rooted for. She was the Fire in ASOIAF so in the most stripped down way this was Dany and Jon’s story. The rest were supporting characters to their journey. I felt for a while GRRM may have changed his mind and called it the song of the Greyjoy pirates. I think he may have preferred to write more about those colorful pirate characters. I was rooting for Quentyn Martell To successfully bed Dany. I loved how
I can’t say I ever rooted for Dany to sit on the Iron Throne. It’s not because she was a Targaryen. I just didn’t feel that interested in that part of her story. . Actually in the show i was quite bored whenever the Dothraki music came on during those early seasons. On rewatch I often sped through her story until later seasons. I’m the books it was different for me. By the end of ADWD I was heavily invested in what was going to happen next to Dany. I thought her ending in the books was one of the best parts. I guess I found myself rooting for her to get out of frickin Meereen and embrace her true self. She is the Fire of the story. I don’t want to see her kill thousands of civilians though.
KAdrianacandle,
So one more HDM comment about acting and script.
My curiousness about season 3 mostly revolves around seeing how much different Dafne Keen appears on screen after age my a few years since
They filmed the first two seasons. Dafne is getting me to be a little interested in her relationship with Will. The looks she gives him are wonderful. But so far I haven’t felt that Amir or Will deserves those looks. I do want to see how they depict the wheel creatures but I feel a bit cheated by their depiction of the angels so far. My guess is I may be disappointed by the Mulefa. I agree with you that Mary Malone is great in the show. I’m
Looking forward to her scenes in season 3. I’m not looking forward to Asriel. His final speech was overly dramatic and what burnt out world was he supposed to be in?
Tron79,
HDM:
Unfortunately, you and I are of like mind on Will except that I don’t think I got the impression that he didn’t care about Lyra (at the time of Will’s last scene, he still thinks Lyra is okay and doesn’t know yet that she’s been taken). However, their relationship and Will’s relationship with his father felt… lacking… especially in comparison to how powerful both are in the books. Will and Lyra are, very literally, soulmates. He is the only one who can consensually touch Pan, which is extremely intimate.
Yet, in the show, while the Will is permitted to touch Pan scene was of note because it’s pointed out that nobody should be touching anybody else’s daemon (since it’s a manifestation of that person’s soul), I didn’t think it was nearly as powerful.
I do agree Dafne is growing as an actress. And Will, while he’s certainly a cute kid and (as shallow as this is) he endears me to him on that basis, it’s just not enough to make me care about Will as a character. I think I told you a few weeks ago I wouldn’t mind if Will just disappeared off-screen and Lyra spent the rest of her rest of her story going off with Mrs Coulter or following Mary around.
But yeah, Mary is great. I think Mary is something the show did really well — both with casting and execution. I care more about show!Mary than I did about book!Mary and now this will make me care about book!Mary more!
I guess I’m just beginning to stan Mary? 🙂
Oh, I know!! And I think this especially is why I think
viewers should read the books before watching the show
Now, because I can stay on topic… 😉
Agreed about that last part!
But I’d quibble with the notion that “fire” (or darkness) is her true self. I think it’s one aspect of her true self but I also think what she was trying to do in Meereen was another part of her true self since that came from a genuine place of wanting to do good, to protect her people who she felt she owed, to do better than she did with Astapor and Yunkai. Her desire to help and save the refugees she felt responsible for, wanting to liberate those who (she viewed) were oppressed. Her thinking that when she takes the throne, she’ll finally find that connection to her lost family she’s longed for and find where she’s meant to be.
Violence is part of the many of our main characters: Arya, Tyrion, Jon, even Bran to an extent (and Sansa, who is slowly poisoning her cousin…) — but it’s not what defines these characters alone. However, all either have dark sides, selfish impulses, or both. Likewise, fire can be destructive and it can be life-saving (as observed in Jon’s chapters) while ice can be destructive (freezing to death, the Others) and used as a protection (the Wall).
Adrianacandle,
Regarding the “fire” comment..
For me for book Dany, finding her Fire was more like finding her confidence in herself. I think it was also saying something about finding herself in a world ruled by men. She has all of these male advisers who seem to be keeping her from taking charge of her own life. That’s the part of the story that I found compelling. Perhaps some do have some decent advice for her, but in the end she needed to trust herself. In some ways ASOIAF is a tale of identity crisis for many characters. It’s not just Arya who needs to find herself. You have Sansa losing herself (in the books). There is even a chapter using Sansa’s nom de plume! Jon has the ultimate identity journey going on even though he may not realize it yet in the books (well he can’t realize much of anything currently in the books 🙂 I felt for Dany because I wanted her to take control of her life, and I was excited that was finally happening at the end of the 5th book. In the show, I wanted to see her take down Cersei. But as I said before, I didn’t want her to lose herself just at the moment she finds herself! I think in the show by killing all of the civilians she lost herself again.
I’m also a bit depressed that King Robert turns out to be right and Ned’s mercy again was the wrong instinct. Uggg.. I was all with Ned to not kill a child before she was a threat. In the real world of Westeros, that seemed like a good call by King Robert. But I’m still with Ned that you don’t go killing innocent children for what might happen. I guess I wouldn’t have survived in Westeros that long either.
Was very hard to tell. Thanks for the clarification.
Tron79,
Oh, I see! I’m sorry I misunderstood! I quite like this interpretation, specially in regard to identity 🙂
And Jon, even without him knowing his father is his uncle and his aunt is his mother and his siblings are his cousins, still is all about discordant identity — especially given his identity as a bastard son among trueborn siblings. Raised in the same household as a noble, given the same education, raised alongside the firstborn son and heir, but doesn’t even nearly have the same prospects and he’s viewed significantly worse because of his bastardy.
And, like Theon and Arya (but in different ways), Jon is still an outsider: in his own family and in society.
I think Dany did put her foot down on some things, like staying Meereen against Barristan’s advice, over finally going to Westeros when she had that chance. She had felt it was her duty to Meereen to stay and heal it. Nonetheless, I like your take on fire meaning confidence. Where Jon compromised too little in ADWD, Dany ended up compromising too much — and both for noble goals. And both decide on war by the end of their ADWD arcs.
I gotta say, I’m still with Ned too! Because what Robert was wanting to do was uncomfortably close to eugenics and extremely prejudicial — condemning a child to die just because they had the “wrong” blood (which, I suppose, would transfer to Aemon, Jon, even Sansa when she was deemed to have “traitor’s blood”).
However, while mercy does have risks and costs (especially considering Ned’s mercy with Cersei in allowing her and her children to escape before he planned to tell Robert), mercy can also be needed. Had Jon stuck with his preconceived notions about wildlings and not shown any tolerance or mercy toward them, an entire people would have been exterminated. As of the end of ADWD, it’s the wildlings who look to be Jon’s biggest fans too…
Adrianacandle,
Yes, Dany obviously is one of the key figures and I got to realize that eventually but I’m speaking about my own opinion when I was reading the first two novels before the show even came out (and then the third during S1 air) and I didn’t have the clear idea that Dany was supposed to be this “big protagonist to root for” until S3 aired and I saw fan reaction. Obviously when dragons were born, I did imagine that Dany will eventually come in contact with Westeros but I personally never even thought of rooting for her conquest, even less that entire positive opposition would be sided behind Dany in the final stages of the story. I thought there were so many factions that she would be just “one of the many”… and again, I’m speaking of my own opinions back in early 2011 when I was reading the first couple books for first time and the show wasn’t even out yet. I became the “GoT nerd” like I am today only way after S1 aired and when I started to re-read books (especially first three) before every new season (tradition I kept up up to S5). I do wonder how would I percieve Dany if I watched only the show and never knew about the novels. But I do know that every year when I rewatched the show before next season, I was desperately trying to try to warm up to Dany so I can “embrace” her as one of protagonists and actually “feel happy” for her character to progress but I couldn’t. I started to ask myself what the hell am I doing wrong that I can’t board the team Dany train. There were some scenes that I appreciated when it came to her, especially certain ones in S6, but I still realized while the scenes moved me, I wasn’t “personally attached” to Dany unlike several other characters I loved.
In fact, especially on before-season rewatches, I did “root” (and still do) for Dany’s inner character growth so she’s not the abused girl from S1 anymore, but an independent person. But I never wished her to come to Westeros and establish the rule there. I didn’t want that, I never wanted that. I still don’t know how the hell was I able to develop such mentality towards her so early in the show, but it happened and I’m still feeling it today. I still feel “angry” at Aegon’s Conquest and happy for Robert’s Rebellion (except killing Elia and the kids… that’s something I would never approve).
As much as I am generally pleased with Robert’s Rebellion in terms of how Aerys’s kingdom is gradually (and in my opinion deservingly) crushed under the opposition of the people, killing Elia and the kids is something I’ll never approve. It’s just too extreme. I do feel that Robert’s Rebellion should have been a moment where no Targaryens should ever sit on the Iron Throne. But not in a way that innocent kids get killed. It is debatable though what he could have done to avoid the slaughter. Maybe keeping the kids close and as they would grow up, he would earn their trust and the possibility of a rebellion would be way less possible. But who knows… Viserys and Daenerys being out there, that really seemed to be a time bomb waiting to happen when they grew up.
Erik, formerly Lord Parramandas,
When it comes to preference, I’d never try to convince somebody to change their mind on that 🙂 It’d be as worthless as trying to convince somebody to change their favourite colour or switch favourite colours (my living room is being painted periwinkle — my dad hates it!) Some people are drawn to certain characters, others aren’t. Some are repulsed by some characters, others feel empathy and understanding for them.
So I don’t think you’re doing anything wrong, Erik! Some people feel it. Some people don’t.
Honestly, I myself can’t exactly root for Robert’s Rebellion either because I don’t think Robert was a good king and a Lannister throne certainly didn’t do anybody any favours other than the Lannisters (plus, this war did cause quite a bit of suffering and Aerys was only one cause — looking at you, Rhaegar and Lyanna). However, I admit that I never really gave a sh!t over who ended up on the Iron Throne so I wasn’t personally invested in Dany (or anyone) taking it.
Good points! Perhaps the best advice Tyrion ever gave was when he spoke to Jon early on about embracing his “bastardness”.
I agree with this as well that Dany did put her foot down a few times. I just had a great feeling that the shackles were finally removed from her in those final scenes of book 5. I didn’t think she was just going to go burning down everything. Even though Jon is represented by ICE, I didn’t think he would go all Arnold Schwrzenegger Mr. Freeze on Westeros.
https://media.comicbook.com/wp-content/uploads/2012/12/mr-freeze-arnold-schwarzenegger.jpg
I didn’t take the ICE and FIRE quite so literally.
I agree totally. A world needs mercy and compassion or it’s an awfully bleak world to live in. And as Sandor said, “A man’s gotta have a code”. I think these conversations and debates about mercy are at the heart of GRRM’s books.
That’s true about Jon. And Jon realized the Wildlings were really part of his ancestral family too, since he had the “blood” of the first men in him. Perhaps that’s how you become the most merciful is when you realize it’s not about what last name you were born with or what blood is in your veins. One of the ideals of democracy is that blood/class/family names shouldn’t be of great importance. In the real world here in the USA, family names and money still make a big difference. But there are plenty of stories of people who make it from nothing. Many times those who have nothing do more of what needs to be done to be successful than those who are given everything.
I also do not like the idea of prejudging someone because of their name or past deeds of relatives. I think you need to give them a chance before taking preemptive actions.
I feel like having that code does come with risks. The person could end up just like her father. This brings up thoughts of Minority Report where people are charged before doing the actual crime!! Anyway, that’s a discussion for another day.
Adrianacandle,
Oh, and btw, Jon wasn’t necessarily being all merciful to the Wildlings. He was being very pragmatic, since he knew they would make TAOTD larger and The Army of Living Men needed the numbers! But I’m sure Jon also had to be thinking of Ygritte and that it wasn’t the Wildlings fault that they were on the wrong side of the wall when it went up.
Adrianacandle,
The more I think now that I know the full story, the more I believe Robert’s Rebellion should have been the moment to abolish hereditary monarchy and install elective monarchy. Although who knows if it would have been possible back then… I think in series finale, it worked because the biggest political players were all dead and there was no winner in the final conflict (both Dany and Cersei dead). But maybe it would have worked.
I don’t think it was pragmatism that was driving Jon though. When he thinks of bringing the wildlings south of the Wall, he’s thinking in humanitarian terms:
Jon has the following realization in ADWD — that the wildlings were part of the realms of men the Night’s Watch was sworn to defend. I don’t think it was much to do with Ygritte (although she has done quite a bit to undo Jon’s preconceived notions of the wildlings and his time spent with them is what starts opening up his sympathy for their plight):
And with the mission to Hardhome, it seems to be more a humanitarian mission than anything else:
Yet Jon refuses to give it up and insists on going, despite Selyse’s words, Mel’s warnings, and his officers’ objections.
Now, Jon does make an argument for the practicality of bringing the wildlings south — but only once and never again:
Otherwise, Jon thinks of it (and verbalizes it) in humanitarian terms rather than practicality or pragmatism.
Tron79,
I agree.
Well, a person may up any which way based on a variety of other factors as well. We’ve got some pretty alarming people who have come from nurturing parents. We have some great people who have come out of abusive and extremely difficult situations. Yet, when it comes to determining who a person is and will grow up to be, I’ll always take Ned’s side (not condemning a child for the sins of their father) over Robert’s.
I think the transition from heredity monarch to democracy is a step-by-step process. Bran’s rule will still have risks, an elected official doesn’t guarantee success (Trump) or stability. And what happens when Bran shuffles off this mortal coil? What if an especially biased leader is elected in his stead? And what would happen if a significant portion of the country opposes that leader?
But I think the shuffle away from blood succession to democracy is a step in the right direction.
Adrianacandle,
Those are some great quotes you have from Jon!! You got me there.
You could say Dany also went on a humanitarian mission to save Jon and his crew beyond the wall in the show. Again mercy didn’t win out very well, but I still think you have to have a code and can’t just follow Tyrion’s advice and do nothing.
Definitely but it also felt like, as pointed to upthread, that was a case of circular logic. However, I would be more inclined to compare Dany’s efforts to help strangers (such as the slaves, Meereenese, Astapor refugees) to Jon trying to save the wildlings, especially the Hardhome wildlings — who were all strangers to him.
As Adam Feldman pointed out, Dany’s peace was successful — but tenuous. It provided a period without bloodshed. But it also required compromise and sacrifice which were very difficult costs (making these efforts all that much more meaningful. I think it was Alt Shift X who said doing the right thing is only meaningful when it costs you. Otherwise, it’s the easy thing.)
Tron79,
”I’m also a bit depressed that King Robert turns out to be right and Ned’s mercy again was the wrong instinct. Uggg.. I was all with Ned to not kill a child before she was a threat. In the real world of Westeros, that seemed like a good call by King Robert. But I’m still with Ned that you don’t go killing innocent children for what might happen.”
(Serious) Question about “mercy”:
Varys told [jailed] Ned something like “It was your mercy that killed the King.”
I was not sure what Varys was referring to:
• Giving Cersei a head’s up and a head start to leave town with her incest bastard kids before Robert returned from his hunt and Ned would [have to] rat her out?
• Sparing dying Robert’s feelings (and ego) by not divulging that Cersei had cuckolded him, and that none of his three “Baratheon” children were really his?
• On a related note, declining to take Joffrey into custody, imprison him, or expose him, as Renly (?) had advised?
• Inadvertently giving Cersei the motive and time to engineer an assassination by-boar + spiked wine? *
• Something else? Maybe Ned objecting to the plans of Robert and the Small Council to assassinate pregnant Dany and her unborn child?
…………..
* PS I still don’t understand how Cersei would be able to find the hunting party and deliver the spiked wine and instructions to Lancel; OR how she was able to recruit a wild boar into her conspiracy and ensure that the boar would mortally wound Robert. The odds of successfully carrying out such an assassination plot seemed remote at best.
I could understand if Cersei had hired a skilled and reliable assassin to track down Robert’s hunting party and fire an arrow into him from a discreet location, and frame someone else for the murder, e.g., by planting false evidence pointing to someone else who might want Robert dead.
The boar + wine plot though, relying on criminal mastermind Lancel Lannister and some anonymous wild animal that may or may not be in the vicinity and may just as likely have been speared by Robert even in his sh*t-faced drunken condition…
I don’t know. It didn’t seem like Cersei had the luxury of time to stage a “hunting accident” that depended on a host of long-shot variables to succeed. She needed Robert gone ASAP, didn’t she?
After all, if Robert made it back alive, the sh*t would hit the fan when Ned followed through on his threat to expose her. Surely Cersei couldn’t predict Robert would be grievously injured and that Ned would refrain from telling Robert on his deathbed that his kids were Jaime + Cersei incest bastards.
Wasn’t Cersei’s regicide plot wight hunt-level ridiculous? (It was something S7 Tyrion “Clever Plans” Lannister might come up with. 🤔)
…………….
Anyway, what “mercy that killed the king” was Varys referring to?
Tron79,
12:16 pm: Reply to your comment with question about “mercy” is stuck in moderation. 🥺
Aha! I will await the Lord of Light for its release.
This made me realize something…
.“… While the people of WotW worshipped the One True God, R’hllor, the Lord of Light, praying their comments might be released.”
😉
Adrianacandle,
I must have done something really bad to piss off the Lord of Light.🔥 He just caused a long comment to disintegrate into the ether, with no chance of resurrection. I wish I knew what offended him. My comment had no embedded links. No proper nouns. No foul language. There was no error message, or anything to indicate what went wrong or how to correct it.
“If he’s so all powerful, why doesn’t he just tell you what the f*ck he wants?”
– Renowned theologian, S. Clegane, PhD.
I have come to believe the LoL’s spam filter is even more mysterious than the LoL himself.
Adrianacandle,
.“… While the people of WotW worshipped the One True God, R’hllor, the Lord of Light, praying their comments might be released.”
——
Out of desperation, I tried snipping off some hair and burning it, while reciting a prayer.* It didn’t work. 🥵
*Adapted from S3e5 (Thoros resurrecting Beric)
“Lord, cast your light upon this man,
your servant. Bring his words back from death and darkness. His text has been extinguished. Restore it. For the night is dark, and full of terrors.”
Edit: Maybe I should be blaming the malevolent creator of my iPhone 🍏?
If there’s a malevolent creator, Apple would be it. 😩😩😩
So I’m just about done with The Princess and the Queen, or, the Blacks and the Greens novella. I’ll finish it today. I just have a few pages left. After reading the Novella, keeping dragons in the dragon pit was definitely a bad idea!! Dany seems to know her history and in the show even explains to Jon how the dragons got smaller and smaller locked up in the dragon pit. So why did Dany chain her dragons and keep them locked up? Yes, they were “eating whatever they wish”, but the risk to keeping them locked up seemed worse to me, since she knew her history.
Tron79,
I believe that was after a farmer came to Dany and said that Drogon had killed his young daughter, Hazzea (who was a child under five I think?) Dany was so plagued with guilt and never wanted that to happen again that, while she couldn’t cage Drogon since he flew away, she managed to lock up Rhaegal and Viserion to prevent them from doing the same. I think her dragons becoming smaller was the lesser of the two evils. Dany wasn’t happy at all about caging her dragons either but I don’t think that was to do with their size.
Yes, that is what happened. It was horrible that the man’s son was killed, but from knowing her history, I don’t think Dany should have chained her dragons. It wasn’t that they were just smaller. They became very vulnerable.
Tron79,
Yes, but I think that was one of Dany’s conflicts of the heart. Still, unlike the situation you cited with the dragon pit,
Btw, are you leaning toward any one side? Black or Green? 🙂
Thinking honestly, I haven’t come down on one side or the other. It’s hard to identify with the characters in the Maester writing style.
Tron79,
It is. It’s more like a historical account than a thinking, feeling story where you can really get to know the characters.
Yeah, I agree. And this is where Rhaenyra totally lost me too — when she went for Nettles, who had done nothing against her and only fought for her.
I lean more toward Team Black overall but by the end of the story, I don’t think I can declare for either. I admit I’m far less sympathetic to Alicent than Rhaenyra in the beginning but depending on how they flesh out this story in the show, that may change.
Are you planning on reading The Rogue Prince and Fire & Blood? 🙂
Adrianacandle,
I just finished the last page of the story. Such a happy tale 🙂
Right now I’m thinking I may not read the Rogue Prince if it’s in the same Maester style. But I may change my mind so I can gain some insight to his character, since he definitely will be at the forefront of HotD
Adrianacandle,
And..I would be reading Rogue Prince more like a homework assignment. I know for sure I don’t get into reading GRRM’s Maester accounts. However he is very good at describing the dragon battles. And also he is very good at illustrating the stupidity of many a Knight. I guess I find myself more interested in following a character. I get what GRRM is saying about the futility of it all. He enjoys describing the colorful attributes of the characters. He’s looking from afar at the absurdity and horror. It’s a good class assignment but not my cup of tea for reading. It’s also just too many names thrown at me all at once.
Tron79,
Yeah. Kind of feels like homework if that’s not your story telling preference. I don’t mind it but I can see why others would. I like the idea of reading an in-universe book but we lose a lot of character and story details, like you’ve described (following various characters). The in-universe “world books” (like The World of Ice and FIre, Fire & Blood) feel like reading a social studies text rather than knowing these characters up and close like you would a POV character.
I also think there’s a good chance HotD will be self-contained. Or I hope. With HDM, as one Redditor said, it worked as an extension of the story, not a replacement for the books. The show itself didn’t really set up the lore, rules, and structure of the world as much as it needed to in order to be self-contained, I think. HotD may. I hope.
Adrianacandle,
”Yeah. Kind of feels like homework if that’s not your story telling preference. I don’t mind it but I can see why others would. I like the idea of reading an in-universe book but we lose a lot of character and story details, like you’ve described (following various characters). It feels like reading a social studies text rather than knowing these characters up and close like you would a POV character.”
That’s why I feel HotD will rise or fall based on the creativity of the writers, and to a lesser extent the charisma of the actors:
HotD’s writers have an opportunity to flesh out the characters, their motives, and their backstories. Without detail from Big G, they can -and will have to – put “meat” on the bones of the dry historical recitals.
Without being beholden to an expansive canonical descriptions of characters and events, the writers should also have the flexibility to expand certain characters’ roles. For instance, if they wish they can focus on Nettles as a main character and amplify her story. They can invent their own characters if need be. [See, e.g., Karsi in GoT.] They can breathe life into two-dimensional, barely-mentioned figures in the fictional Maester’s accounts in Fire & Blood.
The results could be phenomenal if done well; disastrous if done recklessly.
Another thing: ….
(to be continued)
Adrianacandle,
I am glad I read The Princess and the Queen story. I did get a better idea of what may be in store for us in the show. I know a little more about what roles Olivia Cooke and Emma D’Arcy will be playing. Knowing it was a novella and less than 100 pages helped!! I don’t think I could handle the length of Fire and Blood in that style. But I very well may read The Rogue Prince as homework since it’s a novella. I’m sure it will give me some good insights into Matt Smith’s role.
Ten Bears,
That’s why I feel HotD will rise or fall based on the creativity of the writers, and to a lesser extent the charisma of the actors:
This reminds me of a course I taught called “Biblio-drama”.
It actually was a fun class for teens. We took stories from the bible. The Torah/Bible only gives you the basic details of what happens. Then the teens had to either create a character who lived there or take one of the characters mentioned in the story and give us that character’s perspective of the events. They wrote their own script and acted out the scene in an attempt to bring the story more to life and experience it. The kids had fun. Mostly they liked figuring out some makeshift costumes from my classroom closet. I feel like the writers of HotD will have lots of leeway to come up with creative scripts to help us feel like we are living in those times with Alicent, Rhaenyra, Daemon, Nettles, and more.
Adrianacandle,
… And another thing, which also ties into the question of pledging to Team Black or Team Green:
Whether it’s because of casting directors’ shrewdness, actors’ talents, directors’ skill, intangibles, just plain luck, or a combination thereof, we might be drawn to one team or the other by how we perceive Rhaenyra and Alicent
once we see them on screen as portrayed by Emma D’Arcy and Olivia Cooke, respectively.
The two characters may be equally devious and loathsome on the printed page. Yet, by the time we see them deliver their lines there may be something ineffable (call it charisma, screen presence, inhabiting a role, or whatever) that draws us to one or the other.
Because I was enamored with Lena Headey, in S8 of GoT I was tempted to declare for Team Pachyderm. 🐘🐘🐘🐘
Though I’d never heard about Rory McCann and wasn’t familiar with the books or the Hound, I found myself rooting for the foul-mouthed killing machine played by Rory McCann. 🐓 🐓 I’m not so sure I would’ve felt that way had any other actor been cast. (I also suspect – though I have no proof to back it up – that GoT’s showrunners expanded the role of Sandor Clegane after they realized they had struck gold with his casting – and his undeniable chemistry with his “traveling companion.”)
The flip side of that, I would suggest, was the show’s Dorne Detour. They got terrific young actresses to play the Sand Snakes and popular choice Alexander Siddig for Doran, hyped them in the run-up to S5, and yet… the end product apparently proved to be so underwhelming that the showrunners pulled the plug on Doran and abridged the Sand Snakes storyline. [I wished they had excised Euron entirely and gave his screen time to Theon/Alfie Allen and Jon & Arya, but that’s another story…]
I guess the bottom line is that with HotD, the sparseness of the source material can be a blessing or a curse.
And there may be no way to forecast right now whether Emma D’Arcy, Olivia Cooke, whomever is cast as Nettles, or someone else becomes fan favorite(s).
Depending on the scripts and acting performances, even a dastardly character can evoke sympathy, or become someone we “love to hate.” [See GoT show! Cersei.] We may find ourselves rooting for or against a character without quite knowing why – and feeling guilty about it.
Conversely, we may look forward to seeing a highly touted actor or book! character appear on screen, only to hit the fast-forward on our remotes when we watch the show. [ *cough* High Sparrow & Euron *cough*]
For better or worse, the HotD we see in 2022 may bear little resemblance to GRRM’s barebones depiction of the Dance of Dragons.
Tron79,
Exactly!
Yeah, I think that’s understandable. And the show does give some motivation to read these novellas. It’s true that the world books are pretty lengthy and can be pretty dry if you’re not already invested in the characters. Maybe after HotD starts airing, they’ll be of more interest but otherwise, as a starting point, they are just a bunch of similar sounding names doing this, that, and the other thing 😉
Ten Bears,
I agree with pretty much everything you’ve said!
This is why, though I lean toward Team Black based on the novellas and Fire & Blood, I’m so far holding out. How this story is realized on-screen (rather than a historical account) will probably ultimately sway me as well.
They can still be equally deplorable characters but if they’re interesting, fascinating, and I can feel for them (better yet, if they have a great sense of humour), I’m going to be invested.
For instance, Mrs Coulter is my favourite HDM character (who shares more than one thing in common with Cersei) and she’s…. terrible (which I think is being generous). But oh, do I find her fascinating and when you read the books/watch the show, I can go into why! 🙂
I’ve had favourite characters on other shows who are also “love to hate” or sometimes, as I term them, “misunderstood” 😉
I can see that being the case for either Alicent or Rhaenyra.
Plus, if Alicent is played more like Margaery, as Max speculated, that could do quite a bit in making her sympathetic (although I’d argue, while there are similarities, the situations of Alicent and Margaery have differences).
Definitely. To compare a bit, even though HDM is a fully realized and completed story, I think it still suffered from issues in adequately portraying the structure, rules, and set-up of the world the story was taking place in so some stuff is pretty confusing without the context of the books. With HotD, it is based on a complete historical account but I have hope those writers will do a better job in setting up the world so that it is self-contained and making these historical characters feel real.
I’m also hoping we get more Nettles and she’s made into more of a main character than a third or fourth-tier character. I’m hoping for something more like a secondary character status.
Ten Bears,
Even so, did D.B. Weiss’ explanation ring true for you?
Thank you for this question, but I don’t consider his opinion to be relevant. As Young Dragon (I believe) noted, what the producers put on the screen is canon, everything they say about it is mere commentary.
For me, watching “The Bells” at home for the first time, Dany’s destruction of a city didn’t surprise me at all. She’d threatened to destroy multiple cities in the past, and had been restrained by her advisors. Now her advisors were either all dead or had lost her trust, so she destroyed the city. I thought it was a natural outcome of giving a young and uncertain ruler that much power; we’d seen it in miniature already, with Joffrey. Fear ensures obedience, fear takes less effort to earn than does respect, and dead people don’t rise up in rebellion.
External to Dany, the story had given us adequate foreshadowings:
— Oleanna Tyrell told Dany the Lords of Westeros were “sheep,” and Dany should be a “dragon.” This was a clear reference to Drogon carrying off sheep in Essos, and later kidnapping, burning, and eating a human child there.
— Cersei had eliminated her rivals by destroying the Sept of Baelor with wildfire. Dany (in her own mind) solved all of her future rulership problems by destroying the rest of the city. (The image of Cersei smiling in envy, as Dany commits her Inferno, with the little green squibs of wildfire looking puny against explosive dragonfire, made this point with silent gusto.)
So, neither Weiss’ explanation, nor anyone else’s, holds any relevance for me, because no explanation was necessary: Dany’s Inferno was, to this viewer at least, a logical and straightforward outcome for her story.
Tensor the Mage, Still Loving the Ending,
I think this is a personal choice a viewer makes (ie. ‘Death of the Author’, a literary theory and a fairly controversial one). I wouldn’t consider what D&D saying about the story they’ve put together to be “mere commentary” (on the same level as viewer commentary) since, unlike the viewer, they are scripting and writing the story with specific intentions and things in mind.
However, whether a viewer accepts or rejects the writers’ intent or statements is, of course, up to the viewer. Nobody can make them 😉 The reason I don’t think I’d consider the writers’ commentary viewer commentary is because they are the ones creating the story and making choices in its creation (where viewers don’t have that choice or power) so I’d consider their intention to be important in evaluating the story and canon.
Well, I think there are quite a few differences between Dany and Joffrey though. Joffrey, for one, lacked complete empathy and didn’t even try to help anyone else. I’d argue Dany certainly did.
Additionally, in 8×06, Dany word-for-word viewed their deaths as “liberation”, declaring them “liberated” when they’re all… dead. I didn’t see any wordage about Dany wanting to prevent rebellion by doing so. I’d argue that she was sparking rebellion by doing so (ala Daeron I Targaryen).
I can see how this would be your interpretation but I don’t think this was a clear reference to that. For me, I think this is a bit of a stretch. Also, a nitpick: it’s never really confirmed Drogon did kidnap, burn, or eat that human child. Dany only believes it to be so and Dany locks up her dragons as a result.
Well, to reiterate what I said above, Dany (on-screen — in 8×06 at least) appeared to view what she was doing as a “liberation” of the people and Cersei made her do it (though… Cersei didn’t since the city was all surrendered and stuff), not a suppression of potential revolt. I don’t know that I’d agree Cersei was smiling in envy but I’d say this goes down to subjective facial expression reception.
However, I know that we’re ultimately divided on this action of Dany’s so I accept that 🙂
Wait…you don’t consider the opinion of the writers to be relevant, but what they choose to put on screen is relevant?
I could understand this statement if D&D were merely putting on screen exactly what they were told to put on screen word for word, action for action, without any input of their own, but that clearly wasn’t the case. They weren’t some silent partners in all this. GRRM gave them the basic outlines of major plot points and left the details up to D&D.
Their opinions should give tremendous insight into their motivations for choosing to put on screen what they put on screen. Not just the what, but the why.
It’s like if you’re writing a song. Someone gives you the main chords and leaves the details of the melody and arrangement up to you. The person writing the arrangement should be able to articulate what they did and why they chose to do it.
Tensor the Mage, Still Loving the Ending,
And thank you for your replies to my question:
” For me, watching “The Bells” at home for the first time, Dany’s destruction of a city didn’t surprise me at all. She’d threatened to destroy multiple cities in the past, and had been restrained by her advisors. Now her advisors were either all dead or had lost her trust, so she destroyed the city.”
As Adrianacandle observed, there were significant differences from her past threats.
Foremost (for me) was that in S6e9, when she related her plan to destroy the Masters’ armies and return their cities to the dirt (including civilians), she was under heavy attack by an armada of an enemy who had reneged on a negotiated peace plan. In “The Bells,” she had already won the battle. The enemy had surrendered.
Also, Tyrion (in perhaps one of his last good ideas before his lobotomy), wisely counseled a proportionate response: In a show of force designed to instill fear, and serve as a warning to anyone who might even think about subverting her rule, she steam broiled one ship, forcing the Masters to capitulate.
I’m reluctant to cite historical parallels. Here goes anyway:
In WWII, Allied forces targeted civilian populations with WMDs (Hiroshima and Nagasaki) to force the aggressor to surrender right away, and to avoid anticipated massive casualties of their own that they’d have to suffer if they tried to end the war by “conventional” means. (I’m not a history buff, so I can’t say what firebombing the city of Dresden was supposed to accomplish. However, it did occur while the war was still raging – unlike Dany’s firebombing of KL.)
”I thought it was a natural outcome of giving a young and uncertain ruler that much power; we’d seen it in miniature already, with Joffrey.”
Well, calling Joffrey “a young and uncertain ruler” is being a bit too kind, isn’t it? He was a “vicious idiot” ( – Tyrion); a “monster” ( – Sansa) who “really was a c*nt” ( – Olenna ). “The little sh*t deserved to die.” (Sandor). 🤓
I’m not sure the Dany-Joffrey comparison is apt.
”Fear ensures obedience, fear takes less effort to earn than does respect, and dead people don’t rise up in rebellion.”
That sounds like a mashup of the philosophies of Stannis and Sandor:
“If they don’t fear you they won’t follow you” (Stannis) + “Dead rats don’t squeak” (Sandor).
Seriously though, Dany had already instilled more than enough “fear”: She had vaporized the vaunted Golden Company in three seconds. She had incinerated the Iron Fleet and Qyburn’s Scorpions. The Lannister Army soldiers had thrown down their weapons. The “shock and awe” demonstration couldn’t have gone better.
More important, while it’s true that “dead people can’t rise up in rebellion” (because, to paraphrase Sandor, dead folks can’t squeak), dead people can’t fear you either.
Because they’re dead.
Mr Derp,
Wait…you don’t consider the opinion of the writers to be relevant, but what they choose to put on screen is relevant?
To reiterate, D&D neither created these characters, nor these characters’ motivations. GRRM did all of that. We don’t know how much detail he gave to D&D when he told them his fate for each character, but I rather doubt he intends to have Jon kill Dany in a lovers’ quarrel. If we ever do get to read his ending, I would be greatly surprised for it to differ from D&D’s ending in anything other than scale. (Lacking D&D’s constraints of time and budget, he might have her incinerate half of Westeros before Jon kills her.)
Even after all that, the reason I don’t care about D&D’s explanation is I don’t care about anyone’s explanation. The story provided sufficient basis for me to believe that Dany was perfectly capable of doing what she did, and so I need no external explanations; the story itself suffices as a complete explanation, at least to this viewer. Every other viewer has a perfect right to disagree with me, of course.
(Note that I have repeatedly praised our fellow commenter, Jai, for providing an excellent summary of what we saw on screen to explain Dany’s behavior. I have praised it not for being an external explanation, but for being the opposite: Jai neatly summarized what the story had already shown us.)
Tensor the Mage, Still Loving the Ending,
I’d say D&D are responsible for the show version of the characters since they were the ones writing these characters and these endings for the show and had final say in that (not GRRM). Meanwhile, GRRM has final say over the books so I guess I’d divide it as show canon and book canon.
As GRRM himself said, it’s a version of his ending. I’d say there’d certainly be differences between book 6+ and seasons 6-8 (D&D have already pointed out some differences such as Sansa’s story being different from what GRRM had planned for her since they wanted to expand her role) but those differences are still canon to the show. Though perhaps, not to the books.
I’d say the lover-kills-lover story is pretty GRRM-esque, especially considering his focus on “the human heart in conflict with itself”, which I believe GRRM said is the only thing worth writing about. GRRM came up with the whole Nissa Nissa/Azor Ahai thing, there’s speculation if valonqar is Jaime (which would have him kill his sister-lover Cersei), and there’s likes in Jon’s chapters like, ““Last night he had dreamed of Sam drowning, of Ygritte dying with his arrow in her (it had not been his arrow, but in his dreams it always was), of Gilly weeping tears of blood.” I also wouldn’t term it a lover’s quarrel since it was pertaining to Dany’s mass murder and continued destruction in what she felt was “good”.
Oh, I’m certainly hoping it’s more nuanced than that consider GRRM’s multiple quotes on moral ambiguity and characters having both good and bad in them. But I would agree we’ve got just about the bare bones of the whole thing. We just don’t know where the differences are. For instance, I think Young Griff will be the one who is beloved of Westeros while Dany and Jon are regarded warily at best.
With respect to Jai, I wouldn’t agree with her assessment of Dany. I believe she(?) regards Dany as a psychopath and I don’t think Dany hits nearly all points to qualify as a psychopath (I’d even argue Dany’s book counterpart is softer) since Dany does have the capacity for love, she has had genuinely good motives and intentions in quite a few situations, and she does have empathy. I’d even call her more progressive than characters like Sansa and Margaery in her efforts to help (who she views as) people who are oppressed (though on the other end, Dany has darker impulses than Sansa).
Dany certainly has dark impulses, dark instincts, but in the books particularly, Dany makes an active effort to fight against those. I’d consider that book canon 🙂
I forgot to include this in my original response to you but I laughed out loud (in a store) at this XD;;;
#Team Pachyderm
Adrianacandle,
*and there’s *stuff in Jon’s chapters like[…]
*hoping it’s more nuanced than that considering GRRM’s multiple quotes on moral ambiguity[…]
(The perils of writing on my phone!)
Petra #4:
Dragons
They’re the ultimate wish fulfillment pet and mode of transportation and in HOTD they’re going to be everywhere! Again, I’ve expressed my thoughts on dragons at length elsewhere (*cough* *cough*). I just hope that they’re treated as characters with personalities and not as weaponized Alexas.
If these are really robots and not CGI, perhaps the folks who made them can take a crack at dragons with personalities.
Oh, and PS ⚠️
Musical Interlude
https://www.youtube.com/watch?v=fn3KWM1kuAw
🤖🤖
The Contours, “Do You Love Me” (1962)
Adrianacandle,
But I would agree we’ve got just about the bare bones of the whole thing.
I agree completely, and for the entire story, not just the ending. Game of Thrones was either the shortest possible coherent screen adaptation of A Song of Ice & Fire possible, or darned near close to it. The economy of storytelling alone makes Game an impressive accomplishment, at least for this viewer and reader.
(On the economy of storytelling idea, I recently watched Ava, which also packs a huge amount of excellent material into a slender running time, in this case 96 minutes. Spy thriller or character study? You decide!)
For the Game version of Dany, I agree completely with Jai about Dany having inherited the psychopathic neurotype from her father. Dany repeatedly fails to show the slightest hint of fear, even when facing death in the Fighting Pit. She rides around on Drogon as if she’s totally untouchable, even after being shown how vulnerable a dragon in flight can be. Like you, I believe the more-nuanced version of Dany in the books may not have as easy an explanation.
Tensor the Mage, Still Loving the Ending,
Especially for the first several seasons, I think Game of Thrones is a notable feat — they managed to condense the very vast and complex word of ASOIAF into something that can be told on television. Not only that, they propelled a fantasy show into a worldwide phenomenon and pop culture icon so much so that I remember people who never watched Game of Thrones being referred to as NeverThroners — like not having watched this TV show was more the rarity XD
Well, I don’t think this is indicative of psychopathy. Could be of something else! But I don’t think it’s indicative of Dany being a psychopath.
At the same time (and at the risk of sounding like a metal health activist), I think there’s a danger to diagnosing real-world disorders without the proper qualifications (as it can lead to misunderstandings of conditions real people suffer, increasing stigma and frustration for sufferers of these conditions or for people who have loved ones with these conditions).
I do think Dany is pretty nuanced and complex, particularly in the books, and I, personally, hope for more nuanced situations in the books of some stuff if those books ever come out 🙂 Though it might not be down to an inherited disorder, not only because I think Dany’s character is more than her blood. I think the diagnosis and examination of that is pretty complex and is likely to include a variety of factors that go far beyond genetics. The understanding of how genetics and mental health connect is not even really understood currently but still the subject of exploration.
Adrianacandle,
There’s another ingredient in the mix when if comes to Daenerys. I think it’s called a “Messianic Complex” or something.
When you’ve got magical fireproofing and you’ve magically hatched baby dragons from fossilized eggs, you’re bound to think you’re something special.
Combine that with an entire religious order touting you as the savior sent by god to remake the world (see below) and you’re bound to start believing your own hype and self-entitlement.
• S5e3, Volantis Red Priestess (Rila Fukushima):
The Lord of Light “has sent you a savior!
From the fire she was reborn to remake the world! The Dragon Queen!”
https://www.youtube.com/watch?v=sp1i0WIphWg
——-
S6e5 Kinvara, High Priestess of the Red Temple
(Ania Bukstein):
“Daenerys Stormborn is the one who was promised. From the fire she was reborn to remake the world…
“Her dragons are fire made flesh. A gift from the Lord of Light.”
https://www.youtube.com/watch?v=pJP9o6QMk-E
(starting at ~ 1:45)
P.S. Kinvara was right. Dany would “burn non-believers by the thousands.”
Ten Bears,
Yeah, true. I think that was a bit more emphasized in the show whereas in the books, it’s not as much. I think part of Dany’s drive is trying to forge a connection to her lost family with the throne, trying to find a home that has always eluded her (thus her looking for a house with a red door everywhere she goes), not wanting to be the last, and yes, realize what she’s been led to believe is her purpose.
Kinvara is a show-only character. Dany has heard her brother Rhaegar (via vision) talk about “the song of ice and fire” and “the dragon must have three heads,” as part of her House of the Undying vision:
There is a character Quaithe (a shadowbinder from Asshai) who provides cryptic cautionings to Dany:
Meanwhile, Maester Aemon believes Dany is TPTWP and implores Sam to find her but I don’t think we get anything quite on the level that Kinvara was speaking of. But I could be blanking on something.
Although I’ve sort of covered it when wishing folks Merry Xmas I’ll wish you a Happy New Year for tomorrow and don’t get too blotto!!!! Do folks use ‘blotto’ for drunk in N. America/Canada (or Australia and New Zealand for that matter). It may be getting a bit old-fashioned even in the UK. I’m going to make an attempt today to do what masquerades with me for housework/tidying up but when the old brainbox has awoken from holiday mood perhaps I’ll try to do some fan casting/serious thinking about matters raised in Petra’s article.
I definitely think this was a BIG part of Dany’s personality, and also of Targaryens and Valyrians before them. As I said in one of my previous comments, I wonder how much was “Targaryen madness” an actual “mental illness” and how much this self-entitlement and some sort of superiority complex. In case of Dany, I would go as far as to say that she could have as well developed a “compulsive need” to be loved and followed. I don’t even need to go in late seasons for that… in my humble opinion, one example could be her tantrum when Spice King refused to make an investment. Another example that I could list could be her numerous titles that she always had Missandei recite… to boost her empowered self-image. And when things didn’t go this way, then her rage emerged and there we have this big contrast between Slaver’s Bay, where she was greeted as savior, and Westeros, where she was greeted as conqueror.
Don’t take me for my word because I’m not even fully sure myself, but when I was searching for some Dany articles on the web, I think I came upon a statement how Emilia Clarke actually “fought” for more humanizing Dany scenes in later seasons because in original script, Dany was usually stone-cold. It made me wonder how many of those “warm smiling Dany” were actually scripted… But as I said, I don’t remember exact statement and whether it was from actual source.
Some Tagaryens but I don’t think this is applicable to nearly all Targaryens.
As for Dany, I think this was more emphasized in the show and not so much in the books. She’s not a stone-cold character, especially not in the books where she neither makes threats to burn cities, she does not have a noble fed to her dragons to send a message, she does not lock Xaro and Doreah in a vault to starve to death in response to their betrayal, and she doesn’t really speak of destiny. Instead, these are other characters who are speaking about Dany (when Dany’s not often around).
As for incidents in the books that were not featured in the show, Dany has the daughters of a wineseller “questioned sharply” (which is implied to be torture) for information on the killings of freedmen (including Mossador, who Dany has executed in the show for disobeying orders and killing a Harpy before trial). And while awful, it is a tactic employed by other characters in the series for information, including by Qhorin Halfhand when he “questions” an imprisoned wildling — which is usually an implication that some torture was involved (or otherwise, why would the wildling speak?)
Plus, the Night’s Watch employ ice cells to help get prisoners to break. The Vale uses sky cells.
Dany does put off taking the Iron Throne when she has an opportunity to do her duty to Meereen, she puts herself at risk to aid the Astapori refugees who she feels responsible for because of her guilt over how she handled taking Astapor. She is unable to kill the child hostages, even when pushed. She fights against her dark urges because she does not want to be her father and opts for compromise and sacrifice. She does laugh and smile quite a bit in the books, even making some jokes sometimes.
Dany isn’t just this unfeeling stone-cold killer who has an unusual entitlement for what she views as her birthright.
I’ve also seen Dany be called entitled for wanting to take back her family’s former seat. True, Dany certainly has some entitlement issues (I didn’t like her conduct with the Spice King in the show for instance when he refused to invest in her conquest). I, myself, was even getting frustrated with those in the show myself at points.
However, there’s also another side to this: if viewing your family’s seat (from which your family has since been overthrown) is entitlement, is Sansa entitled for wanting to take Winterfell back in the show? She demands Jon have the wildlings fight for Winterfell because Jon helped to save them and therefore, “they owe [him] their lives.” For something Jon doesn’t even want to fight for and that’s certainly not why Jon brought them south of the Wall. Jon had just come back from the dead at this point. Sansa also demands Lord Glover honor his ancestor’s oath to the Starks — but the Starks have since been overthrown and the North was legally taken over by the Boltons. Should Glover have to honour his family’s oath because it’s Sansa who is asking, even when his family members died because Robb broke his oath to the Freys and married for love? On the subject of Robb, is Robb entitled to wage war to avenge his father’s death and succeed from the crown because the Northern lords don’t find any of the options for Iron Throne claimants (Joffrey, Stannis, Renly) appealing? The smallfolk aren’t clamouring for Robb to be king or to make the North independent, they’re the ones suffering from this war. They’re the ones being raided and reaped by Stark and Lannister bannermen alike. The noble lords of the North are pushing for independence. The soldiers doing the fighting and the smallfolk get zero say and they’re the ones who suffer the most.
And stuff like having your allies decimated due to failed plans and being angry about it, as Petra pointed out in a video essay, is a reasonable emotion. Being enraged when the masters break their promise and attack your city is a reasonable emotion. I don’t think this is bizarre rage.
Yes, Dany certainly has some entitlement issues and rage but I don’t think her character should be limited to only her negative aspects.
Tensor the Mage, Still Loving the Ending,
Just to clarify, this isn’t about whether Dany’s fall made sense or not. Everyone’s already drawn their lines in the sand on that.
I just find it a bit odd that the writer’s opinions don’t count to you when they are the ones creating the cannon as well as the motivation for why characters do what they do onscreen.
GRRM gave D&D very basic outlines, as you yourself have said many times. D&D were left to fill in a lot of the blanks. They were given creative control over everything. They were only given what, like 3-4 moments in the show to follow? When you’re given such little direction, it is entirely up to D&D to come up with the cannon and character motivations. Their opinion has to matter.
Disagreeing with their opinion is one thing, but saying their opinion doesn’t matter at all is a stretch to this viewer.
I think you may be thinking of this passage from the Hibberd book?
I think Emilia’s got a point: few are cold and expressionless all the time. And her statement has precedence and support if we’re considering Dany in the books and I believe Emilia has read the books. Dany isn’t cold and expressionless nearly all the time in the books. She laughs, she smiles, she jokes, she teases. She throws fruit at Xaro’s nose when he tells her she should have married him:
I don’t think this passage, even when dealing with a serious matter and with a man Dany isn’t exactly over the moon about, is stone-cold 😉
In another instance, she jokes with Barristan while spending hours receiving the Meereenese people who come to her with various petitions, complaints, concerns, and pleas for help:
Add to that, Emilia has no power over what D&D ultimately chose to go with. She can give them edits, she can give them various takes, she can give them suggestions — but it’s up to D&D as they make the final decision.
Dame of Mercia,
”Do folks use ‘blotto’ for drunk in N. America/Canada (or Australia and New Zealand for that matter)?”
Not where I am in N. America, but they should. “Blotto” is an excellent word for sh*t-faced drunk.
On a related note, I’ve often wondered: Why has “bollocks” caught on here in the U.S. ?
I’m not even sure what it means or how to use it properly.*
* I had drafted a longer version of this question incorporating a “Six Degrees of Game of Thrones” type illustration involving Selyse Baratheon (Tara Fitzgerald), the friendly Lannister soldier who offers Arya food in S7e1 (Billy Postlethwaite, Pete Postlethwaite’s son), and the song “Tubthumping” by Chumbawamba – which encompasses both “bollocks” and “blotto.” 🥃🍸🍻🍺🍷
I think I’ll hold off on that for now.
Happy New Year to you too, Dame, and to everyone here :)!
If you get the desire, I enjoy sex-degrees-of[…] stuff!
Mr Derp,
I just find it a bit odd that the writer’s opinions don’t count to you when they are the ones creating the cannon as well as the motivation for why characters do what they do onscreen. […] Disagreeing with their opinion is one thing, but saying their opinion doesn’t matter at all is a stretch to this viewer.
I neither agree nor disagree with the explanation Weiss gave for exactly how Dany made her decision to torch King’s Landing. I simply do not care enough (or care at all, really) to agree or to disagree. I have no need to care, because Weiss and Benihoff had already given me an explanation of Dany’s behavior, contained entirely within the previous 71.5 episodes of Game of Thrones. They had done their jobs as storytellers, fully and completely, and so perfectly, as to render any further effort on their parts superfluous.
My own interpretation of exactly that same scene has Dany make her decision not merely because of what she sees when looking across King’s Landing at the Red Keep, but also because of what she hears. She hears bells ringing frantically across the city, as the terrified townspeople beg her not to hurt them. She hears nothing from the Red Keep. Cersei has not signaled for surrender, despite her own position now being hopeless. And, despite Cersei obviously not having a future as Queen (or at all, most likely), no one in the Red Keep dares ring any bells.
In Slavers’ Bay, where she arrived a total stranger, she was a liberator to be loved. In King’s Landing, where she considers herself finally to be home, she is nothing more than (yet another) conqueror to be feared. Slaves rose to help her liberate them; the freemen of King’s Landing cower in fear of both her and of Cersei, equally. Oleanna was right, the people of Westeros are nothing better than sheep, to be slaughtered as Dany sees fit.
Now, add Weiss’ explanation, which harmonizes perfectly with what I have just written, but also is not needed. See? I neither agree, disagree, nor care about his opinion, because I have no need to do so. All I need do is recall the story he told.
I think my thing with this is… I don’t think the bell location was specified. It sounded like bells from all around the city. There’s nothing really on-screen indicating Dany is waiting for a sign from the Red Keep itself or got upset when she didn’t hear bells ring from the Red Keep — if those bells didn’t ring. When Cersei hears them, it looks like to me she has this expression of disappointment and defeat. That she’s lost.
Based on the context of the 7×02 scene and on Olenna’s line itself, I don’t think Olenna called the people of King’s Landing or Westeros sheep fit to be slaughtered as Dany sees fit. She said, “I’ve known a great many clever men. I’ve outlived them all. You know why? I ignored them. The lords of Westeros are sheep.” Olenna was against Tyrion’s roundabout plans and wanted Dany to take the throne by force (ie. directly attack the Red Keep). I don’t think she really meant slaughter entire populations after surrender.
I’d also quibble with the notion that the smallfolk of King’s Landing are freemen. They’re not really. They’re oppressed and at the mercy of nobles and monarchs. Tyrion termed them “hostages in a tyrant’s grip.” They really only know what Cersei tells them (as they don’t have access to forums, internet, Reddit, westeros.org, or are even literate ;D)
(Sorry! I’m not trying to be argumentative for the sake of being argumentative! Only that this is why some stuff doesn’t work for me. Although, I appreciate you harmonizing Weiss’s comments with your own interpretation.)
Tensor the Mage, Still Loving the Ending,
To add on the sheep bit.
I don’t think Olenna was talking in terms of treating these people as nothing better than sheep to be slaughtered at will. I believe she was using ‘sheep’ to mean these lords aren’t free thinkers or critical thinkers, that they take on the opinions of other lords (per the “meek, unimaginative, or easily led person,” definition supplied by dictionary.com or “one easily influenced or led” per the Merriam Webster Dictionary).
Ten Bears,
She said she would burn down others cities that weren’t attacking her. She said she would return Mereen to the dirt.
Tensor the Mage, Still Loving the Ending,
”My own interpretation of exactly that same scene has Dany make her decision not merely because of what she sees when looking across King’s Landing at the Red Keep, but also because of what she hears. She hears bells ringing frantically across the city, as the terrified townspeople beg her not to hurt them. She hears nothing from the Red Keep. Cersei has not signaled for surrender, despite her own position now being hopeless…”
So …. Dany decides to incinerate the terrified townspeople begging her not to hurt them? 😳Because Cersei herself didn’t ring any bells? 🤯
Are you sure? That’s not how I remember it. I thought Mereen was under heavy bombardment from the Masters’ Armada, and Dany’s plan (until Tyrion talked her out of it) was to destroy the Masters’ armies and the Masters’ cities. I thought Mereen was Dany’s home city at that juncture. She would have no reason to level it.
I could be wrong. I’ll go back and look.
Ten Bears,
I think you’ve got it right.
From 6×09:
Adrianacandle,
Six Degrees of Game of Thrones and “Bollocks”
I’m guessing “bollocks” is used in the U.K. as an expletive; to express frustration; or as the rough equivalent of “rubbish.”
– I remember hearing “bollocks” several years ago in the spoken word intro to “Tubthumping” by Chumbawamba, and wondering what it meant.
https://www.youtube.com/watch?v=yW5oTzftgjY
I found out later that the spoken word intro with the word “bollocks” is the voice of actor
Pete Postlethwaite from the 1996 movie “Brassed Off,” co-starring Tara Fitzgerald aka GoT’s Selyse Baratheon:
(at 0:14 – 0:25): “Truth is, I thought it mattered. I thought that music mattered. But doesn’t (?) bollocks. Not compared to how people matter.”
– The lyrics that follow (“pissin’ the night away”) describe getting drunk all night [i.e. getting blotto per Dame of Mercia]:
“He drinks a Whiskey drink
He drinks a Vodka drink He drinks a Lager drink
He drinks a Cider drink…”
🥃🍸🍺🍹🍻
– Pete Postlethwaite’s son, Billy Postlethwaite, played one of the friendly Lannister soldiers who offered Arya food in S7e1 GoT:
https://www.youtube.com/watch?v=yCuog8UqXl0
E.g., at 0:51: “It’s not stealing. We’re offering.”
Tron79,
My 12/29/20 12:16 pm reply to you, with a question about “mercy,” has finally been released from Moderation Purgatory!
Ten Bears,
Ah, thank-you, Ten Bears!
Ten Bears,
I’m 100% sure that was the mercy Varys was referring to. I don’t think it could be anything else, not from Viserys’s POV. He’d have no way of knowing about Ned wanting to spare Robert’s feelings since that happened internally and I don’t think Ned’s objections to Robert and his Small Council killed the king.
But by giving Cersei a head’s up, Ned inadvertently gave Cersei increased motive to take Robert out to protect herself and her kids. I’d have to go back and check the timeline but I think that’s the only thing it could be, especially from Varys’s perspective.
Tensor the Mage, Still Loving the Ending,
”For the Game version of Dany, I agree completely with Jai about Dany having inherited the psychopathic neurotype from her father.”
Well then. my dear Tensor, in your honor I shall dedicate 2020’s forthcoming final Musical Interlude to psycho Dany and her crazy daddy.
Adrianacandle,
”…But by giving Cersei a head’s up, Ned inadvertently gave Cersei increased motive to take Robert out to protect herself and her kids. I’d have to go back and check the timeline but I think that’s the only thing it could be, especially from Varys’s perspective.”
The timeline and the geography still have me confused. How could Cersei track down Robert’s hunting party and deliver spiked wine to Lancel along with instructions to ensure Robert was effectively incapacitated?
And unless Cersei could warg wild animals, how could she guarantee that a boar would be in just the right place at the right time to gore Robert, and that none of his guards would intercede to protect their inebriated king despite Robert’s macho attitude?
After all, Robert could have encountered a deer. Or a free range chicken or two. 🐓 🐓(Besides, a drunk with a spear is more likely to impale one of his companions, if he doesn’t pass out first. In that maroon getup Lancel was wearing, he could easily have been mistaken for a wild turkey.)
I go back to the apparent necessity for Cersei to get rid of Robert immediately and with no room for error. The wild boar + spiked wine plan seemed like a long shot.
Musical Interlude
Dedicated to Psycho Dany
and Crazy Daddy Targaryen
🎶“Wild man’s world is crying in pain
What you gonna do
when everybody’s insane?
So afraid of one who’s so afraid of you
What you gonna do?
Oh, crazy on you!
Crazy on you!
Let me go crazy, crazy on you.”🎶
at 1:47 – 2:27:
https://www.youtube.com/watch?v=yZjEC4WhCvg
“Crazy on You” (1976) Heart
………
https://www.youtube.com/watch?v=vGEKW-e_Ge8
“Crazy on You” – Heart, live 1997
on The Midnight Special [5:24]
Ten Bears,
Between Ned warning Cersei and Robert returning from his hunting trip mortally wounded, there appears to be a passage of four days according to this very detailed timeline of events in ASOIAF. This timeline was carefully investigated and developed by some well-known ASOIAF Redditors who (from my vantage point) really know their stuff, including Adam Feldman who did the Meereenese Blot essays. Yet, it’s not an official timeline. I don’t think GRRM is great at figuring out stuff like this. I believe he admitted this once in a SSM but I’d have to find that.
I think this would have given Cersei time to plot and plan, though not a huge amount of time.
Absolutely. This plan had a lot of risk — but, and especially in the books, Cersei’s not the brightest schemer in the series 😉 But seems things went according to plan for Cersei here. However, Cersei did give her cousin, Lancel, a super potent strongwine to give to Robert. I imagine Cersei had anticipated Robert would make a drunken mistake and have an accident. And hunts are pretty dangerous. She had lived with Robert for around 15 years at that point as his wife so she’d have insight into his behavior but… yeah, lots of risks and lots of chances for this to go wrong.
Ten Bears,
I’m talking about in season 5 at the pits she says she will do that if she has to. I don’t get how people keep excusing her words. They’re are dangerous and a huge red flag.
Adrianacandle,
No I’m talking about season 5 and even then in the episode you’re talking about it’s not ok to do what she wanted. She wanted to burn it all to the ground that’s not ok.
Maybe it’d help to quote what you’re pointing to.
In 6×09, Dany was under attack by the masters, who broke their deal. Yet when Tyrion reminded Dany of the costs and her father, Dany backed down. I maintain Dany’s anger in that situation was not unprompted or unreasonable. I don’t agree with what Dany was saying but I understand her anger. Kind of reminded me of Robb’s devastated, “I’ll kill them all,” in 1×10.
But I’m not looking to get involved in another debate around if Dany’s actions in 8×05 felt built-up enough. Like Mr Derp says, we’ve all drawn our lines in the sand about that and I, for one, have not changed my position.
Good morning guys! First of all, Happy new year! I hope you had a wonderful time with your family and friends and, hopefuly, 2021 will be a much better year!
With that being said, now I proceed to read your comments!!
Adrianacandle,
Hello! Im back!
Its also wonderful to read your insightful comments Adriana!
I honestly dont know what time would I be becuase I completely undertand Rhaenyras claim to the throne HOWEVER, its quite fun to defend the “baddies”, especially when they are so magnifiviently well written like the Lannister or, hopefully, the Hightowers.
But yeah, If Im going by characters that I straight up ADORE, I would be TeamNettles and TeamHelaena, but honestly, there are SO MANY great side characters that I cannot wait to see them brought to life!!
Ten Bears,
Death in a hunting accident (thinking of Bobby B) isn’t without precedent. William Rufus (one of the Norman kings of England) was killed in the New Forest by a stray arrow when out hunting. There is a mystery to this day about whether it was an accident or a murder. An archer called Tirel was blamed. He got the heck out of Dodge (well England) though he denied culpability. I doubt we’ll ever know the ins and outs of it after several centuries. I watched a YouTube video in a series ‘They Got Away With Murder’ (the writer also plays the music and draws some illustrations for the videos – though he does use some photos/illustrations contemporary to the time the event is set). The video in question was about ‘The Ardlamont Mystery’. Three men went hunting in Scotland circa 1893 and only two came back alive. There was a trial of one of the survivors who received a verdict of ‘Not Proven’ – in England and Wales there are only guilty or not guilty verdicts but in Scotland a jury can go for ‘Not Proven’ also. A link to the video about the Ardlamont Mystery (it’s about an hour long) https://youtu.be/_6rSUSUpSXk. Though I’m not telling people what to watch – more just mentioning that I can think of a couple of cases where someone died in a hunting accident and people weren’t sure if it was in truth an accident or a murder.
The meaning of b_________s https://www.bing.com/search?q=bollocks&cvid=1832e49393b64c4ea27b48fedcfc5bb3&pglt=161&FORM=ANNTA1&PC=U531
and in Wikipedia https://en.wikipedia.org/wiki/Bollocks
though I’ve heard some folk call Wikipedia Wikimisleadia but I think it’s correct. In this song ‘The Mole Catcher’ catches his (younger than him) wife and her young lover in the middle of their ‘frolics’ and catches the young man fast by the ‘jacket’ (circa 1:07) https://youtu.be/FSscla4VFR0
Dame of Mercia,
”Death in a hunting accident (thinking of Bobby B) isn’t without precedent. William Rufus (one of the Norman kings of England) was killed in the New Forest by a stray arrow when out hunting. There is a mystery to this day about whether it was an accident or a murder….
…I can think of a couple of cases where someone died in a hunting accident and people weren’t sure if it was in truth an accident or a murder.”
Absolutely. And in-universe, there were several references to staged “accidents,” including Randyll Tarly threatening Sam that he would die in an “accident” if he didn’t join the NW; and Bronn explaining he was content to marry
Stokeworth even though she had an older sister who stood to inherit the family fortune, because [paraphrasing] “ladies fall of their horses and snap their pretty necks all the time.”
If planned and carried out properly, a murder can be made to look like an accident – in the fictional world and in the real world.
We also saw in-universe several examples of assassinations carried out with crime scenes staged and false evidence planted to frame innocent bystanders while deflecting suspicion from the real culprits, e.g., LF & Olenna poisoning Joffrey; LF & Lysa poisoning Jon Arryn; Ramsay shanking Roose; etc.
My confusion stemmed not from the possibility that a murder could be made to look like a hunting accident, but rather, from the complex
logistics and intricate timing that would have been required to successfully carry out a murder-by-boar on short notice and in a narrow window of opportunity.
And even that assumes the wild boar is in on the plot.
💰🐗
In the world of ASOIAF, wild boars can be aggressive and will attack a human if provoked, but they aren’t trained to be skilled assassins that can follow instructions and target specific individuals, are they? They don’t have their own training institute on Braavos, do they?
The House of Pork and Beans.
(I’ll see myself out…)
Ten Bears,
Here, this passage may clear some things up — from AGOT and Eddard’s final chapter:
___
I don’t think Cersei was thinking this deeply because Cersei, especially in the books, doesn’t think that deeply. She schemes but she’s brash and thoughtless about it. I believe it was just a case of Cersei using Robert’s hunting trip as an opportunity and spiking his wine so that it was far more potent than either Robert or his men could anticipate, leading to a greater chance of an accident. I don’t think she planned for the wild boar or anything like that. I think she was doing her best — in Cerseiview — to increase Robert’s chances of an accident.
Cersei has gotten lucky when her schemes work out for her. For instance, it’s lucky that Sansa ran to her and told her what Ned was up to. It’s lucky that Ned behaved as lawfully as he could and also that he trusted LF, confronting Cersei with Robert’s very-paper (and very-single) will in the throne room, instead of scheming under the radar. All Ned had was this one copy, a shield of paper, that Cersei can (and did) destroy. As unlawful as it was. It’s really easy to get rid of a paper document.
Other plots of Cersei’s have gone awry: the assassin she sends to kill Jon Snow for aiding Stannis never makes it to Castle Black. Although, Jon is assassinated. Yet, it’s likely Jon will be brought back.
Cersei’s not methodical or thoughtful. It seems to me she takes opportunities on an impulse with brash planning and when it works out, well, luck was on Cersei’s side.
Absolutely! It feels the more sympathetic characters are third-tier characters and below but I’m hoping they get a promotion 😉
(And thanks!)
Adrianacandle,
Yay! Also, graphic design? THATS AWESOME, Whats like to have a real talent? talent, Im good enough at studying art , not making it lmao
I studied law and when I graduated this year I said, f it, Im gonna fight for my dreams! So now Im gonna fight for my dreams, to become a history professor, so Im doing history and history of art. its a TON of time and effort, but I LOVE IT!
Adrianacandle,
[Passage from book you excerpted]:
“Oh, indeed. Cersei gave him the wineskins, and told him it was Robert’s favorite vintage.” The eunuch shrugged. “A hunter lives a perilous life. If the boar had not done for Robert, it would have been a fall from a horse, the bite of a wood adder, an arrow gone astray … the forest is the abbatoir of the gods. It was not wine that killed the king. It was your mercy.”
I’m more confused than ever. Was Varys essentially saying that Robert was an accident waiting to happen to begin with, so that he was doomed whether or not Cersei tried to increase the chance he’d have an “accident”? If Robert was a ticking time bomb, was his demise inevitable?
Was Cersei like one of those greedy, unfaithful film noir wives who cuts the brake lines of her alcoholic husband’s car so he’ll drive off a cliff – but he winds up killing himself when he blacks out behind the wheel and crashes without ever trying to brake?
Or maybe Cersei was like a 1940’s movie femme fatale who keeps trying one far-fetched scheme after another until one finally happens to work? [E.g., sprinkling a little arsenic in her husband’s breakfast cereal each morning + substituting Drano for his insulin + using peanut oil to make his popcorn to cause him to go into anaphylactic shock while watching football on TV + infusing his beta blockers with crystal meth and PCP + loosening the bolts on the basement stairway railing…]
You know, in S1e1 when Robert asked Ned to become his new Hand, I thought Robert said [something like] he wanted Ned to run the Realm so he [Robert] can “drink and whore myself into an early grave.”. (Not sure if book! Robert say anything like that.) Robert came across as someone who realized his glory days were behind him, and hated his life; he longed for a past he could not recapture (e.g., Lyanna, his physical strength, and his freedom to go on adventures), and almost welcomed an end to his crappy existence. He seemed eager to take unnecessary risks and place himself in physical danger, and his wife was more than happy to oblige him. (“Suicide-by-Cersei.” Is that a thing?)
I guess I’ve got to look up the word “abbatoir” to understand what Varys was talking about.
Ten Bears,
I had the impression Varys was talking about Robert’s chances of death by hunting accident were pretty high due to it being a dangerous activity but that Cersei helped push it along with her wineskin trick, ever more motivated by Ned telling her that he’d be telling Robert but would give her a chance to escape with her kids first.
You had originally wanted to know what mercy Varys was referring to and I think that passage answered your question.
I don’t think I’d call this comparison completely applicable. It seems Cersei was hoping, by making Robert more drunk than he’d usually be, his chances of dying in a hunting accident are that much more. And he did, not in small part due to his drunkenness. I don’t think Cersei had any specific hopes for what exactly on his hunting trip would kill him as your example wife did (hoping he’d drive off a cliff but ends up blacking out behind the wheel and crashes without trying to brake). Cersei just wanted Robert to get mortally injured by something or from something.
I think this is the first time Cersei tries to off Robert and she banked on his hunting trip to do it by scheming to make her more drunk and more vulnerable to hunting dangers.
Well, yeah! And this what Cersei used against him!
That’s awesome! (And I forgot to thank you for your insightful and very informative comments regarding HotD!)
I don’t know if I’d call myself all that talented. I try hard but I have to work hard to produce anything that passes (I hope) mustard. And most of the time, I’m still not very happy with what I’ve done. There are far far more skilled people than me! If you’re interested in seeing stuff, I can give you my “mud room” email and reply back from my real one 🙂 throawayawoo1067 at gmail dot com
You sound very very well educated — law’s not easy, I hear :O And art history and goals of tenure are really admirable and require its fair of education too! So nice work!
Ten Bears,
Typo!
*by scheming to make *him more drunk and more vulnerable to hunting dangers.
MaxHightowerYronwood,
”I honestly don’t know what team would I be because I completely undertand Rhaenyra’s claim to the throne. HOWEVER, its quite fun to defend the “baddies”, especially when they are so magnificently well written like the Lannisters or, hopefully, the Hightowers.
But yeah, If I’m going by characters that I straight up ADORE, I would be TeamNettles and Team Helaena…”
First of all, welcome back and Happ(ier) New Year!
I am a bit mystified that you said you “honestly don’t know what team” you’d be, because you “completely understand Rhaenyra’s claim to the throne.”
I thought for sure that MaxHightowerYronwood
would be die-hard Team Green, now and always!
https://64.media.tumblr.com/cf3a9fcd1f940e04e6cbb34c4b1321ef/fa9282f21758b8f1-b1/s1280x1920/ff71187b361fed57096cee9ea6a6fdb752933878.jpg
#TeamGreen 💚
#QueenAlicent
#LongMaySheReign
Adrianacandle,
Here’s what Robert told Ned in S1e1 about why he was asking Ned to be his Hand…
at 0:55
https://www.youtube.com/watch?v=y2tB69TpJEE
Robert: “…I want you to run my Kingdom while I eat, drink, and whore my way to an early grave.”
Queen Cersei, ever the dutiful wife, simply helped her hubby achieve his stated objective. Ned’s mercy didn’t kill the king. The king’s death wish killed the king. 😬
Reading through the comments here, I see that the looming shadow of the upcoming prequel series “House Of The Dragon” still recasts issues such as Dany’s fall from grace and the totality of GOT’s much disputed ending and how it may be perceived and received after the mothership show has come and gone.
Let me give you my to unsolicited cents on this, after which I shall try to forever be silent and never again speak on this.
In so far as “Dany’s fall”, I tend to always go back to probably the clearest and most useful Targaryen marker, the quote we all know or are familiar with: “Madness and greatness are two sides of the same coin. Every time a new Targaryen is born, the gods toss the coin in the air and the world holds its breath to see how it will land.”
In my life, I’ve known quite a few people I thought (or was even arrogantly certain) were special or destined for some kind of greatness. Life it turns out had other plans…they either settled into a type of mundane and ordinary existence, as do most of us, or fell by the wayside and outright failed (for reasons I won’t list here). So it is with Dany in a way, going back to that quote.
It seemed unfair and unjust that her ending should be such. But life seldomly is. And to that extent I think (that is just me again) D&D made the right choice on how to wrap up her storyline (that is if it is indeed wrapped up and ten years from now we don’t get somekind of sequel movie or miniseries…where gasp…she is still alive). Now, we can say that the signs of her deterioration and eventual outcome were sprinkled all throughout the series, from the very beginning…but that is a separate argument I won’t get into.
Now in so far as the overall tenure and tone of the show’s ending…I’ll use the unfortunate comparison to the current pandemic. By this time of this whole episode, we are all soo exhausted and shell shocked, regardless of where you live in the world, that we more resemble a marathon runner whose only desire is to finish the race regardless of being first or last in crossing the finish line. From how this pandemic started to how it was handled, to its sad and deadly spread and development. Sure we have vaccines, we’ve had some victories and bravery on display, but for all the (few) highs, the lows, in the form of incomprehensible failures, incompetence, meaningless rivalries and in-fighting, have been far more demoralizing and taken a much bigger toll. So much so, that even when we get a handle on this pandemic, any victory will feel hollow and come more as relief than any kind of triumph. So with the ending of GOT. One that I thought was quite nicely reflected in Jon Snow’s face and final ride beyond the Wall.
As to “House Of The Dragon” and it’s success, appeal or lack thereof, it will largely depend on what the TV/streaming landscape and available content will look like in 2022 or the time it will come out. “The Witcher” is coming back on Netflix (personally I think it’s a horrible show) and a new offering of “Shadow And Bone” in April, while Amazon Prime is priming (yeah couldn’t resist), to unleash “The Wheel Of Time”, a project which I’m not sure about… as it seems and smells kind of fishy and of course “The Lord Of The Rings” prequel series, which if rumours are to be believed could either be amazing and groundbreaking (?!) or a one billion dollar dumpster fire. I think that the far bigger challenge will come from Disney Plus and it’s original “Star Wars” and Marvel content, some of which is about to be released, in-production or just announced. If “The Mandalorian” is any indication, “House Of The Dragon” will face stiff competition and maybe a diminished demand for its brand. It could also be a similar case as with “The Walking Dead”, where the mother show was (and still is to some extent) an excellent show, where each spinoff was launched with ever diminishing returns. Loyal audiences settled in to follow, dutifully like, in lieu of genuine excitement. So basically “House Of The Dragon” would be “Fear The Walking Dead” (gross oversimplification)…LOL…
And that’s it. No more of this. We shall never (hopefully) see it’s like, this rant…again…
Perhaps. It was not my intent to really look into what truly killed Robert. I was more trying to help answer your original question as to what Varys was referring to (ie. “your mercy killed the king”). It seems (per the book quote) Varys believes Ned’s mercy toward Cersei led to Robert’s downfall, helped along by Cersei’s wineskin trick which was prompted in response to Ned revealing he knows that Cersei’s children aren’t Robert’s and he will tell Robert. I can agree with Varys here.
But I can also agree Robert’s own nature helped that along and made it easier for Cersei to take that opportunity. What a viewer/reader thinks truly killed the king, I think that’s another debate.
Btw, THIS:
https://64.media.tumblr.com/cf3a9fcd1f940e04e6cbb34c4b1321ef/fa9282f21758b8f1-b1/s1280x1920/ff71187b361fed57096cee9ea6a6fdb752933878.jpg
Is a shockingly appropriate image for #TeamGreen! Kudos! 😀
Adrianacandle,
” Perhaps. It was not my intent to really look into what truly killed Robert. I was more trying to help answer your original question as to what Varys was referring to (ie. “your mercy killed the king”). It seems (per the book quote) Varys believes Ned’s mercy toward Cersei led to Robert’s downfall, helped along by Cersei’s wineskin trick which was prompted in response to Ned revealing he knows that Cersei’s children aren’t Robert’s and he will tell Robert. I can agree with Varys here.”
I know. I was only kidding about assisted suicide- by-Cersei.
I do thank you for your explanation about Varys’s statement that it was Ned’s mercy that killed the king.
I’ sorry for misunderstanding! Perhaps it was because I think Robert’s nature (whoring, drinking, hunting) made it quite a bit easier for Cersei to take her spiked wine shot.
Cersei sure uses wine creatively 🙂 Spiked wine to take Robert by the hand to his death. Wineboarding the sept for [Cersei’s] pleasure…
Elephants and wine. Cersei’s weapons of choice. With some wildfire.
OK, I have my new casting suggestion. Chloe Grace Maretz needs to be riding a dragon! Please! I just finished watching her newest movie Shadow in the Cloud. She does some heartstopping stunts on the outside of an airplane, which reminded me alot of holding onto a Dragon!! She also does some serious fighting with a “gremlin” creature that reminded me of a large ugly vicious bat. I never thought of Chloe as the new ASNAWP, but I was cheering for Chloe in this movie. So far, the film got some awful reviews mostly because people are upset about how men are portrayed. I’m a guy, and it didn’t bother me at all that Chloe could have won the war by herself. She even has a british accent that was convincing.
The movie itself would almost be considered a short film at 1:23 minutes, but I haven’t held my breath so much on stunt scenes in as long as I can remember. And don’t mess with Chloe!! Anyway, it was a great audition real if she wants to be a dragon rider and do some amazing action scenes in HotD. When she was younger, she starred as Hit Girl in Kick Ass, but as she has aged she has had more dramatic roles that didn’t involve fighting or stunts. I’m thrilled she’s re-entered the action genre.
However, it looks like the movie is getting really bad reviews on the review boards. But what do they know!
Here’s a trailer
Adrianacandle,
“Btw, THIS:
https://64.media.tumblr.com/cf3a9fcd1f940e04e6cbb34c4b1321ef/fa9282f21758b8f1-b1/s1280x1920/ff71187b361fed57096cee9ea6a6fdb752933878.jpg
Is a shockingly appropriate image for #TeamGreen! Kudos!”😀
Thanks! I wish I knew what kind of “look” HotD will be going for when it comes to the costuming, hairstyling, makeup and overall attitudes of Alicent and Rhaenyra. As far as I recall from discussions here, there aren’t many detailed physical descriptions of these two characters in the books, except maybe that Alicent is “comely.” If either has specific personality traits that could be reflected in their physical appearance, I don’t know what they are. Besides, HotD’s showrunners’ versions of these characters may differ from their book! descriptions.
Adrianacandle,
Well, when I on one hand read Aegon’s Conquest and I feel angry at Aegon all the time with exception of killing Harren the Black (who was terrible in my eyes) and on other hand read Robert’s Rebellion and feel absolute pleasure in Targaryen power gradually crumbling to dust with the only thing that bothers me being killing the kids and Elia, it’s way more hard for me (in fact impossible) to approve Dany’s entitlement to the throne than the Starks, who were directly damaged by the Lannisters and Boltons, wanting to win back the North, which was theirs for millenia before the Targaryens arrived to Westeros.
Then again, my love for the TV show has nothing to do with the source novels because I completely lost my passion for the novels with arrival of S5, while my enjoyment of TV show only gradually increased. SO that may additionally affect my grasping of TV story.
Adrianacandle,
And I brought this “stone cold” part up because I’m even more sure that Dany was set up for this dark twist from get-go. Every time I rewatched, I wondered why the hell is she so stone-cold in S3, where she suffers win after win and now I’m starting to wonder that maybe she wasn’t supposed to be so “universally liked” among the fandom originally (as I said in one of my previous comments, I felt like an outsider for not being on her bandwagon and was called delusional for having doubts about her and then “The Bells” embodied exactly what I dreaded about her as early as I read about her sack of Astapor in the novels). Then again, I have no idea how much of it was changed because of Emilia “fighting” for this humanization but I would still say I see a difference in her depiction post-S3 when we’re given way more “warm smiling” scenes about her and I wouldn’t be surprised if this decision eventually backfired when it came to fandom.
Erik, formerly Lord Parramandas,
Sure — and Dany was the subject of great suffering for actions of Targaryen relatives and rebels alike that are not her fault. She had to live in exile, begging on the streets for a great part of her childhood. She was alone with only Viserys as family, abused, sold by her own brother to a Dothraki warlord in exchange for an army, raped, etc. Dany has been damaged by the Baratheons and later (in the show) the Lannisters and Euron Greyjoy and their allies. Dany too was directly damaged.
All of the characters have suffered — but I don’t think suffering entitles anybody to any kind of crown. Dany or the Starks. Nobody needs a throne, nobody needs a castle, nobody needs to continue their family legacy to live a peaceful, comfortable life. I think the aforementioned threaten that. Sansa didn’t need Winterfell anymore than Dany needed the Iron Throne. Sansa could have boarded a ship and sailed to a quiet place in Essos or Braavos and lived anonymously. Robb didn’t need to wage a war to avenge his father. Many innocents suffered in that.
And I don’t think I can agree with the argument that the Starks wanting to wage war for independence is okay because the North “was theirs for millenia before the Targaryens arrived to Westeros.” Again, a lot of innocents and smallfolk died in that war too — and for the desires of the nobility. Second, the Starks aren’t native to Westeros either. It’s speculated that they descended from the grasslands of Essos before coming to Westeros and waging a war against the Children of the Forest for land they had… well… invaded.
I don’t think this is made any better because the Starks invaded Westeros earlier and conquered the North earlier.
Fair enough!
I don’t think Emilia was responsible for changing anything. Per my previous comment, she does not have that power. She does not get final say over what goes on screen. D&D do and if they disagree with a take, they’re not going to do it. D&D have the authority, Emilia does not.
Plus, I didn’t regard Dany the way you did but I think we’re getting into conspiracy theory territory here — where anytime Dany shows warmth, this theory is speculating that was changed because of Emilia.
But this is a quibble I had with Dany’s portrayal in the show because she’s not as stoic in the books.
Physical descriptions are scant at best, yeah. However, I believe Alicent is described as very attractive and kept her slender figure after her pregnancies while Rhaenyra, beautiful in her youth and who had the traditional Targaryen look, became “thick” due to her pregnancies. I think Fire & Blood implies Rhaenyra’s changing appearance impacted how she was regarded but I’ll have to double check.
Adrianacandle,
Correction to my January 1, 2021 at 5:20 pm post: the Starks descended from the First Men and it’s they who are speculated to have originated from Essos before coming to Westeros. I should have written in “First Men” rather than “Starks” in regard to these statements.
Ten Bears,
hehehe honestly, I’ll support the Greens through and through! But I also like to understand our enemies
I think It will be you and I on this one TenBears! the SansaFan and the AryaFan finaly united!
Adrianacandle,
Oh! You are too humble! Im sure your work is wonderful! Ill send you and email right away! 🙂
Oh thank you, although Im much more comfortable speaking than writing, given that Im spanish and english is not my mother language haha
Oh and I just had a suggestion! Yesterday night I was watching one of my favourite movies of all time, Crimson Peak, by Guillermo del Toro, and I thought, “man, If Michele Clapton cannot come back to do the show, I would LOVE to see Kate Hawley (the costume designer of CP) doing the costumes of HoTD”.
If you havent watched Crimson peak I wholehartedly recomend it to you, especially from a costuming perspective, not only are they breathakingly gorgeous (and historicaly accurate!) but also, they help to tell the story, each frock sends waves of information about each one of the characters, their motivations, their past and their state of mind.
Adrianacandle,
I also don’t blame her for being angry but again she wanted to lay all their cities to waste and Tyrion talked her out of that it. That’s a big red flag for me.
As before, we differ on this (re: red flags). While I’m tempted to argue further, I don’t think either of us are changing our minds anytime soon so (for my part) I’d like to leave things here 🙂
MaxHightowerYronwood,
I think you do a nice job with writing! 🙂 Thanks for both the rec and the mention of costume designer Kate Hawley, I’ll check out their work later on Crimson Peak!
That’s good to know! Thanks for that recommendation.
I’ve had “Crimson Peak” on my To Watch List for a while, in part because I’ve liked Guillermo del Toro’s movies like Pacific Rim and his style (esp. in creating fantasy creatures), and in part because I noticed that the cast of “Crimson Peak” includes an alumnus of “Pacific Rim” who’s also going to be one of my nominees for Game of Thrones Best Guest Actor:
Burn Gorman, the Fookin’ Legend of Gin Alley himself, Karl Tanner.
Here is a bit of an interlude for all those who might look for something to tie them over while waiting for “House Of The Dragon”. I must say, I’m not familiar with the books or the premise, world and/or characters of this series. It all looks rather ominous…and in some ways quite familiar to GOT fans…but here it goes anyways:
“Shadow And Bone”
loco73,
Elk Walkers?
loco73,
“Shadow and Bone.” Coming soon to Netflix. Not to me. 😡
Tron79,
Semi Off-Topic (re: “Hung Guns,” foreshadowing, red flags, Dany’s descent, deus ex machina, and Stephen King)
There’s been lots of conversation back and forth about whether Dany’s psychotic break was adequately set up, or if it came out of left field.
I’m not here to continue that particular debate.
Instead, I was curious if you’d reached the part of Stephen King’s book, “On Writing,” where he talks about “theater rules” applicable to effective storytelling, whether in novels, plays, films or TV shows.
In particular, Stephen King restates the Chekhov’s Gun principle:
“If a gun is on the mantle in Act I, it must go off in Act III.
The reverse is true: If [something] plays a part at the end, it must be introduced early. (Otherwise, it looks like deus ex machina, which it is.)”
In playing around with a “Six Degrees of Game of a Thrones” connection to one of my all-time favorite movies, which featured the film debut of Tara Fitzgerald in 1991, I was rewatching that movie and realized that…
(to be cont. in a few minutes)
Ten Bears,
So I was listening to the audio book version while walking around the neighborhood, but the weather has been bad. So no I haven’t reached that part yet. I’ll have to find other times to listen to the rest. I should have probably got the printed version. Maybe I’ll just get the kindle version and finish. It was cool though listening to Steven King read his own book.
Prelude to Continued Comment
As a quick refresher, I reaffirmed via internet research my understanding of the origin and meaning of the term “deus ex machina”:
Deus ex machina has come to mean “an unexpected power or event saving a seemingly hopeless situation, especially as a contrived plot device in a play or novel.”
However, the term “deus ex machina,” meaning “a god from a machine,” had its origin in ancient Greek theater, when actors playing gods were lowered from the rafters by a crane, winch or other machine; they would then resolve whatever conflicts remained, and couid be hoisted back up again. Sometimes the crane would be used to show a “chariot” sent by the gods to rescue an imperiled human character and take him to safety, or to portray him ascending to “heaven.”
I realized the movie I was rewatching,
by “hanging” the crane early on, prevented it from looking like a deus ex machina in Act III (inside a theater) when the “machine” was suddenly lowered from the crane above,
I didn’t want to give too much away if you have not seen the movie.
If you’re curious, here’s a still photo of Tara Fitzgerald (aka GoT’s Selyse Baratheon), in her film debut in 1991.
https://c8.alamy.com/comp/DXJKRT/hear-my-song-ukir-1991-tara-fitzgerald-adrian-dunbar-DXJKRT.jpg
(There’s a more attenuated GoT connection that leads to Maisie Williams.
. I’ll get into that some other time.)
For now I was just wondering if you’ve ever seen the movie, and if so, whether you liked it.
Tron79,
Oh, okay. I was really referring to the part of Stephen King’s book I had quoted.
I guess what I was trying to articulate, based on Stephen King’s formulation, is that the movie I was watching essentially hung the deus ex machina in Act I so it didn’t look like deus ex machina when the deus ex machina occurred in Act III.
The casting news and articles about Alicent describe her as “comely,” which apparently means “attractive; pleasing to look at; wholesome.”
That’s kind of subjective. “Attractiveness” is often a function of personality and attitude. What I mean is…
Here are two images of Olivia Cooke, soon to be HotD’s Alicent. To me, she sort of gives off “Good Queen” vibes in the first picture.
https://verifiedcontactsinfo.com/wp-content/uploads/2018/03/Olivia-Cookie.jpg
 In the next one, she looks like she’s got a twinge of “Wicked Queen” in her expression.
https://i.pinimg.com/736x/65/00/5f/65005fbb994d60c16aa02724bbeb9fd7.jpg
.That’s why I think makeup, hairstyling, costuming, and lighting can go a long way in establishing a character’s traits.
#TeamGreen 🟩
LMAO.
Beautiful, Tron!
Ten Bears,
True!! I’m really curious to see how Alicent is brought to life with Olivia Cooke! I think she’s absolutely gorgeous and her face is becoming Alicent’s face in my mind.
And it’s true, beauty is in the eye of the beholder! But I think I’d be hard pressed to find somebody who doesn’t behold Cooke’s prettiness 😉 I know I’d kill to look like her!
i’m so late it is close to being off topic. anyway, my best wishes to everyone for 2021! stay safe!
I was hesitating chiming in about their looks, but I think I want to do a research study. My hypothesis is that people with angled faces are more likely to be believable as evil characters than those with round faces. Also the distance between their eyes (and size of their eyes) also helps them play an evil character. I think Matt Smith’s eyes are distinctive and lend themselves to villain roles. He’s played evil roles such as Charles Manson!
Mary Ann from Gilligan’s Island was recently in the news because the actress who played her, Dawn Wells, recently died from COVID. Often people said Mary Ann had the “girl next door” look, and plenty of folks appreciated her beauty. I see Olivia Cooke in a similar mold to Mary Ann with her rounder girl next door face. Perhaps that’s because I will always see her as the literal girl next door from Me and Earl and the Dying Girl when she was younger. She has played manipulative characters in roles such as Vanity Fair. Lena Heady does have that angular face, and was very believable as that manipulative character you love to hate. I had a harder time in Vanity Fair hating Olivia for what she was doing because of that rounder more innocent looking face. Perhaps that will play to her advantage in her role as Alicent.
So, I’m actually more interested in Emma D’Arcy now. She has a young adult look (perhaps 21, 22ish). I find her attractive, but that is very subjective. She definitely is not “thick” as Rhaenyra was described in another post. She’s very lean looking. Perhaps she will have to put on a few pounds like actors have to do sometimes! Her jaw line is a little more angular and she has a longer face, so my guess is it will be easier for her to play a character that people don’t flock to because of her looks. Alicent I believe can use her looks to her advantage, and Rhaenyra may be more in the lines of a Cersei character. I’ve been trying to find more things to watch from Emma D’Arcy. She has a small role in the newer Wanderlust series. I have to speed up alot to find her lines scattered here and there. I know she has a theater background, which may be where the showrunners could see more of her acting chops. She’s in Truth Seekers, but the episodes I watched gave her very little room to show what she could do.
Tron79,
I think your hypothesis is actually utilized quite a bit, especially in animation and has a basis in visual media vis a vis “love to hate” characters (I’m thinking of Winona Ryder’s soft-looking Veronica in comparison to the three Heathers, whose faces did fit more of the features you’ve described in my view — although, Veronica isn’t exactly innocent either. She’s snarky, sarcastic, but gets pulled into a bad situation by Christian Slater’s character).
Yet, I think “love to hate” has a wide spectrum too (though I wouldn’t categorize Veronica as “love to hate” either! She’s not a pure damsel in distress but she’s not a manipulative schemer either like the lead Heather). Depending on the purpose of the character, actors and actresses with softer faces and bigger eyes have played those roles (off the top of my head: Vincent Kartheiser’s Pete from Mad Men, Leighton Meester’s Blair Waldorf from Gossip Girl, Sarah Michelle Gellar’s Kendall Hart from All My Children, Krysten Ritter’s Chloe from Don’t Trust the B in Apt 23, Eliza Dushku’s Faith from Buffy, I think Elijah Wood plays a cannibalistic killer in Sin City… there are more and they’ll come to me well after the editing window of this post! I wish I could add Alexis Bledel — who I think is the epitome of the doe-eyed innocent look because she has these huge blue eyes and soft face — but alas I cannot…)
I think Olivia Cooke’s features can suit Alicent well! I also think Rhaenyra and Alicent both aren’t simply “love to hate” characters or even villains. They’re deeply complicated people, it seems to me.
In Fire & Blood, Rhaenyra only becomes “thicker” because of her pregnancies, after which (like some women) her body changes quite a bit. Here’s the excerpt!
___
I think Alicent and Rhaenyra both are like Cersei and unlike Cersei in ways. However, Cersei herself was quite beautiful in the books as was Rhaenyra before her pregnancies. Unlike Cersei, Rhaenyra was beloved — until the Dance of the Dragons:
Here’s where I think Alicent’s beauty is mentioned:
I didn’t ever see Gilligan’s Island (though I’ve heard the name Mary Ann) Very said to hear of Dawn Wells’s passing due to COVID… 🙁
To you as well!!
Tron79,
”So, I’m actually more interested in Emma D’Arcy now. She has a young adult look (perhaps 21, 22ish). I find her attractive, but that is very subjective….
…I’ve been trying to find more things to watch from Emma D’Arcy. She has a small role in the newer Wanderlust series. I have to speed up alot to find her lines scattered here and there. I know she has a theater background, which may be where the showrunners could see more of her acting chops….”
I’m intrigued: I’m sure you’ve noticed from a quick online search that Emma D’Arcy has virtually no social media “footprint,” very few posted photographs, and hardly any video clips or interviews. I don’t think she’s had major film roles. On the other hand, she apparently has extensive stage experience.
I suspect she is someone with the good sense to preserve her privacy, instead of sacrificing it in the name of publicity, popularity, or pursuit of roles. To the world at large (i.e., potential audience), she’s an unknown; a cipher.
[⚠️Rank speculation to follow]
At the same time, I have to figure she must have blown away the showrunners and casting director with her acting talents:
By all accounts, the role of Rhaenyra is one of the two pivotal leading roles in the Dance of Dragons conflict/civil war in HotD, which is itself HBO’s hoped-for successor to its all-time biggest cash cow. HBO’s got a ton of money and prestige riding on HotD.
Presumably, the producers and casting agents had no shortage of potential candidates for the role, including so-called “bankable” big names with built-in box office draw.
There’s just too much riding on HotD to take unnecessary risks in casting. Emma D’Arcy’s audition must have been jaw-droppingly good.
I am betting we are going to be gobsmacked when we see how good she is.
P.S. Additional speculation: Other commenters have described Olivia Cooke as having a chameleon-like ability to change her appearance from project to project.
I’ll bet Emma D’Arcy has that same quality. It sure would come in handy if they’re asked to portray their respective characters at different ages. i.e., at various stages of the daughter vs. stepmother/Black vs. Green narrative.
Tron79,
”Lena Heady does have that angular face, and was very believable as that manipulative character you love to hate.”
After seeing Lena Headey in the 2005 romance “Imagine Me and You,” I could never really hate any character she plays.
It didn’t help that she was so warm and witty in the many GoT Episode Commentaries she narrated. I loved her repartee with her dear friend Peter Dinklage, not to mention her delightful fangirling over Maisie Williams while watching Arya scenes, e.g., “She’s brilliant.”
A prior reply to your comment got sucked into oblivion from my cell phone by the Lord of Light.
Let me try again… by breaking it into parts.
In particular, your observations about the factors that may impact “the success, appeal or lack thereof” of HotD, and the possibility of a “diminished demand for its brand,” got me thinking about a psychological factor that could very well dilute the public’s enthusiasm for this GoT prequel.
Separate and apart from whether the fans loved the ending (Hi Tensor!) and felt it was properly set up, what I worry about is the effect of the extinguishment of House Targaryen on the fandom’s appetite for prequel based on Targ family history.
Might causal fans think to themselves, “Well, we know the supposed last Targaryen went psycho and got put down, so who cares about Targaryens? HBO might as well make a prequel about the Reynes of Castamere. They’re all gone too.”
With so many other shows and platforms competing for fans’ attention [as you observed], demand for HotD could be diluted before it airs. Add to that the possible absence of emotional investment in or curiosity about the ancestors of doomed descendants.
Might some potential GoT>HotD fans consciously or subconsciously allow interest in House Targaryen to disappear now that they know the Targs will disappear?
If I can borrow Sansa’s forecast about House Bolton:
“Your words will disappear. Your house will disappear. Your name will disappear. All memory of you will disappear.”
– Sansa Stark to Ramsay “Puppy Chow” Bolton, S6e9
[To be continued. Sorry. Please bear with me.]
Ten Bears,
I think that’s a risk but there also may be curiosity too over seeing this part of the Targaryen history.
Regardless of GoT, I think HotD characters and stories will have to stand up on their own merit. Kind of like what GoT had to do. Success of a brand new show is always, always a risk — but I’m glad this show is happening 200 years before the events of GoT as it can create that divide between GoT and HotD while still having a distant connection.
If anything, I think the curiosity about the Targaryen history will be a lure and if people stick around, I don’t think it’ll be because of GoT — it’ll be because of the characters and story presented in HotD.
Adrianacandle,
”If anything, I think the curiosity about the Targaryen history will be a lure and if people stick around, I don’t think it’ll be because of GoT — it’ll be because of the characters and story presented in HotD.”
I hope you’re right. I just wonder if HBO is overestimating the numbers and enthusiasm of the GoT > HotD carryover audience for a history of House Targaryen*, especially after the popular Targ heroine in GoT turned out to be rotten, and the secret Targ scion story set up early on kind of
withered away and fizzled out. (Jon never embraced his heritage, becoming sort of an Anti-Aragorn.) I’m not criticizing the trope subversions. I’m only speculating that there’s a big chunk of the potential audience that’s no longer invested in Targ history because the Targ future was so bleak and nihilistic. [If that makes any sense.]
_________
* Excerpt from 10/29/19 EW, “HBO gives Game of Thrones Targaryen prequel a 10-episode order | EW.com”:
“The Game of Thrones universe is so rich with stories,” says Casey Bloys, president, HBO programming. “We look forward to exploring the origins of House Targaryen and the earlier days of Westeros along with Miguel, Ryan and George.”
____________
To be continued. Maybe. The Lord of Light 💡 or the Evil Apple 🍏 is playing games with my cell phone again.
Ten Bears,
Perhaps, there’s always risk with any new show. I, myself, expect HotD will garner a new audience based on the story it’s telling with its own characters.
I think that will generate its own appeal, especially if HotD manages to produce characters an audience can invest in pretty much from scratch. There can be a new chunk of audience it appeals to, maybe people that GoT didn’t manage to win over. Maybe people who are simply curious. Maybe people who want something in that world to watch. Maybe people who just want a show in these genres.
As with any new show, there’s always risk and this isn’t HBO’s first rodeo 😉 I’m sure they’re aware of the risks. I think we’ll just have to wait and see.
Fantasy in mainstream media is increasing — and I think HotD has that going for it. It’s not going to be forging new trails in fantasy acceptance the way GoT originally was (in 2011, a show with such huge medieval and fantastical elements appealing to the mainstream and becoming the hit it became was virtually unheard of), the trail’s been forged. The general audience appears to be more and more receptive to such genres, given the rise of shows that can fit in similar, more fantastical genres.
There’s never a guarantee of success for any new show, it’s always going to be — in many ways (and varied ways) — an uphill battle for a show to prove itself.
Adrianacandle,
”Regardless of GoT, I think HotD characters and stories will have to stand up on their own merit.”
Right. That’s why I’ve called the lack of detail in the barebones historical accounts in Fire & Blood and some short stories (?) a blessing or a curse: HotD’s writers are free to flesh out the stories, without being tethered to intricate world-building by the author.
Along those lines, I’ve been trying to think of other instances in which
(1) full-length movie or TV show scripts were successfully extrapolated from barebones source material; or
(2) an adaptation significantly expanded the role of a secondary or tertiary character in the source material, or invented an entirely new character,
…. and came out better because of it.
[Examples to follow…]
Ten Bears,
I’m kind of reminded of Bryan Fuller shows. He did quirky, fantastical shows like Dead Like Me, Wonderfalls, and Pushing Daisies and I loved them. Fuller shows had a bad habit of never reaching beyond two seasons (Wonderfalls was not only aired out of order, it only got 13 episodes and only 7 of those were aired). However, the Fuller show that did break out of the two-season curse was Hannibal — a show I was surprised I didn’t care for (despite loving the premise). To me, it felt contrived and awkward. I was in the minority though. It ran three seasons.
I guess that’s a way of saying… you never know 🙂
Yeah! And with the right writers, this can turn into something amazing completely in its own right and draw in people who weren’t really into GoT. Plus, they may develop a story that fits TV like a glove right from the get-go. Game of Thrones had to eliminate so many characters, stories, and plots to distill and adapt it from day 1. ASOIAF was written to be un-adaptable. I don’t think that HotD will have that same adaptation challenge now that you bring it up! 🙂 Conversely, it feels like HotD will have to add rather than subtract, which can be exciting.
Adrianacandle,
I never saw Dead Like Me, Wonderfalls, or Pushing Daisies. I watched one episode of “Hannibal” and didn’t like it. Call me a book purist: I enjoyed the Thomas Harris novels, “The Silence of the Lambs” and “Hannibal.” I thought the movie version of “Silence of the Lambs” was excellent; however, the adaptation of “Hannibal” suffered without Jodie Foster reprising her role as Clarice Starling, and because for some reason they drastically changed the book’s ending.
I am not a book reader in this case! I never read the novels but I agree — Silence of the Lambs and Jodie Foster were perfect! 🙂
Pushing Daisies and Wonderfalls are pretty whimsical and surrealist (especially Pushing Daisies — it’s like a modern-day fairytale) but Dead Like Me may be more your speed. Main character (George, short for Georgia) is a snarky, sarcastic, foul-mouthed, disaffected teenager who is killed in a freak accident at 18. And she’s made into a grim reaper (she still needs to get a job to support herself — grim reaping provides no benefits):
After George’s funeral:
George:
So what’s next? Onward and upward?
Rube:
Onward not upward. No pearly gates for you, no choirs of angels neither.
George:
You dick! You’re sending me to hell?!
Rube:
Don’t flatter yourself. You’re not that interesting.
Rube is played by Mandy Patinkin 🙂
Adrianacandle,
”Conversely, it feels like HotD will have to add rather than subtract, which can be exciting.”
There’s no reason a character like Nettles can’t become a major player with her own extensive storyline in HotD. The writers have that flexibility. All they’d need is imagination. and creativity.
In a comment that I think got vaporized, I used as a hypothetical example the two Volantis Red Priestesses in GoT. The first (Rila Fukushima) was on screen for a minute and a half – long enough to spook Tyrion. High Priestess Kinvara was in only one scene, long enough to spook Varys and pose riddles that were never answered.
Based only on those two brief scenes, I would have welcomed an expanded, multi-season storyline about these mysterious characters and the Red Temple they served.
Anyway, HotD can conceivably take any of the names in the Fire & Blood books and create from scratch a whole backstory and plot line.
Likewise, I’d expect them to make Rhaenyra and Alicent nuanced, complex characters – not merely jealous “Mean Girls” whose sniping escalates into a War of the Five Kings Redux. (I’d be very surprised if E. D’Arcy or O. Cooke, at this stage in their careers, would commit to what could be a multi-year TV series if they’re going to play petulant prima donnas in a CGI dragons extravaganza. Why bother?)
Ten Bears,
I can’t say how/why/or what appeals to Cooke or D’Arcy vis a vis how they select roles they want to try for but I think Alicent and Rhaenyra are each going to be pretty complex women, considering they’re two of the main characters and their relationship is also a primary driving force. I think it will have to have depth to keep that force driving. Plus, they’re already pretty complicated in the source material.
That’s what I’m hoping for too! And for Helaena!
Yep! And tailor it for this media format (an HBO series), which I think will be to its advantage! I think it’s got a lot going for it 🙂
That movie looks incredibly stupid, but I haven’t seen it, so I couldn’t say for sure. The feminist agenda seems a bit over-the-top and hyperbolic, but again, I haven’t seen it, so I can’t say for sure.
I do like Chloe, but I cannot see her in GoT at all. I think she’d stick out like a sore thumb. IMO, she’s not one of those actresses that can lose herself in a part like some other actors can. I feel like she’s kind of the same in every movie.
Thanks for your reply. You are not alone with your POV. I’ve seen some polar opposite reviews. Many didn’t like how men were portrayed and it struck a political nerve on the feminist agenda. Or they thought it was a silly premise. I had the opposite reaction. I just thought it was fun to watch. Call me shallow but sometimes I need a break. Some called it a good “popcorn” movie. It’s not supposed to be a historical account of WWII. It’s a monster movie with stunts that made me sweat. And what can I say, I was highly entertained watching Chloe take charge like Rambo fighting a giant ugly bat creature. So I loved it. I’ve also seen Chloe in challenging acting roles such as The Miseducation of Cameron Post. I liked the British accent she used in this new movie. Her dialect reminded me of Maisie Williams so maybe she studied her accent!
Between the British accent and hanging on the outside of an airplane it made me think that she might be able to ride a dragon.
I can see where you are coming from though. You are not alone with how you reacted.
Ten Bears,
BTW, our friend Burn Gorman of Gin Alley fame popped up again in a show I’m binging. I’ve been watching “The Expanse” (Amazon original series) and I just started the 4th season and I suddenly spotted Burn Gorman!! I’ve only seen him in a few scenes so far. He’s not wielding any knives yet, but he’s already headed in a not so endearing direction, so I’m sure it’s just a matter of time before the knives come out.
Tron79,
Ugh…I actually read up a bit about the novels, the author…and from what I gather…it doesn’t sound too encouraging. It’s not the fact that the source material is comprised of YA novels, but apparently since the setting of the story is a fictional version of Eastern Europe, Russia to be more precise, one of the criticisms levelled against the author is that apparently she didn’t bother doing much research about the culture, language/s, customs etc., she was going to use or mimic for her novels. I’ve also seen the fact that the story and characters themselves were not too well fleshed out, but fell victims to all the YA novel tropes.
Obviously this is just a very superficial assertion…and since I haven’t read the books (nor do I intend to) whatever I said above is more of an impression I’m getting rather than anything certain or concrete. “Shadow And Bone” is apparently the title of the first novel in what is called the “Grisha Trilogy” as well as another duology of novels and some standalone short stories set in the same world. See below if you are interested:
https://en.wikipedia.org/wiki/Shadow_and_Bone
Don’t know how the show will turn out or whether I’ll even give it a shot. I have more than enough stuff to watch and this lockdown and quarantine has made me sedentary enough…
Ten Bears,
Why? No Netflix available or are you geolocked?
Adrianacandle,
Okay, here’s an example of what I was referring to (in my 1/4/21 1:47 am comment) about “full-length movie or TV show scripts [that] were successfully extrapolated from barebones source material.”
Have you ever seen “Blue Crush” (2002) starring Kate Bosworth?
It was based on a short 1998 magazine article by Susan Orlean alternatively titled “Surf Girls of Maui, “The Maui Surfer Girls,” or “Life’s Swell.” The article documented the author’s brief experience spending time with girl surfers in Hawaii, and her general observations about their lifestyle and subculture. It was interesting though somewhat impersonal. (And rightfully so: Ms. Orlean was there as a journalist, i.e., an objective reporter.)
The movie expanded that impersonal though well-written magazine article into an absolutely delightful, full-length Cinderella-goes-surfing/sports/romance/feminist bonding mashup – with gorgeous cinematography too.
Some may dismiss “Blue Crush” as a popcorn flick or a guilty pleasure. I don’t care. I really enjoyed it. It breathed life into the barebones source material while faithfully portraying the subculture the author had written about.
Spoiler ⚠️
I may be overanalyzing things. I just think the movie fleshed out an entertaining story and engaging characters from the documentary-style magazine article.
Now, let’s see if HotD’s writers and actors can do something like that with GRRM’s skeletal template.
No, it’s just that these days, to watch all the shows I want to see, I’d have to subscribe to (i.e., pay for): Netflix + Amazon Prime + Hulu + CBS All Access + Peacock … and even “HBO Max” though I already pay for HBO as part of my cable TV package. 😡
It does get to be a bit ridiculous after awhile. I have Hulu Live TV and they couldn’t make a deal with the local CBS affiliate owned by Sinclair, so now my Hulu doesn’t have any CBS channels, so my option is to not watch the super bowl, get an antenna, get CBS All access, get free trials to YouTube TV (which the picture quality looks best to me).. Anyway, it’s frustrating. I don’t regret cutting the cable cord. But now I just wish you could buy it all ala carte and forget about all these different service providers. I did just quit HBO MAX at least for awhile. I will get it back when the new season of HDM comes back at the end of 2021 and for HotD when it comes out, but I just wish you could buy the shows you want. I do spend alot of time on Amazon Prime which you can do alot of that, but my wife does like to watch live tv and Hulu is the easiest interface (IMHO)…. anyway, it will be interesting in 5 years to see who is still around…
I do think talking about the streaming services does have to do with HotD, because I’m sure HBO is counting on shows like HotD to keep them going. They do have deals with cable companies like yours, which helps keep their subscriber base up. But unless that have a good number of quality original shows, they might not be around in 10 years or less. They need HotD to be successful and hopefully have many successful seasons.
I find myself in a new mode of managing streaming channel subscriptions and making sure I know at all times what I have and what’s been cancelled. I recently cancelled Disney+ since The Mandalorian was over. That’s usually the way it works for me. I really enjoy one show on their platform and when the season is over I cancel. If those shows were just available to buy separately, I would gladly buy them a la carte.
My predictions:
Amazon Prime. (not going anywhere! Many people have it and don’t even know they have it. You have to be careful not to signup for any extra channel subscriptions. They get you! and it’s hard to find them buried in your Amazon account)
CBS All Access (gone in 5 years or less.. I think it’s already being rebranded something else)
I watched Picard and cancelled after…now I may have to get it again to watch the superbowl…ugg
Disney+… (they are doing better than most, so they will be around for awhile)
.The family likes disney movies, and I like Pedro Pascal in The Mandalorian. Now the family is fine with canceling, so I did a few weeks ago.
Peacock (never felt like delving into this one) Will be gone in a few years or less.
Hulu + Live TV… it’s an excellent service but they keep raising prices and now have dropped some networks…. It will depend on if YouTube TV becomes bigger and takes their market. I think they will still be a player over the next 5+ years or more
Netflix… Still a strong player, but they will need to keep coming up with good original content. They have a huge subscriber base, so I don’t see them going anywhere for 10 years, but I’ve been wrong before… Maniac is one of my favorite original series, but they have also had some horrible ones.
Apple TV+ … It’s not going anywhere I don’t think…. But I don’t find it interesting at all…
Apparently I have this for free until July and then it will charge me! I just found it hidden in my iphone subscriptions!
HBO Max… All depends on the success of HotD!!!!! 🙂 I can tell you they have confused things with the HBO vs. HBO MAX. Confusion is not good for subscribers. They have some built in business through cable companies, but that may not last forever…
I’m tired of entering these now… there are so many more!! There are many separate channels
Tron79,
As much as I’ve been tempted to sign up for “free trials” to be able to see the shows on my “To Watch” list, those special offers are often traps. Once they’ve got your credit card on file, it can become a nightmare trying to stop them from processing charges. First of all, they count on a large percentage of “free trial” subscribers forgetting to cancel before the expiration of the trial period. Then, it’s usually a major hassle to cancel “at any time.”
Disclosure: During GoT’s S7-S8 hiatus, I wanted to watch the animated series in which Maisie Williams voiced “Cammie MacCloud.”
I only got to watch the first three episodes. Then the log-in stopped working. Efforts to contact Customer Service were a dead end. So I gave up. And yet (even after I had gotten a new credit card number due to an unrelated fraudulent charge), the animated series streaming service started charging my credit card for “subscription fees” every quarter.
Those “free trials” have so many strings attached that once they pull you in, it’s almost impossible to get out. It’s as if their business model is patterned after The Godfather movies:
“Just when I thought I was out…they pull me back in.”
https://www.youtube.com/watch?v=G29DXfcdhBg
Silvio Dante (Steven van Zandt) on “The Sopranos” doing his impression of Al Pacino in “The Godfather.”
Adrianacandle,
⚠️ HotD Musical Interlude
🎶”Alicent, I know this world is killing you.”🎶
(at 0:51)
https://www.youtube.com/watch?v=jmuoLvCnB4c
Linda Ronstadt, “Alison” (1978)
Ten Bears,
Yes you are correct. I have been burned in the past for forgetting I had a free trial and then it renews. It’s also impossible to find all of your subscriptions in one place. Amazon channel subscriptions are extremely hidden. I also have a couple through my iphone I was just looking through under my apple ID. I had a free trial for Apple TV+ I didn’t even realize I had! So I got rid of that one today. Roku also handles subscriptions for CBS All Access, so sometimes I have to check my Roku account. So it’s a major challenge. I can understand wanting to avoid the free trial trap and stay off the free trial grid.
Tron79,
”…It’s also impossible to find all of your subscriptions in one place. Amazon channel subscriptions are extremely hidden. I also have a couple through my iphone I was just looking through under my apple ID. I had a free trial for Apple TV+ I didn’t even realize I had! So I got rid of that one today. Roku also handles subscriptions for CBS All Access, so sometimes I have to check my Roku account. So it’s a major challenge.”
Ughhhh! I can’t tell you how many times the log-in IDs or passwords I selected didn’t work or weren’t “recognized.” Then, to retrieve or reset them, an email with a “temporary password” is supposedly sent – and either never arrives or winds up in my Spam folder.
Then, to sign in it asks for my Google ID, password and associated email address. But not my current ID and password. Rather, those I first used years ago when activating my old cellphone. [As if I’d remember.]
Or if the download or playback isn’t working right, I’m told I need to identify and enter the model of my device and programs it’s using, and then download and install updates or something.
And invariably, at some point near the end of this nightmare, up pops “New Account Registration” and “Payment Option” windows. 🤬
You get the idea.
It makes me feel like I’m in an old Marx Brothers movie. [More on that in a bit.]
Tron79,
Two quick comments about your Predictions…
”Netflix… Still a strong player, but they will need to keep coming up with good original content. They have a huge subscriber base, so I don’t see them going anywhere for 10 years, but I’ve been wrong before… Maniac is one of my favorite original series, but they have also had some horrible ones.”
When I read about the astronomical amounts Netflix was throwing at big names (including, at the time, Benioff and Weiss) for long-term production deals, I thought to myself there’s no way Netflix will ever turn a profit in the long term: There will be too many competing services coming online, with new, talented writers and directors who can make fresh and exciting films and shows on a shoestring budget.
I’m not sure if I was right. I do know there are now so many hit shows and movies on all of the other platforms you mentioned – which I can’t see on Netflix. (E.g., “The Mandalorian,” “The Marvelous Mrs. Maisel,” “Star Trek: Picard,” etc.) It’s kind of frustrating to see so many new films and shows generating buzz and winning Emmys and Oscars – but I can’t watch them without shelling out more money for multiple subscriptions.
I think it’s entirely possible Netflix will become the Blockbuster Video of the 2020’s. I don’t see how it can afford to pay for all the mega-deals it entered into.
******
”HBO Max… All depends on the success of HotD!!!!! 🙂 I can tell you they have confused things with the HBO vs. HBO MAX. Confusion is not good for subscribers. They have some built in business through cable companies, but that may not last forever…”
Count me in as one of those confused – and pissed off – HBO subscribers.
I’m already paying extra every month for HBO premium channels and HBO On Demand through my cable company.
Now I hear about all these hyped new shows HBO is rolling out – on HBO Max – that won’t be available to loyal, paying HBO subscribers like me??? WTF?
I was tempted to cancel HBO when GoT ended. I probably should’ve done so already. I hardly watch TV anymore, and besides, these days HBO reruns the same movies over and over again. Newer movies “On Demand” cost extra $ for 2-day or 3-day rentals. Still, have not yet changed my current cable package.
However, this “HBO Max” scam is enough to make me want to cancel all HBO channels and boycott HBO.
Yes I can see how frustrating HBO vs. HBO MAX can be. And I did have HBO MAX because I don’t have cable. I’m not sure how you get it if you have cable without buying a 2nd HBO. No one would do that. That’s frustrating! I was excited to see Wonder Woman 84 coming on there, which turned out to be one of the worst movies in quite some time, so you didn’t miss anything! However Pedro Pascal had more lines than Wonder Woman, so at least there was that GOT connection!
Sorry for my limited activity! Offline life caught up and tackled me to the ground 🙁
Ten Bears,
Though I’ve never seen Blue Crush, I agree with the essence of the points you’re making!
And thank-you so much for the musical interlude!! Will watch it upon my return home when I have real internet again!
Tron79,
Great rundown of the various streaming platforms!
Tron79,
FYI: I’m reminded of this scene any time I have to fiddle around with computer programs and sign ups. This scene has been the source of multi-generational inside jokes in my family.
From the Marx Brothers “A Day at the Races” (1937) – in two overlapping YouTube clips*
Here’s the setup for the scene:
At the racetrack, an ice cream vendor (Chico Marx) convinces a bettor, Dr. Hugo Z. Hackenbush (Groucho Marx), to buy a hot tip on a horse for $1.
But the name of the horse on the piece of paper he gives him is in code…
Clip #1 (Watch until 1:25; then go to Clip #2)
https://www.youtube.com/watch?v=J9im_8YqtFQ
Clip #2 – Rest of the scene:
https://www.youtube.com/watch?v=DqypaqLEfM8
* Clip #1 edited out some of the dialogue, and ends abruptly midway through the scene.
Clip #2 starts midway through the scene, but goes to the end without edits.
I followed your instructions and watched those clips in the proper order and start and stopped at the listed times.
Yep, I can see the parallels… Yep, you got HBO, but what you really need is MAX… and to play that what you really need is a Roku, etc….
For some reason it made me think of The Money Pit and how the contractors all kept saying 2 weeks….
Adrianacandle,
• Although it’s really nothing that watchersonthewall hasn’t reported already, here’s what hbo.com currently has posted about HotD (as of Jan. 5, 2021):
https://www.hbo.com/house-of-the-dragon
House of the Dragon: The Game of Thrones Prequel
Coming Soon
House of the Dragon
“The story of House Targaryen will be told. House of the Dragon, the prequel to Game of Thrones, is coming to HBO and HBO Max. Here’s everything to know so far.
What’s it about?
Based on George R.R. Martin’s book Fire & Blood, the series will tell the story of House Targaryen (a.k.a. the House that gave us the Mother of Dragons herself, Daenerys Targaryen) and take place 300 years before the events of Game of Thrones.
Who’s behind the scenes?
Martin and Ryan Condal (Colony, Hercules) will serve as co-creators on the series.
Miguel Sapochnik and Condal will be showrunners, and the pair will also serve as executive producers along with Martin, Vince Gerardis, Sara Lee Hess and Ron Schmidt.
Sapochnik, whose directing credits include six Game of Thrones episodes, won Emmy and DGA honors for “Battle of the Bastards.” He was nominated for another Emmy in 2019 for directing “The Long Night” and won the Emmy for Best Drama Series as an executive producer for the final season.
Clare Kilner (The Alienist: Angel of Darkness, The Wedding Date) and Geeta V. Patel (Meet the Patels, The Witcher) will also direct the series. Greg Yaitanes (Banshee, House) is director and co-executive producer.
https://www.hbo.com/content/dam/hbodata/series/house-of-the-dragon/articles/house-of-the-dragon-s01-casting-announcement-01-1920.jpg/_jcr_content/renditions/cq5dam.web.1200.675.jpeg
Who’s in the cast?
Paddy Considine (HBO’s The Third Day and The Outsider), Olivia Cooke (Ready Player One), Emma D’Arcy (Truth Seekers) and Matt Smith (The Crown, Doctor Who) have signed on for the series.
Who will they play?
Paddy Considine as King Viserys Targaryen. Viserys was chosen by the lords of Westeros to succeed the Old King, Jaehaerys Targaryen, at the Great Council at Harrenhal. A warm, kind, and decent man, Viserys only wishes to carry forward his grandfather’s legacy, but as we’ve learned from Game of Thrones, good men do not necessarily make for great kings.
Olivia Cooke as Alicent Hightower. She’s the daughter of Otto Hightower, the Hand of the King, and the most comely woman in the Seven Kingdoms. She was raised in the Red Keep, close to the king and his innermost circle; she possesses both a courtly grace and a keen political acumen.
Emma D’Arcy as Princess Rhaenyra Targaryen. The king’s first-born child. She is of pure Valyrian blood, and she is a dragonrider. Many would say that Rhaenyra was born with everything…but she was not born a man.
Matt Smith as Prince Daemon Targaryen. The younger brother of King Viserys and heir to the throne, Daemon is a peerless warrior and a dragonrider who possesses the true blood of the dragon. But it is said that whenever a Targaryen is born, the gods toss a coin in the air…”
Check back for more official updates about House of the Dragon.
_____________________
• From these character descriptions, it does seem like they’re teasing that dragonriding Daemon has a 50%-50% chance of going full-on Delusional Dany, doesn’t it?
• It’s hard to say exactly how comely Queen Alicent and her Dragon Princess stepdaughter will be portrayed on screen.
Even more challenging (for me), at least for the time being, is finding appropriate musical dedications for Rhaenyra. However, I may have one in the hopper…/spoiler]
Ten Bears,
Does sounds like a bunch of teaser summaries. As for Daemon,
Sounds like Alicent will be the most beautiful woman in the 7K. Yet, in the source material, Rhaenyra is noted to be quite a beauty herself so hopefully, they won’t turn this into the gorgeous stepmother and ugly duckling stepdaughter. D’Arcy is really pretty but they can always dress down an actress (ie. America Ferrera in Ugly Betty. Really pretty but styled to play down her looks).
Awesome!! 😀
⚠️ Off-Topic Musical Interlude
Georgia (1976) – Boz Scaggs
https://www.youtube.com/watch?v=PvpsquT3eOQ
…..
Midnight Train to Georgia (1973) –
Gladys Knight & The Pips
https://www.youtube.com/watch?v=uw_t_o-LluM
💙💙
Forgive me for going off topic but from this old trout in the UK I hope that anyone from Washington, DC or who has friends and/or family is keeping safe. I felt extremely unsettled watching the Capitol being rushed yesterday. As if there wasn’t enough to worry about with Covid-19.
Ten Bears,
I remember we discussed America Ferrera before as she was one of my fan casts for Arianne if the character hadn’t been cut. I’ve seen some out of character photographs of Gwendoline Christie where SHE looked really pretty so she must have been roughed up to play Brienne. I suppose for the first series of HOD the casting will have been finished now. I think some of the characters that will feature in the story were mentioned in the original ASOIAF but I’m not so deeply immersed in ASOIAF lore that I can reel off the names of all the Targaryen family tree. I don’t know the names of all the wildling clans or various minor houses off by heart for that matter.
When I mentioned friends and family I meant people who might have been endangered by the antics of yesterday’s mob.
Dame of Mercia,
It was surreal. When I saw that horned goofball in the Capitol Building…
https://pbs.twimg.com/media/ErFhBciUYAIF6eJ?format=jpg&name=small
… I thought I was watching a Star Trek cosplayer:
(from Star Trek, S2e03, “The Omega Glory” -aliens who’ve bastardized the Declaration of Independence):
https://bp0.blogger.com/_6xoH967aC00/Rb9WWLEjy4I/AAAAAAAABAg/-u_MnNW9D8U/s320/st053.jpg
• GoT point of reference:
S5e2: Jon wins a close election in a tiebreaker to defeat the xenophobic nationalist candidate
at 7:04:
https://www.youtube.com/watch?v=QDw33oIyq7U
[⚠️ Politically-tinged content covered by spoiler coding]
• The worst part of the radical fascist mob’s antics yesterday was that they overshadowed what should have been a cause for celebration:
– Jon Ossoff, a 33 year old egalitarian candidate, was declared the winner over the kleptocratic incumbent by less than one percentage point.
[Voice of Sam]: “John Lewis himself chose Jon to be his intern. He saw something in Jon, and now we’ve all seen it too. He may be young, but he’s the candidate we turned to when the night was darkest.”
• Moreover, that gaggle of delusional idiots,
Ten Bears,
I think it was Adriana I discussed America Ferrara with – your comments about yesterday’s events are on point though TB.
Dame of Mercia,
Oh, yes, I agree. I think both these actresses would qualify as women who were styled down to make their characters less visually appealing (although, especially in America’s case, her character Betty was still super cute ^^;; I think the braces, bright clothing, and styling in general gave Betty a more endearing and earnest quality rather than an unappealing quality). I also think America would have made a great Arianne .
Ten Bears,
Thanks for the musical interlude!!
Adrianacandle,
(This is not the Rhaenyra Musical Interlude I was planning….)
With a bit of sleuthing I came across Emma D’Arcy in this music video for “Too Much Love” (2017) by Little Cub.
I never heard of the band or the song. So far this is the only video clip of Emma D’Arcy I’ve found.
https://www.youtube.com/watch?v=MYSsyjnHXxY
#DragonPrincess 🖤
Ten Bears,
For me the best right now, and the ones that fulfill my streaming “needs” are Disney Plus and Amazon Prime. Disney Plus was up until this year more like an investment…you know… waiting for new content to materialize and establish the service. “The Mandalorian” is such a phenomenal show, which I will without an ounce of hesitation say I love, and it was such a knock out of the park, that it justified Disney Plus’s first year of existence. However, 2021-2022 is where Disney Plus will start paying off in a big way. Next up is “WandaVision”…yay…then “Falcon And The Winter Soldier”, “Loki”…etc. In December “The Book Of Boba Fett” is coming as well as “Star Wars Bad Batch”…🤓
Prime has a large number of shows of all types, a good array and variety of movies, some which I didn’t expect. “The Expanse”, “Carnival Row” and “Bosch” are some of my favourite series… especially “The Expanse”, one of the best Ssi-fi series in many years.
In terms of subscription, the yearly option is better. Pay once and done. Can still be cancelled if need be. It’s cheaper than the monthly one of you have these services year round.
PS “The Mandalorian” has become the most pirated show in the world, taking the crown now that GOT had ended.
Seeing as we keep sharing musical interludes, here is my contribution:
Alanis Morissette, “Uninvited”, from the “City Of Angels” (1995) soundtrack. I love her performance. It is soo eerie and touching at the same time…this is over twenty years ago…
Here is another. A cover of the Courtney Love (well more accurately her group Hole) song “Doll Parts” by Miley Cyrus who is, I think to quite a lot of people’s surprise (who outright dismissed her) really talented. To me, while many compare her to Dolly Parton and Stevie Nicks etc, given her musical range, I see her more as a modern day Linda Ronstadt.
loco73,
That was really good! I’d never heard that Alanis Morissette song or seen that video. Really well produced recording of live performance.
Here, try these, 25 years apart…
Alanis Morissette
“Thank U” live, 7/24/99
https://www.youtube.com/watch?v=ZULWxRiCKj0
…..
“Thank U” live at home 7/25/20
https://www.youtube.com/watch?v=Z4pjiTib1nE
🎶
Ten Bears,
Ah, thank-you for this! I had been trouble finding stuff of Emma D’Arcy!
loco73,
you made me do something i usually don’t do. you made me check out at least one song of one of today’s stars. you could turn the radio on, and from a series of 50 top hits of the past 10 years or so, i would not know just one. the closest i got to knowing about today’s most successful artists is that Lady Gaga gave an impressing interview about depression a while ago – and that one of the dogs i walk once got hugged by her after begging for a piece of her pizza at the Montreux Casino restaurant.
just, any cover of any song from “Live Through This” is a bait i can’t resist. thank you for it. i recognized Miley as a person who increasingly opened her mouth on important issues, but i never heard her voice until today, and i’m absolutely into checking out more of her work now.
“Miss World” is the song from that very Hole album that still makes my hair stand on end even where i was always sure i wouldn’t have any hair.
Alanis Morisette was one i had to listen to around the time of her debut, when i worked at a CD discounter. sounded alright but without any chance of becoming a favorite of mine. a ripening PJ Harvey, as well as Thalia Zedek of Come and Courtney Love both being at the peak of their creativity were standing in her way like the Rocky Mountains.
Alanis did not gain more respect by standing on my foot while we were queuing for pizza backstage of an open-air where i worked – and not excusing.
anyway, both Alanis and Courtney delivered excellent screen appearances in the nineties. Alanis needed no five minutes starring as god herself in “Dogma” to steal the whole movie. and Courtney’s appearance in “The People vs Larry Flint” is not from this planet.
right? these guys are surely not totally controlled by their testicles? no way. neither the q-shaman assburger nor the asswipe with the “camp auschwitz” shirt.
holy shit, i’d take the job of guiding both of them on a visit to the Auschwitz memorial site. because you don’t visit this place without company and go out without damage to your soul! no matter how well you think you are prepared by knowledge. don’t go there alone! i did so in late 2016 thinking i was prepared. i went out wrecked for months to come.
this is what these loons should go through. then on the other side… should that place go through just a minute of their presence? i feel this brand of nuts won’t understand the basic lesson in humanity the place is teaching.
so no! stay over there! be white supremacists dressing like an indian shaman. surely George Armstrong Custer did this too. Insist that your grandfather got peforated by machine gun fire at the beaches of the Normandie because he just wanted to enter this fun theme park called Auschwitz.
go ahead, fuck the heritage of a nation that once really (!) had a great reputation. promote inhumanity! show your beards and your tattoos. show your muscles. if needed, even show your dicks. do all of this as long as you promise to a) not reproduce and b) go extinct as soon as possible.
death by chickenfire,
Orange Walder’s little stunt preempted my intended GoT-related celebratory comment upon confirmation of Warnock and Ossoff both winning their Georgia Senate races:
https://pbs.twimg.com/media/ErBWGATWMAUMbyi?format=jpg&name=large
death by chickenfire,
I’ve never been to Auschwitz but I know it left a lasting impression on people who have. Someone I knew didn’t realise where they were going because her family called it by its Polish name, Oswiecim, so it was even more of a shock to her. This lady was born in England but her parents were displaced Poles after World War II and was taken to visit the site by relatives when visiting Poland.
Changing subject, Emilia Clarke is going to be in something to do with the Discworld universe – will she be doing a voiceover I wonder. https://www.msn.com/en-gb/entertainment/news/game-of-throness-emilia-clarke-and-downton-abbeys-hugh-bonneville-join-new-discworld-movie/ar-BB1cBO9m
With apologies to people who don’t like the threads here to be used in their opinion like What’s App does anyone have any suggestions for a solder iron for a beginner (namely me).
To get back on point I can’t think of a fan cast for Nettles. Olive Gray has the acting chops but she’s 26 and of mixed race so I’m uncertain. This is an interview rather than an example of acting ttps://www.youtube.com/watch?v=KWmwJ7nLhrw&t=58s Though I daresay Nettles has been chosen already. I already gave a couple of suggestions for Helaena.
Lady Stacey of House Abrams. the queen of turns.
i admire her.
off topic, but Ramsay Bolton popped up when I was watching a British show on Amazon Prime called “Our Girl”. Iwan Rheon plays a British army private nicknamed “Smurf”. He’s a bit of a jerk, but he’s not nearly as evil yet at least…
Our Girl is the story of an East London girl who escapes her dysfunctional family by joining the army on her 18th birthday. There are some cliche themes here, but overall it’s not a horrible show. Watching Iwan in a different role is interesting. He’s a bit of a stalker, so I won’t be totally surprised if he turns to the dark side at some point. He’s just kind of annoying so far, since he keeps hitting on the main character and she wants nothing other than to be “mates”… He’s not crazy about being in the “mate” zone.
Anyway, hopefully my post lightens up the mood a bit.
Lacey Turner who played the lead in the first series of “Our Girl” was one of my picks for Lyanna as she’s a decent actress though she’s gone back to “EastEnders” https://youtu.be/eRzM1FkUT5k I don’t know if she could do a northern English accent though. Michelle Keegan, the actress who has played the lead (different character) in subsequent series of “Our Girl” probably looks more like book Lyanna though they are both around the late 20s/early 30s mark. https://youtu.be/T00OTvR0iKQ It’s all academic now in any case. I was fine with Aisling Franciosi as Lyanna though.
I thought Lacey Turner was a very good actress in the show.
I didn’t realize Iwan Rheon was so short! The other men in the platoon towered over him! I was thinking he matched up well in height with Kit Harrington 🙂 On GOT he looked so menacing. You see him standing next to horses, but I don’t recall getting to compare his height with other people on GOT the way they filmed him. He didn’t get the jokes about his height like Kit! I just looked up their heights and it says Iwan Rheon is 5 foot 7 1/2 inches and Kit is 5 foot 8 inches.
I was upset a bit on the story of Our Girl. I thought they focused too much on Iwan and another male character falling in love with Lacey’s character and how both of those men got distracted from their soldier duties out in the field. I don’t think that portrayed women in battle fairly. I’m sure they wanted to make it “soapy” and focus on the potential romance. But I thought it took away from the positive themes showing how Lacey became a true soldier/medic and was an asset to the team. They could have just focused on the discussion of whether part of the mission should be to get involved with the local Afghans or whether they should just stay out of it and take less risks. I thought that was an interesting topic. They could have also shown the fight of stopping bigotry at home (and in Afghan) with the muslim community that was on their side. Anyway, it was nice to see Iwan in a different role. I’m not as interested in watching season 2 with a different actress and…
loco73,
”…Miley Cyrus who is, I think to quite a lot of people’s surprise (who outright dismissed her) really talented. To me, while many compare her to Dolly Parton and Stevie Nicks etc, given her musical range, I see her more as a modern day Linda Ronstadt.”
I admire Miley Cyrus. I think she is a dynamic performer and a humanist. I know she’s well-regarded by and has performed with many of her peers and elders (e.g., Joan Jett, Madonna.)
Can you suggest three or four (other) songs by Miley Cyrus that demonstrate her “musical range”such that she reminds you of a “modern day Linda Ronstadt”?
(I am not proposing a fan war.) Here’s a four-song sampler of Linda Ronstadt over a 20-year span (1967 – 1986):
#1 • Linda Ronstadt, “Different Drum” (1967) [audio]
https://www.youtube.com/watch?v=w9qsDgA1q8Y
#2 • Linda Ronstadt, “Silver Threads and Golden Needles” live, 1974, from Tennessee State Prison
https://www.youtube.com/watch?v=OUDbCK-R17g
(#3 and # 4 to follow)
Cont. from 10:56 am
#3 • “Tumbling Dice,” Linda Ronstadt live 1978 (from movie “FM”)
https://www.youtube.com/watch?v=2I7GkHy5iOA
#4 • “Back in the USA” Linda Ronstadt live, 1986, with Chuck Berry and Keith Richards (from Chuck Berry concert film “Hail, Hail Rock and Roll”)
https://www.youtube.com/watch?v=sXj2nQYm9kU
Note(s):
– In my view, Linda Ronstadt is the rare performer whose covers (re-makes) of other’s songs are better than the originals.
– I had intended to post “Back in the USA” last week…until
I have to confess, comparing Miley Cyrus to Linda Ronstadt, Stevie Nicks, and Dolly Parton made me throw up a little bit.
Mr Derp,
I have to confess that I compared Miley Cyrus’s “Party in the USA” to Linda Ronstadt’s “Back in the USA” and … with all due respect to Ms. Cyrus, there was no comparison.
Mr Derp,
⚠️ Coming up: Musical Interludes (including HotD-related dedication to Dragon Princess Rhaenyra Targaryen) featuring vocalists on par with Linda Ronstadt, Dolly Parton and Stevie Nicks.
Ten Bears,
I’ve never been a Fleetwood Mac or Stevie Nicks fan, but there are a handful of Fleetwood Mac songs that I really like a lot:
Goldust Woman
Dreams
The Chain
Rhiannon
Gypsy
Most of the other songs in their catalog I could do without.
Ten Bears,
Dolly isn’t my thing either, but Jolene is a great song.
Dolly Parton is her godmother and she has worked quite a bit and is (I think) pretty good friends with Stevie Nicks…since Linda Ronstadt has pretty much retired from public life after being having her vocal cords damaged in 2011 and being recently diagnosed with a degenerative disease (a form of Parkinson’s), I don’t think Miley Cyrus has any contact with her.
But I surely did not intend to cause an internal vomitous discharge…for that I unreservedly and profusely apologize…😜🤓
Ten Bears,
Here is her cover of “Jolene” (her godmother’s , Dolly Parton, song)
Here is “Say Hello To Heaven” (Temple Of The Dog) which was a song she did at a tribute concert for Chris Cornell . She got a lot of hate and backlash when she was announced as a performer at that concert, Pearl Jam and Soungarden fans haaated her…LOL…then she went on stage and sang…this is a recording from someone in the stands as I don’t think there is any official footage.
This is her performing a cover of “Zombie” from The Cranberries.
This Miley Cyrus performing Blondie’s Heart Of Glass”
Here is a mix of Stevie Nicks’s “Edge Of Seventeen” and her own song “Midnight Sky”
This “Midnight Sky”
Aaaand another live performance from the BBC lounge “Nothing Breaks Like A Heart” with Mark Ronson
Here is “Plastic Hearts”
And a “Sweet Jane” cover
Sorry, I posted the “Zombie” cover twice, so here is Miley Cyrus performing “Hear Of Glass”
Ten Bears,
I had posted a reply message with various songs…but I guess there were too many so it got deleted. So I’ll split them up a bit (counting the one above)
Here is Miley Cyrus perform a cover of The Cranberries “Zombie”
https://youtu.be/l81u-oSIAp4
Here she is performing her godmother’s, Dolly Parton, song “Jolene”
Mr Derp,
Here are two early, pre-Stevie Nicks songs by Fleetwood Mac…
• “Future Games” (1970) [8:19]
https://www.youtube.com/watch?v=SL6PWUq1vqA
—
• “Sentimental Lady” (1972) [4:36]
https://www.youtube.com/watch?v=KAz_a8AjHgE
🎶
Tron79
I always thought Michelle Keegan was just a pretty young woman who got lucky in long running British soap “Coronation Street” but from what I saw of her in “Our Girl” (didn’t watch all of her episodes) she was a decent actress.
TB and Mr Derp, I liked the OLD Fleetwood Mac before Peter Green (who died last July) left. Here is ‘Albatross’ from those days https://youtu.be/KQ_wA_EvOoo For a long time I thought Stevie Nicks fitted the “simpering female” mould but I heard an interview she gave where she sounded intelligent. She wrote a number of the songs for ‘Fleetwood Mac’ after joining them.
Ten Bears,
Oh Ten Bears, I didn’t get the joke at first – that Sidney Powell is a very right wing American lawyer. I looked up the Red Kraken on the ASOIAF Wiki but there wasn’t really a physical description that I could see (apologies to Wiki people if I’ve missed such a description). For potentiality to be dangerous I got an image of Rory McCann coming into my head but people might still think of him as Sandor. I don’t know if Dalton needs to be tall though I’m guessing he needs to be physically impressive – I’m sure people who’ve read the source material will tell me if I’m wrong. I thought of Charles Vane from ‘Black Sales’ (haven’t seen ALL that show but the actor is called Zack McGowan) or perhaps Ray Stevenson (who was in “Rome” among other things). Magnus Samuelsson (Clapa in ‘The Lost Kingdom’/Gunnar Nyberg in ‘Arne Dahl’) was born in 1969 so might at the top of the age bracket. I can’t think offhand when ANY fan cast of mine has been chosen. Is the Red Kraken red-haired? Still the GoT show universe has never been averse to wiggyitis!
death by chickenfire,
Another
trying to filch from Game of Thrones:
Rudy Giuliani: “Let’s have trial by combat.”
https://www.reuters.com/video/watch/idOVDU2NS9R
🤬
⚠️ Musical Interlude
Dedicated to Jon Snow, Quorin Halfhand,
and the Night’s Watch (“We are the Watchers on the Wall”)
“The Wall” live in Berlin, July 1990
Roger Waters & guest artists –
Concert to commemorate
the fall of the Berlin Wall [1:50:18 long]
https://www.youtube.com/watch?v=ohrFzuuUyi0
Highlights/Spoilers)
• at 12:20 “Another Brick in the Wall”
• 1:09:37 “Comfortably Numb” w/ Van Morrison
•
at 1:37:00 The Wall falls
• 1:39:43 Finale “The Tide is Turning” – Joni Mitchell, et al.
Here today’s contribution to the musical interlude…a very young…Neil
Young, with “Heart OF Gold”…
…aaaaand Tom Petty (RIP) and The Heartbreakers, “I Won’t Back Down”
loco73,
Not a big fan of Tom Petty or that particular song. For me at least, these two Tom Petty songs are better and more enduring:
“Listen to Her Heart” (1978)
https://www.youtube.com/watch?v=atncbz2k1V4
“American Girl” (1978) *
https://www.youtube.com/watch?v=SIhb-kNvL6M
* (The song poor Catherine is singing along to in her car right before her unfortunate encounter with Buffalo Bill in “Silence of the Lambs”)
Mr Derp,
For you and loco73, here’s one more off-topic musical interlude…
Stevie Nicks & Tom Petty
“Stop Dragging My Heart Around” (1981) [3:59]
Uh oh in potential competition news for “House Of The Dragon”…the official synopsis for the upcoming LOTR prequel series was officially revealed today. This is from comingsoon.net:
“Amazon Studios’ forthcoming series brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.”
The damn thing has a reported budget of $500 million dollars plus…yikes! It is currently filming in New Zealand with an intended release date for late 2021 or early 2022. J.A Bayona (“The Orphanage”, “Penny Dreadful”, “A Monster Calls”) will be directing the first two episodes, obviously including the pilot.
I know some fans weren’t happy with Season 8 of Game of Thrones, but I am so not on board with this reboot of S8e5…
https://pbs.twimg.com/media/ErL8F0sXUAAbfQL?format=jpg&name=900×900
Ten Bears,
Totally off topic but I’m in a desperate woodworking situation:
I don’t have much HotD news, but I have to give a plug for the sci fi series The Expanse which is free on Amazon Prime. There is a GOT connection. Here’s an entry from GRRM’s blog from August
“Jimmy Corey — aka James S.A. Corey — aka Daniel Abraham and Ty Franck — is another friend(s) who kicked ass and took names at CoNZealand’s Hugo Awards, taking home the rocket ship for BEST SERIES over some very worthy competitors.
Maybe you’ve seen the TV show. It’s great. But the books are even better…
… and we have signed copies of all of them at Beastly Books, beside the Jean Cocteau.”
The Expanse has three episodes to go for season 5. It’s a fun show to binge and I haven’t felt as “On Edge” during some of the action scenes since watching “The Long Night”. Production quality is awesome with great characters. It’s a good mixture of action and character like another show we know!
Tron79,
Loooove “The Expanse”, one of the best shows around. I’m sorry to say I fell behind reading the novels and got stuck around “Caliban’s War”. Read a few of the novellas, but the show has been an amazing visual adaptation.
I can’t wait for the last few episodes. I know that they announced that the next season might be the last, but it seems that the door on future seasons is not really closed. The problem is figuring out how to continue… because well…the way the last few novels proceed…
Also Ty Franck was an assistant to GRRM in 2011 on Game of Thrones. Also another GOT connection…in one of the episodes in season 5 a character checks her phone contacts and Clegane, G is in there as well as some Dr. Who characters. What fun!
Happy New Year everyone.
Dame of Mercia,
Ray Stevenson was also in the final two seasons of “Black Sails”, as Blackbeard. He was a major character. Stevenson was practically unrecognisable from his previous incarnation in “Rome” — not just his physical appearance but also his voice, speaking style etc.
This was his first scene in Black Sails: https://www.youtube.com/watch?v=2pQ4qIfx9p8 . Made quite an impression right from the start. Don’t watch it if you’re avoiding spoilers, of course.
Less spoilery: Promo photos of Ray Stevenson as Blackbeard: https://assets2.ignimgs.com/2016/01/21/captain-flint-toby-stephens-blackbeard-edward-teach-ray-stevensonjpg-c73d4e_1280w.jpg , http://www.farfarawaysite.com/section/blacksails/gallery4/gallery11/hires/48.jpg , http://www.farfarawaysite.com/section/blacksails/gallery4/gallery11/hires/49.jpg , http://www.farfarawaysite.com/section/blacksails/gallery4/gallery11/hires/53.jpg
He’d make a fantastic addition to any GoT prequels, as I suggested here a few weeks ago.
Adrianacandle,
off topic:
For a finish? Several thin layers of acrylic spray, or brushed-on “Mod Podge” Clear Acrylic Sealer. Or clear gloss enamel spray. (Hard to say without knowing the kind of paper you’re using. Sometimes I can brush on a thin layer or two of thinned white glue (to fill in porous paper) before spraying with gloss clear enamel.)
Ten Bears,
You are a life-saver, Ten Bears!!!! Thank-you!
loco73,
That LOTR prequel synopsis you quoted sounds like a cut-and-paste job from the “Blood Moon” synopsis. (The least they could do is cast Naomi Watts…)
After the underwhelming, cheesy “Hobbit” prequel movies, I am not looking forward to more LOTR franchise shows. However, if well-scripted and well-acted it could be good I suppose: I gave up on Star Wars spin-offs and prequels after the godawful “The Force Awakens,” though now I understand that “The Mandalorian” is excellent.
Adrianacandle,
Ugh!
.
Ten Bears,
Anyway, do you have any recommendations for adhering painted wood surfaces together?
Adrianacandle,
Ten Bears,
That’s it for me and Gorilla Glue. What a mistake and poor life choice :(!
Adrianacandle,
Ten Bears,
Surely you didn’t enjoy any of the Star Wars prequels more than TFA? 😐
Ten Bears,
Also, I emailed you pictures of my glue disaster 🙁
Farimer123,
Chronologically, based on date of release, I gave up after The Force Awakens. I heard that in one of the subsequent films, the Lord of Light resurrected Palpatine or something silly like that.
Adrianacandle,
Yep. Knew that. The GRRM (I call him that because if I say George a wave of frustration washes over me) alway speaks highly of him and sends praises his way now and again for his work with Daniel Abraham on “The Expanse” novels and the show. Much like GOT, “The Expanse” is for me like the fine dinning version of watching a show. I love it and savour every episode. And given the crowded landscape outhere that is saying something. Only “The Mandalorian” illicits a similar response…
Exactly. It does. And here I was thinking nah…I must be projecting my own thoughts on that. I don’t know if that is encouraging…or a portent for a very, very expensive disaster…
Anywho, I actually liked (not loved) if not all, but parts of “The Hobbit” trilogy. And if I am being honest with myself, I’m struggling to even say that. I think the movies could never live up to what the LOTR trilogy achieved, but they could have still been solid and entertaining movies. Yet they failed. One, and to me this is crucial, they should have made every effort to retain Guillermo Del Toro and allowed him to direct … but repeated delays, lawsuits and court battles ensured that didn’t happen. The poor guy moved his family and a lot of the team he works with to New Zealand from Mexico and did almost four years of prep work…only to see it all go to waste and have to pack up and leave after putting everything on hold for those movies.
Second, they should have gone as originally planned with two movies instead of three. There just isn’t enough material in the book to make a trilogy out of it. Even if you add material from the voluminous Tolkien appendices. Everything felt stretched out waaaayyyy to thin. Third, and this is crucial again, I think that once Peter Jackson came back on to helm the trilogy, at that point he was more in love with the technology and special effects than story and character development. And you can see that in the movies. Everything felt superficial and artificial, like a nice skin attached to a mediocre core. It was all about 3D, HDR, Dolby Atmos etc., and I saw “An Unexpected Journey” with all those bells and whistles…and it was awful, the “realism” and “life-like experience“ everybody was praising, turned watching that movie into basically looking at something like badly made live-theatre or a crummy session of LARPing…it completely took me out of the movie…and ruined the whole experience. The other two movies I watched in “regular” formats…but it was never the same again.
In terms of “Star Wars”…LOL…well you did the right thing. You didn’t miss much and spared yourself a lot of anguish. Save one thing. I’m only speaking for myself, but I loved, loved “Rogue One”, it is probably my favourite movie in the franchise next to “The Empire Strikes Back”. “Solo” is a passable mediocrity and an almost Saturday morning matinee movie, if you are bored and need to watch something. But the Sequel Trilogy ughhhhhh😝😩🥴 … let me put it this way I prefer any and all Prequels to them. Not only that…but the Sequel Trilogy single-handedly redeemed the Prequel Trilogy and made it better…LOL (a lot of people will be fuming at that)…🤪🤓
Yeah I know… With all of Ten Bears musical Interludes I’m thinking of Rocky Horror’s “Anticipation” I think Ten Bears posted that video awhile ago! I really can’t wait until Episode 8. I haven’t felt that way to this extent since GOT. I also can’t wait for HotD!! I’m hoping for some clandestine filming photos at WotW like the old days once filming begins.
I also really enjoyed Pedro Pascal in The Mandalorian. I started watching it because he was in it, and I can’t help saying “This is the way” now. I loved seeing the artist renderings at the end of each episode. I thought things wrapped up nicely at the end of this season, so I would be OK ending it there. I’m guessing it will be back though. I’m also obsessing over the theme song. I’ve been working on playing an elaborate piano arrangement that is driving my family crazy hearing it everyday, but I’m improving. It’s one of my inside COVID related projects.
Ten Bears,
I agree. I would far prefer to watch many “high thread-count scenes” in the upcoming sedition trials. 😉
I tried to like the Hobbit movies. I really tried, but they sucked balls.
I think it was fine having Peter Jackson direct the movies. Afterall, he directed the LOTR trilogy, which was terrific. I think the main problem was that the Hobbit movies seemed to be geared more for little kids rather than adults or YA. \
Kind of like “Return of the Jedi”. By the time they got to ROTJ, it was all about marketing at that point and much less about story or making a good movie. Who needs a good story when we can just throw cute and cuddly Ewoks in your face instead?
I haven’t even gotten myself to watch the last movie in the Hobbit trilogy. I just can’t get myself to sit through a 3-hour movie when I know that I’m going to hate it.
The tacked on elf/dwarf love story was so unbelievably cringeworthy. That plot point alone turned me off from the rest of the trilogy.
I love how a lot of republicans are calling for unity now after spending the last 4 years being as divisive as humanly possible. There are only calls for unity when their asses are being held to the fire.
One way to create “unity” and “healing” would be to have justice served, such as punishing those seditionists to the fullest extent of the law. It’s time to stop coddling these insane conspiracy theories regarding voter fraud. There’s no evidence at all. It’s just obstructing the constitutional process at this point.
Lincoln appealed to the better angels of our nature to heal the nation back together after the Civil War, but look how that turned out. It enabled segregation and Jim Crowe to be the standard for the next 100 years.
Ten Bears,
The other types of adhesives you mentioned were’t available on Amazon so I’m hoping this does the trick! Also, that it won’t expand and I can wipe up the excess at the time with acetone will help!
Oh my god yes. I loved the LOTR trilogy Jackson did so much, I still have it on sometimes in the bg when I’m working on projects, I was even one of those annoying Orlando Bloom teen fangirls at the time. But god, did The Hobbit ever feel like watered-down soup.
The lengths they went to build that mansion, and the practical effects used…I would have cried seeing that soundstage torn down. GdT is my absolute favourite and I don’t see that changing anytime soon. Pan’s Labyrinth has been my favourite movie since it was released.
I have the extended cuts of “The Hobbit” trilogy movies, yes there are extended cuts just like the LOTR trilogy, and the irony is that they are slightly better versions than the theatrical releases…even though they shouldn’t given the fact that we were just talking about “The Hobbit” being stretched too thin. By the way the final battle in “The Battle Of The Five Armies” has a few portions that are R-rated versus the PG-13 stuff that was in the theatres…just more gore with mostly Orcs getting mangled, beheaded, squished, squashed and torn apart…LOL…fun times!
I read that there’s a rumour that DT is thinking of coming to Scotland but someone had linked an article about a scarecrow competition in a Scots village from 2017 – there were a few DT effigies scaring the crows away. There’s a GoT connection – there’s a Mother of Dragons effigy too if you scroll down. https://www.dailyrecord.co.uk/news/local-news/meet-scottish-village-keeps-getting-11087761
I find the YouTube Costume Co quite interesting regarding film/TV show costumes. The lady running it has had the Dragon Drones On as a guest occasionally. He’s somewhat too negative for my taste.
Dame of Mercia,
Should have said ‘YouTube channel Costume Co’.
loco73,
Six Degrees of Game of Thrones
James Nesbitt, “Bofur” in the Hobbit Movies, co-starred as the protagonist’s best friend in “Hear My Song” (1991), in which Tara Fitzgerald (Selyse Baratheon) in her first film role, played the protagonist’s girlfriend.
James Nesbitt also co-starred as Maisie Williams’s character’s stepdad in “Gold” (2014).
Because inevitably
i agree. “The Hobbit” failed in so many aspects. give a guy who once combined The Muppets Show with splatter all freedom in making a movie based on a fantasy book for the young – and this happens. full of inserted crap for fun’s sake, the story got stretched and beaten to be a sort of Cirque de Middle Earth.
the two most remarkable moments featured Bilbo entering a place. once it was Smaug’s Hotel. the score made this scene unforgettable for me.
the other was more important. Bilbo sneaks into Thranduil’s cabin in the woods. here the score gives a glimpse of thousands of years of tragedy being the history of the Elves.
and this is what i expect from Amazon’s project. full darkness and tragedy. because following the books, that is the core. pity them if they deliver less.
four? here’s my twelve, but i’m also ready for all-in. they partly lost the understanding of bipartisan decision-making back in the days when Newt Grinchgrinch started setting the tone. a black person becoming POTUS later on finally knocked the few remains of decency and reasonability completely out of their skulls.
they switched from the unity of oath-takers with different opinions searching for consensus to the more comfortable unity in following a cult führer. surprise, surprise: the result is a mess. and it might not be the last time we see the army of the braindead at the gates of Castle Democracy.
those who stormed the Capitol have to be punished. those who encouraged them have to be punished harder. the one who they all did it for, the one who urged them and did everything to make sure they would put him on the throne: he has to be punished the hardest!!!
lots of these violent testosteron-nazis are simply too uneducated to see when they are used. with all their rage, their real problems, their envy, their belief in being superior to colored people and probably even penguins, their underfuckedness, their paranoid fear of anything Alex Shitjones or Dumbnald Shittrump tell them to be scared of – they were easy prey for a machinery of right wing media oulets and the psycho in chief.
if they shall not be an eternal threat to democracy they have to be integrated back into society. they have all the potential to be complete asswipes, yes. but it needed someone to wake up this potential. that’s what Derpnald (sorry!!) Trump did.
if he doesn’t get the hardest punishment of them all, no one of them will come back here where the civilized society is waiting for them to get off their insane trip. some of us with arms wide open, as we also lost some loved ones to this insane cult.
this Orange Walder (TM Ten Bears) must be become a symbol of something better. something that will really make Murica great again. his sentence must become democracy’s kick into the fascist’s balls. it must be hard, or we can all piss our pants waiting for 2033.
Mr Derp,
To: “A Game of Thrones Community for Breaking News, Casting, and Commentary”
[Part 1 of 2]
It galls me when people rip off Game of Thrones catchphrases, especially out of context.
Please tell me what you think about Rudy Giuliani’s exhortation, “Let’s have trial by combat,” in his Jan. 6, 2021 speech at Trump’s “Stop the Steal” rally preceding the attack on the Capitol; and his subsequent explanation of his remarks. I thought his explanation was disingenuous. Am I wrong?
First, here’s an excerpt from his speech on January 6, 2021:
[video excerpt:]
https://nymag.com/intelligencer/amp/2021/01/watch-giuliani-demand-trial-by-combat-to-settle-election.html
[Excerpt of transcript:]
“…Over the next 10 days, we get to see the machines that are crooked, the ballots that are fraudulent. And if we’re wrong, we will be made fools of. But if we’re right, and lot of them will go to jail. So — let’s have trial by combat.”
– Rudy Giuliani, at rally 1/6/21
(continued below)
Part 2 of 2 (cont. from 6:55 am)
Rudy Giuliani’s explanation to Brett Samuels, reporter for The Hill, on January 12, 2021
https://www.businessinsider.com/giuliani-claims-trial-by-combat-comment-game-of-thrones-reference-2021-1
According to reporter Brett Samuels:
“I asked Rudy Giuliani about his call for “trial by combat” during last week’s rally that preceded the Capitol riots. He first explained the concept by referencing Game of Thrones, then rejected the idea that he was referencing physical violence or that it incited the crowd.”
[Transcript of conversation]:
Giuliani: “I was referring to the kind of trial that took place for Tyrion in that very famous documentary about fictitious medieval England. When Tyrion, who is a very small man, is accused of murder. He didn’t commit murder, he can’t defend himself, and he hires a champion to defend him.”
Samuels: “You’re talking about Game of Thrones?”
Giuliani: “100 percent. And I’m talking about trial between machines. In fact you’ll see it comes up exactly in the context of I challenge them to allow us to examine their machines. And then I say the consequences of the trial by combat will be if they prove that we’re wrong, we’ll be exceedingly embarrassed, we’ll be disgraced. If we prove they’re wrong, they go to jail.”
“So, I explain it in proper proper context. It incited no violent response from the crowd. None. The crowd didn’t jump up saying ‘lock him up, throw him in jail, go to hell.’ I’ve had speeches where people jump up and say, ‘lock him up.’ It was not an emotional – it was not an emotion-inspiring part of the speech. So, to try to take it out of context and use it is typical of the crooked left and press.”
——-
“Let’s have trial by combat” meaning a “trial between machines”??? WTF? Were his words on Jan. 6 susceptible to that interpretation?
Aside from inaptly describing Game of Thrones as a “famous documentary,” is there any way Tyrion’s demand for a battle to the death between two contestants to decide guilt or innocence could be construed in context as “a trial between machines?” Were “the crooked left and the press” taking Giuliani’s words “out of context”?
As I recall, Tyrion himself (in S4?) slammed the gods for the barbaric and violent method of deciding guilt or innocence by having two contestants try to hack each other to death.
Further, every instance of “trial by combat” on the show, e.g., Bronn vs. Ser Vardis (?) in S1; Sandor vs. Beric in S3; and Oberyn vs. Gregor in S4, involved physical violence as an alternative to a nonviolent assessment of evidence and testimony to adjudicate the truth of accusations. In that regard, by January 6, 2021 sixty court cases had already “proved” that Giuliani’s assertions that the
“machines were crooked” and “ballots were fraudulent” were completely bogus. Wouldn’t demanding “trial by combat” at that point only mean a violent confrontation?
I figure anyone who was familiar enough with the show to know about Tyrion – and Tyrion’s two trials by combat – couldn’t possibly refer to “trial by combat” as anything but physical violence. (For that matter, I couldn’t identify the two champions in a supposed “trial between machines.”)
I’ve parsed Giuliani’s words on January 6, and his explanation a week later, and cannot reconcile them. Did his explanation make sense to anyone in the fandom?
I think the context of these trial by combats is pertinent since they were requested as a last resort to save his life. That Tyrion was lucky enough to get a volunteer, it gives them him a chance to legally escape death.
If that champion fails, there’s no Tyrion going to jail or having to live with embarrassment. Instead, that means curtains.
Typo!
*it gives him a chance[…]
Oh, crap, I just noticed I didn’t post the second part of my comment ^^;;
In these cases, I don’t think trial-by-combat was done as an alternative to genuine, nonviolent assessment of evidence and testimony pertaining to the accused’s guilt and it’s not like such trials are typical in Westeros. They’re more like spectacles with a pre-determined ending. In Tyrion’s cases, calling for a champion were both last ditch efforts to legally avoid death. In Sandor’s case, it seemed Beric was letting the gods determine Sandor’s guilt or innocence with regard to killing Mycah. I don’t think Beric would have been assessing Sandor’s guilt or innocence otherwise. In a sense, it kind of is up to the forces that be when it gets to that point.
I can’t speak to Giuliani’s words at all since I’m not following US politics beyond Trump’s time with the nuclear codes finally being over 🙂
Not getting into present day politics, but the way I understand it is that Trial by Combat was a way to turn over the decision to the gods. In reality it was a way for the great warriors to do what they wanted! But looking at the injustice in Tyrion’s trial, I can see where Trial by Combat had a place in Westeros. In our history, it could be more like the “ordeal by water” however that tradition wasn’t great if you were innocent, since you would have sunk.
To prove my point, I will quote an Arya scene since #ARLTA.
In this case the god is TLOL
Excerpt from Season 3 Episode 5 script, Kissed by Fire
THE HOUND readies his sword and loosens for battle. LORD BERIC DONDARRION kneels before THOROS. BERIC offers his left hand, and THOROS slices open a long gash in his palm. He then places the sword in BERIC’s right hand. BERIC slides the blade across the open wound and the weapon erupts in flame. THE HOUND is taken aback. Both men take up shields and they set to battle. BERIC gets first advantage, with the flames putting fear in the eyes of THE HOUND. THE HOUND finds his rhythm and the battle becomes more even. BERIC dodges a blow and shoulders THE HOUND to stumble into a fire, sparks erupting. THE HOUND is enraged and makes a poorly chosen charge. He ends up on his knees.
THOROS: Get back.
THOROS pushes LADY ARYA STARK away as the fight comes close to them. THE HOUND regains his footing and begins a brutal onslaught, shattering BERIC’s shield. BERIC stumbles and regroups, pushing THE HOUND back with a series of two-handed swings. THE HOUND falls onto his back, and BERIC’s blow set his shield aflame. THE HOUND launches a wild counter attack while the crowd becomes more excited, and begins to chant.
MEN: Guilty. Guilty. Guilty. Guilty. Guilty. Guilty. Guilty. Guilty. Guilty. Guilty. Guilty. Guilty.
THE HOUND tries to douse his shield, but it continues to burn.
ARYA: Kill him!
After parrying blows, THE HOUND elbows BERIC in the gut. He stumbles backwards.
THE HOUND: (shouts)
THE HOUND unleashes an overhead swing with all his might. BERIC blocks with his flaming sword, but THE HOUND’s powerful blow breaks the blade and cleaves deeply into BERIC’s shoulder and torso. BERIC’s eyes roll and he falls to the ground, dead. ARYA is distraught and THOROS launches himself onto BERIC.
THOROS: Lord, cast your light upon this man, your servant. Bring him back from death and darkness. His flame has been extinguished. Restore it.
THE HOUND: (shouts)
THE HOUND falls to the ground and smashes his shield to the ground, trying to choke the flames.
THOROS: For the night is dark and full of terrors. Lord, cast-
ARYA spins backwards and takes a man’s knife.
GENDRY: Arya, don’t!
THOROS: Bring him back from death and darkness
ARYA runs towards THE HOUND, but GENDRY intercepts her and tackles her off of her feet.
ARYA: No! Let go of me! Let me go!
From the ground, THE HOUND taunts her.
THE HOUND: Looks like their god likes me more than your butcher’s boy.
ARYA: Burn in hell!
BERIC: He will. But not today.
BERIC kneels by the fire, resuscitated, bitter and humbled.
ARYA: You can’t let him go. He’s a murderer. He’s guilty.
BERIC: Not in the eyes of god.
ARYA: You can’t!
BERIC: Enough! The judgment isn’t ours to make.
ANGUY tossed THE HOUND his swords.
BERIC: Go in peace, Sandor Clegane. The Lord of Light isn’t done with you yet.
A man places a hood over THE HOUND’s head and leads him out.
wasn’t this the climax of the Count Rudyula story? he would have killed any opponent with poison pouring out of his scalp. no wait…
Jimmy Kimmel makes some important point about the difference between a family that shits into bowls made of gold and a familiy that shits gold. at about 6:00 in this one:
https://www.youtube.com/watch?v=6oBj8YNfflI
btw, i was shocked by the NY footage. but also entertained in an evil way. it spoke to my darkest sense of humor seeing this bunch of insemination-accidents discussing what to do with what they found at Ted Cruz’s place while the Cow-Anon guy was desperately yelling for his organic pizza (and a chance for mating) in the background. because, that was like Mohammed Atta missing the building five times in a row: too dumb for terrorism.
Adrianacandle,
I see you talked about the same Sandor scene as I quoted…
Adrianacandle,
”In these cases, I don’t think trial-by-combat was done as an alternative to genuine, nonviolent assessment of evidence and testimony pertaining to the accused’s guilt and it’s not like such trials are typical in Westeros. They’re more like spectacles with a pre-determined ending.”
Good point. Trial by combat offered some chance for an accused to defend against false charges, especially since nonviolent “trials” were usually presided over by the prosecutor himself in a kangaroo court, e.g., Tyrion’s fate to be decided by a young boy, Robyn Arryn, already convinced Tyrion had murdered his father, Jon Arryn; and by Tywin, who wanted to be rid of Tyrion once and for all – whether by execution or exile.
(With the qualification that Lena Headey made it impossible for me to hate Cersei), I thought it sucked that the High Sparrow manipulated spineless Tommen to change the rules midstream and outlaw trial by combat, forcing Cersei to defend herself in a rigged trial presided over by the High Sparrow’s stooges. (How’d that turn out for you, you smug potato sack-wearing power hungry hypocrite? 😬 And sorry, I wasn’t too saddened by Tommen’s swan dive either, not after he betrayed his own mother and ordered a “trial” at which she’d surely be convicted no matter what the truth was.) Cersei had a right to choose her champion. The High Sparrow should’ve chosen his own – though that would likely have played into long-held fan speculation that Cersei’s guilt or innocence would be determined by… Cleganebowl!!! [For me, the eventual Sandor-Undead Gregor face off in S8e5 felt … forced.]
At least Beric and Thoros abided by the “rules” of trial by combat and freed Sandor in accordance with the will of the Lord of Light, despite Arya’s insistence that Sandor was guilty. (He wasn’t.)
I guess in the world of GoT, an accused stood a better chance of obtaining justice by demanding a trial by combat rather than submitting to a “trial” presided over by his biased accusers or their flunkies.
Tron79,
”To prove my point, I will quote an Arya scene since #ARLTA.”
. (It took me a few seconds to decipher the acronym.)
While we’re on the subject… in the S1e3 Arya & Sansa argument/table stabbing scene, Arya essentially absolved Sandor of Mycah’s murder and blamed Joffrey, insisting that the Hound simply did what Joffrey ordered him to do: Sandor’s successful defense at his S3 trial by combat.
Ten Bears,
I agree with you here, especially in regard to false charges.
That’s a good way to put it!
Adrianacandle,
Oh, you know who else got unfairly condemned in a rigged, trial by ambush?
However, I would have preferred to see a trial by combat to decide his fate.
Ten Bears,
https://media1.tenor.com/images/c579b630c03b80c62fec92b12f6e5408/tenor.gif
😉
The right to a trial by battle was invoked in an 1818 English court case. The battle didn’t take place and the right to a trial by battle was abolished by statute in 1819. https://en.wikipedia.org/wiki/Ashford_v_Thornton
death by chickenfire,
Orange Walder 🤡 is being ousted from Riverrun today. It’s a beautiful morning.
https://www.youtube.com/watch?v=cJqjlFGZxtE
🗽
Recently, I noticed that the GRRM had posted the following quote on his NOT-A-BLOG site: “Those who don’t know history are doomed to repeat it” — Edmund Burke.
That quote reminded me of an excellent scene between Phillip Seymour Hoffman (RIP) and Tom Hanks from the movie “Charlie Wilson’s War” (I only realized years about the sound of the airplane flying in the background…which makes it all the more chilling of a warning):
To GRRRM’s quote I would add this one:
“On some great and glorious day the plain folks of the land will reach their heart’s desire at last, and the White House will be adorned by a downright moron.” H.L. Mencken.
Sadly, that quote is as relevant today as it was four years ago. If this was a victory, it was I fear, a hollow one. Beware of self-righteousness, of the moral high ground and self assigned superiority. But most of all, beware what you wish for because you might just get it and indeed the road to hell is paved with good intentions.
loco73,
Yes. It’s been a long four years.
https://www.youtube.com/watch?v=RmAqpRFGzRQ
🗓
Coming Up:
Combined Nettles Fancasting + Musical Interlude
Tron79,
Nettles Fancasting
Laura Harrier
• Laura Harrior in “BlacKKKlansman” (2018) –
dance scene, starting at 1:00:
https://www.youtube.com/watch?v=o6synmrDXqU
• The song she’s dancing to is:
🎶 “Too Late to Turn Back Now” (1972) – Cornelius Brothers and Sister Rose
https://www.youtube.com/watch?v=oVZH3EzVZtk
#NETTLES
Speaking of musical interludes:
loco73,
Good choice! 😘
Ten Bears,
LOL…🤓
loco73,
Well then, let’s do a Targaryen-themed Linda Ronstadt song:
“Heat Wave” (1975)
https://www.youtube.com/watch?v=AZozmdeoKk4
🔥 “Burning, burning!” 🔥
A not so musical interlude. Here is a scene from one of my favourite series of all time…one without which I think GOT would not have been possible…Brutus, Marc Anthony and Cicero…in “ROME”
loco73,
I know it wasn’t her fault but something about the delivery of the actress who played Cleopatra in ‘Rome’ reminded me of young Amanda Barrie in ‘Carry on Cleo’ back in the day. https://youtu.be/MLu8IuVmW3I With ‘Penny Dreadful’ Eva Green made me think of young Fenella Fielding as Valeria in ‘Carry on Screaming’ which contributed to my being unable to take ‘Penny Dreadful’ though it wasn’t the sole reason I couldn’t warm to that series.
⚠️ ASNAWP + Cyndi Lauper Temporary Derailment Ahead 🚂
For makeup artists, et al.: It almost looks as if Maisie Williams channeled 1980’s Cyndi Lauper for some of her style choices. Compare:
• Cyndi Lauper, on The Tonight Show, 3/1/1984, singing “Time After Time”
https://www.youtube.com/watch?v=4G7SEL4zwy8
E.g., at 0:55 – 1:30
——-
• Maisie Williams (eye shadow)
https://imgix.bustle.com/lovelace/uploads/344/34974610-e042-0131-6ccf-0aa0f90d87b4.png
👩🏻🎤
I just read an article that HBO signed on to do a Dunk and Egg series!
(in addition to HotD).
Hey Tron! A new post just went up about the planned Dunk and Egg series.
Ok awesome.
Dame of Mercia,
Edit meant to say ‘take Penny Dreadful seriouslyy’.
Ten Bears,
Nina Gold seems to be the most prolific caster in the film industry. Half the films I’ve ever watched were cast by Nina Gold. Is she a person or an agency? Or an aspiration?
the realization that Valyrian is analogous to Norman French in this context (rather than Classical Latin) sent me down a rabbit hole trying to figure out how the Common Tongue might be a hybrid of Valyrian and whatever Proto-Common Tongue the Andals, Rhoynar and First Men spoke (the way English is a Germanic-Romance hybrid language).
English is a creole.